In the Winter of 2016, I fell in love with parking blocks in the depths of an unassuming New Jersey parking garage. Rows and rows of them. Always in pursuit of the best low impact skateboarding I can find, I would spend nearly every night from January through April realizing how much potential these mini concrete flatbars had packed in them. As skateboarders, curbs and parking blocks are up there among the most appealing found pieces of architecture to mash our trucks into and slide our decks across. From those seemingly perfectly polished California red curbs to the crustier east coast hexagons that chip away to exposed rebar, few skaters can say they have gone without hitting a parking block one time or another.
In the midst of this developing love affair, I came across the work of Cory Scroggins, (aka @CoryTheCreative on Instagram) and found another skater out there who seemed to share this affinity for the blocks. In his work, Scroggins has painted blocks of all shapes, sizes and colors, to compose his neon and pastel-heavy aesthetic. Whether busting out his favorites, either lipslides or front/back blunt slides, or having a casual session, Scroggins told us, “to me the parking block is one of the more fun things to skate, especially with your mates. With a fresh waxed block and sesh with your friends, there’s nothing better haha.”
Beyond the blocks though, Scroggins’ art catches the eye through the variety of non-conventional mediums he uses. Random slabs of wood, broken boards, cassette cases and beer cans are all subject to be taken by Scroggins’ brush and reimagined in a colorful second life. Speaking on his choice of canvas, Scroggins says, “I honestly enjoy painting on all different types of objects and items. No real preference as long as it’s not something brand new. There’s just something to an old item or object that tells a story all in itself before I even paint on it.” For example, if you see some of his work on that pint bottle that would have otherwise been trashed, you might see that it’s actually an IPA from that local brewery up the street from his studio called Upland Brewing Co.
As for the other bottles and scraps that Scroggins salvages, you might find them at a pop up art show, of which he has had plenty. When asked about the process and intent behind his shows, he told us, “When I had my first couple of shows years and years ago, I didn’t really know what to expect. Some folks where taken back by my style while other loved what I was doing. When I have these shows I try to have a theme or a message I want to say, instead of just making all about me or my name. In the end I just want to inspire others to be creative and to be comfortable as the kooks they are.”
As for some of these other kooks Scroggins has worked with, his work was notably shown at the Quiet Life’s “The Art of Table Tennis” show alongside the likes of Chris Pastras, Henry Jones and one of his best friends, Lucas Beaufort.
The ping pong paddles he designed helped benefit Long Beach’s homeless community. With impactful goals in mind for shows like this one, it is important for Scroggins to dive right into the creative process when an idea arrives. This way, he can avoid, ideas “sitting in your mind floating around [and] not being put to use. Wasting away. When I get an idea that I’m really excited about, I try to draw it right away so I don’t forget it” he asserts.
Not only is Scroggins dedicated to keeping his ideas from going to waste, he is committed to fostering environments where up and coming creatives can let their ideas out as well. To speak more about his vision, he announced, “I’m working a project to give back to skateboarding and the youth. I’m currently planning out 10 stops at skate shops to have shows and bring art supplies and skateboards to create unique experiences and donate all proceeds back directly to each shop I stop at, in hopes to build up creativity and spark positive change. While this announcement leaves us to question whether or not his tour will breed the next generation of parking block painters, there is one thing for certain: with the eclectic collection of work that Cory Scroggins has produced thus far, those participating will have all the inspiration they need to emulate both his creativity and his humanitarian endeavors.
To follow the upcoming events, drop Cory a follow on Instagram here.
First up, apologies to anyone who read my first post on Instagram yesterday. As my good friend Sean said, “it’s not fully cooked.” Actually, Sean didn’t really say that, but it was the basic idea.
There are so many things changing with Concrete Wave. A new team is coming in. You don’t know most of them but each of them are doing a tremendous job. As we roll things out, you’ll learn more about them with each passing issue.
And speaking of issues, the next issue is almost at press. It’s VERY different than what you have seen before. Visually, you’ll be in for a shock. But have no fear. We are bringing the magazine out at three key events: Shred Expo, Agenda and ISPO. We want to make take notice of what’s cooking here.
Now it’s time for an explanation, confession and apology….and not necessarily in that order.
A confession: A few days ago, our Instagram page turned into a sh*tshow. A Thrasher logo turned into the word POSER placed with an image of a core downhill rider started the ball rolling. Comments quickly turned ugly from one particular individual. This led to outrage…and more outrage and then, well…barf.
From my perspective what started out as fairly odd quickly turned into a cesspool. The comments definitely rubbed some people the wrong way. It was so out of line for Concrete Wave….which I think what made it so viral, awkward and irritating/amusing…and not necessarily in that order!
You start out with this….
And then in 18 years… this!
And then in your 40’s….THIS!
Concrete Wave has always stood for inclusion. Some Instagram comments were truly the antithesis of this philosophy. And skaters got riled up. And so they should have.
The truth is that Concrete Wave doesn’t care what your riding as long as you’re riding. And the kinds of people associated with Concrete Wave feel the same way. Sometimes these people have very different ways of spreading their ideas.
Skateboarding contains a spectrum of behaviours and beliefs. Concrete Wave works with convicts, ex cons,, former heroin addicts, alcoholics and former alcoholics. Vert, freestyle, street, slalom…pools, freeriding, skateparks, downhill…commuter…it’s a community.
The fact is that Concrete Wave offers a very unique perspective within skateboarding. I sincerely believe we need the full spectrum of skateboarding to make it work. Our apologies to those who were angered and/or confused.
If you questioned Concrete Wave and the posts, you did the right thing. Moving forward, we will aim to move things forward!
Those familiar with the name Lucas Beaufort may remember the piece we ran on his wildly popular artwork earlier this year. Behind the colorful characters he paints on top of magazine covers, ads and other skate photos, Beaufort told CW, “My goal is to bring something special to the world. I don’t want to come out with something that you see everyday.”
In the time since that last piece ran, Beaufort has again caught the attention of the skateboarding world in different way: his documentary on the legacy and future of print media, “Devoted.” In the hour long feature, some of skateboarding’s top professionals, photographers, writers and videographers chronicle their feelings on a variety of different issues currently facing print media today.
Speaking about the how’s and why’s of this project in an interview with Jenkem, Beaufort mentioned that his intent is “more about showing the new generation how important print was before the internet era. But I think it would be interesting to know what they think about the documentary.” With that being said, I logged into Gmail and shot Beaufort an message to venture some questions and share some thoughts I had on “Devoted” based on my “internet era” mindset.
To explain a bit further, I should express the predicament I find myself in regarding the subject. I became immersed the skateboard world well after the explosion of digital media, HD video and internet-based content, yet I write for a print magazine. I very often interact with people who lived through an all-print era and continue to fight to prove the value of print today. I look up to those who pushed skateboarding through the work of printed publications and I’m every bit intrigued by the stories of yesteryear, where the industry’s greatest surprises and announcements warranted sanctity in the pages of a monthly magazine. These are moments that Beaufort recalls by stating “back in the days you could (before Internet) you could surprise people with projects, now it’s almost impossible. You always have somebody to spoil it through Instagram.”
At the same time though, I wake up every morning scrolling through an Instagram feed to see how many dream tricks have come to life over the past couple hours.
This is something that Beaufort dually expressed support of by saying “Social media is also a super good tool to promote whatever you want and if you don’t have the big media to support you.”
However, as I find myself writing for this print publication’s digital website, I remind myself that embracing my overall position of neutrality is probably the best way to continue being able to relate to both sides of the coin. Featuring people dealing with similar iterations of this juxtaposition is, by far, the defining element that makes “Devoted” as special as it is.
In regards to the divisions between print and digital, Beaufort himself told me, “To be honest with you I like both. I like to dream with a print photo in my hands as I like to connect super fast with people around the world through social media.” On one hand, he is supported in the documentary by the likes of Steve Berra and Jaime Owens, who support the potential of print magazines, if executed in a sustainable way. On the other hand, his dreams are perhaps more passionately supported by the likes of Skin Phillips stammering with “I don’t know’s” and Marc Johnson nearly in tears over the possibility of a future without print media.
Former editor of Transworld Skateboarding and the Skateboard Mag – Dave Swift
These are critical firsthand accounts of the future of skateboarding’s media landscape as volunteered by some of the foremost players involved. In the end though, the ultimate question of “Where do we go now?” is left to interpretation and subject to the progression of whatever the future may hold. Speaking on this, Beaufort told me “With Devoted I’m not here to tell skateboard magazines who they have to talk with or how do they have to run it. Being that there is a crucial element of the right mixture of people needed to blend together though, Beaufort continued “It’s a team effort. Print has to do the best to get more readers, it sounds cheezy but it’s true. It’s the same with everything, if you want to survive you have to be extremly good, especially today.”
Pro Marc Johnson is devoted to skate mags.
With that being said, I wholeheartedly encourage anyone who wonders where those magazines that used to come to their door have gone to take a look at Lucas Beaufort’s “Devoted” for a comprehensive look into where they came from, where they have gone and when they’ll be delivered next.
Check out “Devoted” in it’s entirety here.
Calleigh Little is doing something quite incredible in the world of skateboarding. She is going across the USA via longboard solo. We caught up with her in Wyoming. Before we get into the interview, here are some of Calleigh’s impressive contest results:
Adrenalina 2016 – 2nd Place Women’s
215 miles – Miami Ultraskate 2017 (Second Place Women’s)
188 miles – Chief Ladiga Sk8 Challenge (Second Place Women’s)
Central Mass Skate Festival 8 – Women’s First Place
Somewhere in Nebraska
Why do you find long distance and downhill skateboarding so enjoyable?
It’s not so much that I find long distance or downhill enjoyable- I truly feel like both disciplines ask things of me I dont normally do. They enable me to extend myself in ways I never would in any other part of life. Long distance requires a mental focus, extensive planning, and full body commitment. I find that when I am in a situation where my entire being is used, I have an opportunity to see how far I can take it. And then I take it further.
Downhill, on the other hand, is a streamline of panic, fear, focus, and commitment. I absolutely adore the moments where I have no idea whats coming up after a turn. How will I react? Do I fully tuck or do I have to prepare for a predrift? When I’m going fast, no other questions matter. I dont worry about student loan bills. Who cares what that guy said to me last night? All that matters is that I make it down safely. I love that.
What made you decide to go solo across the USA?
When I first came out as a transgender woman, the world hadn’t even begun to bring it into the mainstream news. I didn’t have all kinds of acceptance, and I certainly didn’t have the friends I do now. That was 3 years ago. The world wants to make it seem like it’s being shoved down their throats, but its just a new thing the media is okay with talking about.
Now, three years later, I didn’t want to run away from anything. I had friends all over the globe from competing. I wanted to do it solo for me. I came to a point where I wasnt learning anything anymore from the people I interacted with. I knew there had to be more to learn. If I did it with someone else, the experience could have been about our experience together, and not my experience with the world.
Where do you think your competitive spirit comes from?
After a long life of being beaten down and coming up short, I found that my competitive edge was a product of me wanting to rise above. People tend to think that I have always been on top- its simply not the case. I experienced enough life to a point where I had to fight back, I had to be myself, and I had to win. I have been so sick and tired of sitting in the back of the class. I trained and fought and trained a bit more. And when I sat down at the end of the day, I thought about training again.
What has been your best experience so far within skateboarding?
I think the best experience within skateboarding has been the vast amount of friends I made. Every event I attend has people I look forward to meeting, whether it is downhill or long distance. I learned of a world where people encouraged me and pushed me, and made me work for everything I had.
If I had to narrow it down to just one experience, my absolute favorite was winning the Central Mass 8 women’s division. It was a race I attended for years, and I picked up everything I could to figure out how to win it. It was neck and neck all the way to the end and a true photo finish. My friends dumped champagne on me at the podium and for once in my skate life I had earned my title.
What has been the worst experience and how did you deal with it?
Worst experience…they are few and far between. The world is a good place. The absolute worst, though, was when I had just kicked off for the 24 hour Ultraskate in 2017. My biggest competitor had turned around and said, “If you’re going to race as a woman, you need to pee like a woman.” I could have taken it a million ways. I could have dwelled on it for 24 consecutive hours of skating around in a circle. I could have quit. Instead, I appeased the proposal- given that I only urinated once in 24 hours anyways, I retired to the bathroom and peed. The guys usually just drop their shorts and pee as they skate. I did go on to lose to her by only 10 miles that year, but it burned a fire in me to fight harder.
You mentioned at the Longboard Girls Crew website you are lost between jobs and are questioning the meaning of everything. The fact that some stole your intellectual property must have been devastating. Is this trip helping you deal with that loss?
It totally hurt that the company I was working for used me for my creative work, forced me out, and then didn’t pay me. Legally I have all of the rights to everything I created as an independent contractor without a signed contract. I didnt have the means to hire a lawyer. I was flat broke. I began selling my collection of boards and gear to make end’s meat and often went days without eating. It hurt a lot.
I learned, once again, to fight back. Even if I did sue for my rightful property it could have been years of litigation. I wasnt going to see a dime that could have helped me at that moment. I looked for a new career for two months, struggling along, doing 2 or 3 interviews a day and ended up with a job at a burger place. I knew I was worth more than a job at a burger place, so I formulated my plans to follow my dreams. I could only struggle for so long. I sold my motorcycle, stopped paying rent, threw away everything I couldn’t sell, and fit my life in a backpack. With the help of my friends, the companies who support me, and the money I earned from selling my belongings, my dream didnt seem so far off. So I made it happen. No longer was I going to slave away at a job I hated putting money in someone else’s pocket. I realized this life is mine and it is what I make it.
What do you plan to do once this feat is accomplished?
Honestly, I have no idea. I’d love to expand on my blogs and sell them as a book. I’d also love to turn around and go back the other way. Mostly, I plan to take my experience and use it to be the number 1 female distance skater in the ultraskate. As for where I’ll live or what ill do for money, who knows? I still have a tent and a skateboard- the world is my oyster.
Harsh question to ask – but I would like to ask what do you say to people who feel this whole “transgender thing” is all about seeking attention? Instead of seeing your bravery, they just question your entire reason.
Haha. I get these comments all the time. It’s hard for me to take them seriously. Its not about being transgender, and it certainly isn’t for attention. I planned and left for this ride in a month’s time. I’ve been trans for as long as I can remember. I race with the girls as any other girl would. There was an article written about me on Gay Star News that wanted to highlight my identity as a transgender woman because of the relevance to their audience and people saw it as a big slap in the face, like I purposefully slathered my identity around. Trust me, if I could be seen and accepted as any other girl is, I would kill for the chance.
But I think the use of telling people of my transgender identity is more for other trans people in the world. I want them to know I am trans. I want them to see that we dont have to hide in our bedrooms. We can go to the corner store as ourselves and we can be a part of society. As I skate I see all different kinds of people, and the grand majority have accepted me and spoken of my bravery. I think it gets a little twisted when you read it in an article versus witnessing it in real life.
Imagine seeing someone skateboarding past your house with a 30 lb expedition backpack and saying, “You just want attention!” Its a little ridiculous. At the end of the day, I’m out here making my dreams come true, tethered to nothing, while others somehow find a reason to feel taller than me. I’ve never felt taller for making someone else feel small.
What’s been the reaction from the various articles you’ve had written about you?
I spoke about this in the last question a bit, but its really a mixed bag. I can with 100% certainty say that it has been all straight white men who have a problem with me. I am a woman, I have lived as a woman, I have endured the horrible society women live in every day, and their opinions don’t change that. Whether they want to fall back on some pseudo-scientific argument to denounce my gender or just speak out of bigotry, it doesn’t change anything. I have never sought respect from anyone who didn’t have mine.