This Saturday, in MORRO BAY, California, the world premier of Virgin Blacktop will take place. Thanks to the work of Charlie Samuels, this 23-years-in-the-making film will finally be unleashed formally to
the world. This is not to say that it hasn’t been seen. It has – in Nyack, New York back in fall to a local audience. But this particular moment in Morro Bay is the official world premier. I’ve seen the film TWICE and I can tell you that is absolutely is a masterpiece. It is 100% pure stoke. No skater will be unmoved. In fact, I think once this film works its magic on the skate world, you’ll see change within skateboarding. Positive change.
Virgin Blacktop isn’t just about skateboarding. It’s about community. It’s about how we as a society get a long. It’s about life and it’s about celebrating people’s lives. Unlike the Dogtown and Z Boys film which hit 18 years ago, this movie is in completely different head space. If you’re an old school skater, you won’t know any of the main characters (except if you’re a freestyler and the name Joe Humeres rings a bell).
The film will make you think about the positive energy that the act of skateboarding gives us all. If it doesn’t make you want to leap out of your seat and grab your board, chances are you’re either dead or comatose.
To Charlie Samuels and all of the Wizards who are featured in Virgin Blacktop, thank you for inspiring me to love skateboarding that much more! Your film and story is lesson for us all.
But what I’ve never seen is a combination of freestyle AND tattoos!
You gotta take a peek at Nyjah’s new nike sb part, ” ‘Til Death “. Face. Melted.
Also full thread in the forum for this vid here:
By Daniel Fedkenheuer
Every time the skateboarding world sees a new video clip of Aaron “Jaws” Homoki plummeting off another mind-numbingly high roof or of Shane O’Neill effortlessly throwing down a video game-like NBD, the generally accepted boundary for human possibility on a skateboard is notched ever upward. As such, those who look on from below are forced to try to make sense of their place in a community where the accolades for “biggest” and “most technical” seem to already be taken. While some take it upon themselves to challenge the giants and capture the biggest drops, most technical combinations and highest amounts of prize money, there exists another important end of the spectrum.
On this end, through the guise of Instagram usernames and minute-long video clips, we have come to know a growing collective of skateboarders that are making fantastic strides in the way of creativity and are furthering their own sets of boundaries for innovation and technicality. Although their unique skills may not lead them to the bright lights of the next stop on the Street League tour, they have led many of today’s most talented skateboarders to a garbage-filled loading dock somewhere in Los Angeles for the inaugural season of Xtreme Videos’ popular new web series, Trashin. Debuting in late 2017, Trashin saw overnight success as it’s first season received over one and a half million collective views on Facebook. To catch up with some of the folks behind the madness, we got a hold of Director & Editor, Sean Marin along with viral sensations William Spencer and Eric Cummins for their take on how it all went down.
When asked of the show’s beginnings, Marin explained how “The concept of the show was really a brain child of the team work from XTreme Video, a reputable leader in the action sports industry, and Richie Jackson. It came together when Facebook was on the hunt for Action Sports content to air on their Facebook Watch pages and they saw Xtreme Video’s production slate, which had Trashin, and Facebook jumped on it. After that, it was Richie and XTreme’s amazing in house producers Heather Garrow and Nathalie D’Haucourt, who really helped dial in the Trashin series concept.” After this, Marin was recruited to use his background in sports films and skateboarding to put the concept into action and add some design flare along the way. “We really wanted the whole series not only to be focused on the skater’s, giving them the best chance to create and land stuff, but we wanted the feel of everything to be “retro” 80’s and an homage to the 1986 film Thrashin. I’d also be lying if I didn’t say that I was deeply influenced by the Stranger Things series I had just binged watched on Netflix” Marin added.
From there, the people’s champ, Richie Jackson, took over as the show’s host and explained to viewers the method behind the madness they were about to see unfold. His concept was simple: skate the Trash on set in the most creative way possible in two round contest, consisting of Best Trick and Best Line. This way, Jackson’s voice as the modern day godfather of creative skateboarding could be exercised to name the winner of Best Line while the Facebook audience was able to stay engaged through choosing the winner of Best Trick each week. To the tune of $800, a hand-picked cast of some of the world’s best underground skaters were invited to rearrange the elements of their surrounds in any way they thought would compliment their unique styles of skating best. After a few parting words of inspiration, “the skateboarder’s skate competition” as it was dubbed, was underway.
Over the course of five episodes, each thoroughly filled with hammers, the Facebook audience got to witness nonconventional skateboarding performed by those who know the terrain best. Though Concrete Wave will not drop the names of the big winners here, we assure you that the shredding that went down is a sight to me marveled at firsthand. You can check out the first season on Facebook here
Amongst the notable standouts selected to partake, William Spencer and Eric Cummins were both selected to the finale episode and both had great things to say about the experience. First and foremost, the pair each claimed that the freedom of the contest was one of the defining aspects that made the experience more enjoyable than any other contest that had been a part of in the past. To Cummins, he noted how “Other contests I’ve skated have the obstacles already set and in place. You can’t move anything around, they all have had time limits and you only get a few chances or runs and that’s it. During Trashin you could move and build stuff and try as many times as you like!”
At the same time, Williams told us “I think Trashin, from it’s very inception by Mr. Jackson, has been a cry for something different, something new, and most of all, something as creative at it could possibly be, for being a contest that is. Competing as it were in this “contest” has been nothing like what you might expect when people throw the word around. It is in fact best case scenario in my opinion.” As Williams went on, he praised the way that the Trashin crew placed little constraint on the time and space needed for him to work his magic. In the process of building his features, he delighted in getting the choice to select what type of obstacles he would be judged on and the crew’s leniency on how exactly his entries for Best Trick and Best Line were considered. As such, Williams also hailed the filmers’ realistic approach to operating the cameras just as if they were filming a video in the streets and the ensuing collaboration with backup filmers to get the right mix of action and storytelling shots.
Another standout component that both mentioned was the inspiring, yet laid-back atmosphere of skating amongst some of the most creative minds in skateboarding today. They agreed that time granted to figure their approaches out combined with the hype that came with skating amongst new friends led to a happy medium of both comfort and high energy. To comment on skating in the presence of his competitors, Williams claimed, “I was so happy to meet those guys and to put personalities to such skillful skating and remarkable drive to create newness in skating. They rule. I was beside myself in awe of how many fantastic tricks they came up with and got done in so short a time.”
In the end, both Cummins and Spencer both thanked “The Featch” himself for selecting them to take part in the first season. In Cummins’ own words he said, “I really am just so grateful to have been a part of Trashin, met Richie Jackson, and skated alongside so many amazing skateboarders.” As for Williams he said, “I am so flattered and grateful to Richie for asking me to be a part of it. I can’t thank the filmer’s enough for their patience, time, energy and just generalized encouraging words they always gave along the way in the filming process. You know who you are Mike, Holden, Garrett, Troy and Hunter.”
As for the future of the series, Sean Marin chimed back in to tell us that he is unable to confirm nor deny the possibility for a reboot. However, he was quick to add that with the continued watching and sharing of Trashin, the possibility of another season of one of the most engaging contests in skateboarding today is open.
Welcome to the new website.
Pardon the dust. We hope you like the new website and enjoy it! But, it’s far from done. In fact, it will never be done, because we will always be working on improving it to keep up with it’s own natural purpose to be an extension of the skateboarding world that has shaped us. The site will continue to improve in this regard with a mission to evolve forever with skateboarding rather than focus on resisting change or why things aren’t “the same” anymore. How can we ensure supporting and keeping up with the evolution of skateboarding? Simple. By being by skateboarders, for skateboarders, always, and never losing touch with the real world of skateboarding. That’s exactly where you come in. We want to see your images and clips and read your stories. Please, FILL this site with the real world of skateboarding and help us make it about the roots while we at the same time find new and cool ways to connect and evolve with the people that make skateboarding awesome. With this mission in mind, to connect real skaters everywhere of all styles and skill levels, this site isn’t just for you as a skater:
This time, it’s by you.
What do we mean? How can you help build our community and the skateboard industry? Well, it’s not just about reading awesome editorials by Michael and Bud & and others (they have done a fantastic job over the years so hats off to them). We will always have that side of the mag and we hope to support it in new ways through the new site. But, this time when we do it’s about the community, about the skaters creating content and getting out there on the web with us, to share in the stoke. So, we want to read YOUR posts and articles. We want to let YOU be the publishers, too, right along with us. We will be in forums with you and we hope to generate an actual two way dialogue within the industry and skate community that helps us do our best to craft the site’s evolution according to what YOU want out of it and what the skateboarding world really wants. No corporate agendas. Real skaters. How can you specifically get involved?
Well, so many easy ways:
- Sign up and show your support by completing your profile and putting a face to the name. Put a cover photo and profile photo up and you’ll show up in our community page. Feel free to use your real name or a pseudonym, it’s up to you!
- Post in the forums. Share your skate pics, your skate instagram posts, your skate clips, your stories, your skateboards, your designs, your opinions, and your passions. But, most of all, share the stoke and spread high fives and positive vibes. Haters and negatrons will be banned! Try to have fun.
- Read our past issues and watch our vids! They’re up on the site and we’ll be adding more and more media to enjoy.
- Design custom finger boards and skateboards in the shop. This feature is being rolled out to certain members only in the first week, and it will go public to everyone. So, sign up soon to be part of the early release! If you don’t see it yet, just check back in a day or two.
- Share us on social media. Read a cool article or see a cool post? Share it on FB, IG, Pinterest, or wherever you like to share!
- Check Back Often! We’re posting frequently now that we’re up and running, and we’re releasing more really awesome sections soon so don’t be a stranger!
- Go Skate! Don’t forget why we do this! Skateboarding isn’t broken and never was. It’s still is and always was one of the purest forms of freedom and self expression by just having fun. You just have to do it to find out. Get out there. Get on your board. And, go sk8. Do it your way! Don’t conform. Do what you want! And, if you do document it, then when you get back…. post and share your stoke here with us and forever be immortalized in our new forums that will one day be considered the new archives by the skaters, for the skaters. We, for starters, are eagerly waiting to read all of your stories and comments see all of your awesome clips and pics just like you’ve been reading ours over the years.
We’re excited to see what the skateboard community can be here on the new wave. But, don’t worry, the old wave will always live on as well as we also pay tribute with awesome throwbacks and past issues. Hopefully both can come together in one space, and we can share the stoke old and new, as we transition into the next wave here in 2018.
Thanks for reading and being a part of this movement. We have a LOT more than this coming thru the site and all of the great sponsors and groups we’re working with right now to connect networks all over the world through skateboarding. Stay tuned, we’re just getting going!
Now let’s go skate.
In the Winter of 2016, I fell in love with parking blocks in the depths of an unassuming New Jersey parking garage. Rows and rows of them. Always in pursuit of the best low impact skateboarding I can find, I would spend nearly every night from January through April realizing how much potential these mini concrete flatbars had packed in them. As skateboarders, curbs and parking blocks are up there among the most appealing found pieces of architecture to mash our trucks into and slide our decks across. From those seemingly perfectly polished California red curbs to the crustier east coast hexagons that chip away to exposed rebar, few skaters can say they have gone without hitting a parking block one time or another.
In the midst of this developing love affair, I came across the work of Cory Scroggins, (aka @CoryTheCreative on Instagram) and found another skater out there who seemed to share this affinity for the blocks. In his work, Scroggins has painted blocks of all shapes, sizes and colors, to compose his neon and pastel-heavy aesthetic. Whether busting out his favorites, either lipslides or front/back blunt slides, or having a casual session, Scroggins told us, “to me the parking block is one of the more fun things to skate, especially with your mates. With a fresh waxed block and sesh with your friends, there’s nothing better haha.”
Beyond the blocks though, Scroggins’ art catches the eye through the variety of non-conventional mediums he uses. Random slabs of wood, broken boards, cassette cases and beer cans are all subject to be taken by Scroggins’ brush and reimagined in a colorful second life. Speaking on his choice of canvas, Scroggins says, “I honestly enjoy painting on all different types of objects and items. No real preference as long as it’s not something brand new. There’s just something to an old item or object that tells a story all in itself before I even paint on it.” For example, if you see some of his work on that pint bottle that would have otherwise been trashed, you might see that it’s actually an IPA from that local brewery up the street from his studio called Upland Brewing Co.
As for the other bottles and scraps that Scroggins salvages, you might find them at a pop up art show, of which he has had plenty. When asked about the process and intent behind his shows, he told us, “When I had my first couple of shows years and years ago, I didn’t really know what to expect. Some folks where taken back by my style while other loved what I was doing. When I have these shows I try to have a theme or a message I want to say, instead of just making all about me or my name. In the end I just want to inspire others to be creative and to be comfortable as the kooks they are.”
As for some of these other kooks Scroggins has worked with, his work was notably shown at the Quiet Life’s “The Art of Table Tennis” show alongside the likes of Chris Pastras, Henry Jones and one of his best friends, Lucas Beaufort.
The ping pong paddles he designed helped benefit Long Beach’s homeless community. With impactful goals in mind for shows like this one, it is important for Scroggins to dive right into the creative process when an idea arrives. This way, he can avoid, ideas “sitting in your mind floating around [and] not being put to use. Wasting away. When I get an idea that I’m really excited about, I try to draw it right away so I don’t forget it” he asserts.
Not only is Scroggins dedicated to keeping his ideas from going to waste, he is committed to fostering environments where up and coming creatives can let their ideas out as well. To speak more about his vision, he announced, “I’m working a project to give back to skateboarding and the youth. I’m currently planning out 10 stops at skate shops to have shows and bring art supplies and skateboards to create unique experiences and donate all proceeds back directly to each shop I stop at, in hopes to build up creativity and spark positive change. While this announcement leaves us to question whether or not his tour will breed the next generation of parking block painters, there is one thing for certain: with the eclectic collection of work that Cory Scroggins has produced thus far, those participating will have all the inspiration they need to emulate both his creativity and his humanitarian endeavors.
To follow the upcoming events, drop Cory a follow on Instagram here.
Those familiar with the name Lucas Beaufort may remember the piece we ran on his wildly popular artwork earlier this year. Behind the colorful characters he paints on top of magazine covers, ads and other skate photos, Beaufort told CW, “My goal is to bring something special to the world. I don’t want to come out with something that you see everyday.”
In the time since that last piece ran, Beaufort has again caught the attention of the skateboarding world in different way: his documentary on the legacy and future of print media, “Devoted.” In the hour long feature, some of skateboarding’s top professionals, photographers, writers and videographers chronicle their feelings on a variety of different issues currently facing print media today.
Speaking about the how’s and why’s of this project in an interview with Jenkem, Beaufort mentioned that his intent is “more about showing the new generation how important print was before the internet era. But I think it would be interesting to know what they think about the documentary.” With that being said, I logged into Gmail and shot Beaufort an message to venture some questions and share some thoughts I had on “Devoted” based on my “internet era” mindset.
To explain a bit further, I should express the predicament I find myself in regarding the subject. I became immersed the skateboard world well after the explosion of digital media, HD video and internet-based content, yet I write for a print magazine. I very often interact with people who lived through an all-print era and continue to fight to prove the value of print today. I look up to those who pushed skateboarding through the work of printed publications and I’m every bit intrigued by the stories of yesteryear, where the industry’s greatest surprises and announcements warranted sanctity in the pages of a monthly magazine. These are moments that Beaufort recalls by stating “back in the days you could (before Internet) you could surprise people with projects, now it’s almost impossible. You always have somebody to spoil it through Instagram.”
At the same time though, I wake up every morning scrolling through an Instagram feed to see how many dream tricks have come to life over the past couple hours.
This is something that Beaufort dually expressed support of by saying “Social media is also a super good tool to promote whatever you want and if you don’t have the big media to support you.”
However, as I find myself writing for this print publication’s digital website, I remind myself that embracing my overall position of neutrality is probably the best way to continue being able to relate to both sides of the coin. Featuring people dealing with similar iterations of this juxtaposition is, by far, the defining element that makes “Devoted” as special as it is.
In regards to the divisions between print and digital, Beaufort himself told me, “To be honest with you I like both. I like to dream with a print photo in my hands as I like to connect super fast with people around the world through social media.” On one hand, he is supported in the documentary by the likes of Steve Berra and Jaime Owens, who support the potential of print magazines, if executed in a sustainable way. On the other hand, his dreams are perhaps more passionately supported by the likes of Skin Phillips stammering with “I don’t know’s” and Marc Johnson nearly in tears over the possibility of a future without print media.
Former editor of Transworld Skateboarding and the Skateboard Mag – Dave Swift
These are critical firsthand accounts of the future of skateboarding’s media landscape as volunteered by some of the foremost players involved. In the end though, the ultimate question of “Where do we go now?” is left to interpretation and subject to the progression of whatever the future may hold. Speaking on this, Beaufort told me “With Devoted I’m not here to tell skateboard magazines who they have to talk with or how do they have to run it. Being that there is a crucial element of the right mixture of people needed to blend together though, Beaufort continued “It’s a team effort. Print has to do the best to get more readers, it sounds cheezy but it’s true. It’s the same with everything, if you want to survive you have to be extremly good, especially today.”
Pro Marc Johnson is devoted to skate mags.
With that being said, I wholeheartedly encourage anyone who wonders where those magazines that used to come to their door have gone to take a look at Lucas Beaufort’s “Devoted” for a comprehensive look into where they came from, where they have gone and when they’ll be delivered next.
Check out “Devoted” in it’s entirety here.
Calleigh Little is doing something quite incredible in the world of skateboarding. She is going across the USA via longboard solo. We caught up with her in Wyoming. Before we get into the interview, here are some of Calleigh’s impressive contest results:
Adrenalina 2016 – 2nd Place Women’s
215 miles – Miami Ultraskate 2017 (Second Place Women’s)
188 miles – Chief Ladiga Sk8 Challenge (Second Place Women’s)
Central Mass Skate Festival 8 – Women’s First Place
Somewhere in Nebraska
Why do you find long distance and downhill skateboarding so enjoyable?
It’s not so much that I find long distance or downhill enjoyable- I truly feel like both disciplines ask things of me I dont normally do. They enable me to extend myself in ways I never would in any other part of life. Long distance requires a mental focus, extensive planning, and full body commitment. I find that when I am in a situation where my entire being is used, I have an opportunity to see how far I can take it. And then I take it further.
Downhill, on the other hand, is a streamline of panic, fear, focus, and commitment. I absolutely adore the moments where I have no idea whats coming up after a turn. How will I react? Do I fully tuck or do I have to prepare for a predrift? When I’m going fast, no other questions matter. I dont worry about student loan bills. Who cares what that guy said to me last night? All that matters is that I make it down safely. I love that.
What made you decide to go solo across the USA?
When I first came out as a transgender woman, the world hadn’t even begun to bring it into the mainstream news. I didn’t have all kinds of acceptance, and I certainly didn’t have the friends I do now. That was 3 years ago. The world wants to make it seem like it’s being shoved down their throats, but its just a new thing the media is okay with talking about.
Now, three years later, I didn’t want to run away from anything. I had friends all over the globe from competing. I wanted to do it solo for me. I came to a point where I wasnt learning anything anymore from the people I interacted with. I knew there had to be more to learn. If I did it with someone else, the experience could have been about our experience together, and not my experience with the world.
Where do you think your competitive spirit comes from?
After a long life of being beaten down and coming up short, I found that my competitive edge was a product of me wanting to rise above. People tend to think that I have always been on top- its simply not the case. I experienced enough life to a point where I had to fight back, I had to be myself, and I had to win. I have been so sick and tired of sitting in the back of the class. I trained and fought and trained a bit more. And when I sat down at the end of the day, I thought about training again.
What has been your best experience so far within skateboarding?
I think the best experience within skateboarding has been the vast amount of friends I made. Every event I attend has people I look forward to meeting, whether it is downhill or long distance. I learned of a world where people encouraged me and pushed me, and made me work for everything I had.
If I had to narrow it down to just one experience, my absolute favorite was winning the Central Mass 8 women’s division. It was a race I attended for years, and I picked up everything I could to figure out how to win it. It was neck and neck all the way to the end and a true photo finish. My friends dumped champagne on me at the podium and for once in my skate life I had earned my title.
What has been the worst experience and how did you deal with it?
Worst experience…they are few and far between. The world is a good place. The absolute worst, though, was when I had just kicked off for the 24 hour Ultraskate in 2017. My biggest competitor had turned around and said, “If you’re going to race as a woman, you need to pee like a woman.” I could have taken it a million ways. I could have dwelled on it for 24 consecutive hours of skating around in a circle. I could have quit. Instead, I appeased the proposal- given that I only urinated once in 24 hours anyways, I retired to the bathroom and peed. The guys usually just drop their shorts and pee as they skate. I did go on to lose to her by only 10 miles that year, but it burned a fire in me to fight harder.
You mentioned at the Longboard Girls Crew website you are lost between jobs and are questioning the meaning of everything. The fact that some stole your intellectual property must have been devastating. Is this trip helping you deal with that loss?
It totally hurt that the company I was working for used me for my creative work, forced me out, and then didn’t pay me. Legally I have all of the rights to everything I created as an independent contractor without a signed contract. I didnt have the means to hire a lawyer. I was flat broke. I began selling my collection of boards and gear to make end’s meat and often went days without eating. It hurt a lot.
I learned, once again, to fight back. Even if I did sue for my rightful property it could have been years of litigation. I wasnt going to see a dime that could have helped me at that moment. I looked for a new career for two months, struggling along, doing 2 or 3 interviews a day and ended up with a job at a burger place. I knew I was worth more than a job at a burger place, so I formulated my plans to follow my dreams. I could only struggle for so long. I sold my motorcycle, stopped paying rent, threw away everything I couldn’t sell, and fit my life in a backpack. With the help of my friends, the companies who support me, and the money I earned from selling my belongings, my dream didnt seem so far off. So I made it happen. No longer was I going to slave away at a job I hated putting money in someone else’s pocket. I realized this life is mine and it is what I make it.
What do you plan to do once this feat is accomplished?
Honestly, I have no idea. I’d love to expand on my blogs and sell them as a book. I’d also love to turn around and go back the other way. Mostly, I plan to take my experience and use it to be the number 1 female distance skater in the ultraskate. As for where I’ll live or what ill do for money, who knows? I still have a tent and a skateboard- the world is my oyster.
Harsh question to ask – but I would like to ask what do you say to people who feel this whole “transgender thing” is all about seeking attention? Instead of seeing your bravery, they just question your entire reason.
Haha. I get these comments all the time. It’s hard for me to take them seriously. Its not about being transgender, and it certainly isn’t for attention. I planned and left for this ride in a month’s time. I’ve been trans for as long as I can remember. I race with the girls as any other girl would. There was an article written about me on Gay Star News that wanted to highlight my identity as a transgender woman because of the relevance to their audience and people saw it as a big slap in the face, like I purposefully slathered my identity around. Trust me, if I could be seen and accepted as any other girl is, I would kill for the chance.
But I think the use of telling people of my transgender identity is more for other trans people in the world. I want them to know I am trans. I want them to see that we dont have to hide in our bedrooms. We can go to the corner store as ourselves and we can be a part of society. As I skate I see all different kinds of people, and the grand majority have accepted me and spoken of my bravery. I think it gets a little twisted when you read it in an article versus witnessing it in real life.
Imagine seeing someone skateboarding past your house with a 30 lb expedition backpack and saying, “You just want attention!” Its a little ridiculous. At the end of the day, I’m out here making my dreams come true, tethered to nothing, while others somehow find a reason to feel taller than me. I’ve never felt taller for making someone else feel small.
What’s been the reaction from the various articles you’ve had written about you?
I spoke about this in the last question a bit, but its really a mixed bag. I can with 100% certainty say that it has been all straight white men who have a problem with me. I am a woman, I have lived as a woman, I have endured the horrible society women live in every day, and their opinions don’t change that. Whether they want to fall back on some pseudo-scientific argument to denounce my gender or just speak out of bigotry, it doesn’t change anything. I have never sought respect from anyone who didn’t have mine.