This Saturday, in MORRO BAY, California, the world premier of Virgin Blacktop will take place. Thanks to the work of Charlie Samuels, this 23-years-in-the-making film will finally be unleashed formally to
the world. This is not to say that it hasn’t been seen. It has – in Nyack, New York back in fall to a local audience. But this particular moment in Morro Bay is the official world premier. I’ve seen the film TWICE and I can tell you that is absolutely is a masterpiece. It is 100% pure stoke. No skater will be unmoved. In fact, I think once this film works its magic on the skate world, you’ll see change within skateboarding. Positive change.
Virgin Blacktop isn’t just about skateboarding. It’s about community. It’s about how we as a society get a long. It’s about life and it’s about celebrating people’s lives. Unlike the Dogtown and Z Boys film which hit 18 years ago, this movie is in completely different head space. If you’re an old school skater, you won’t know any of the main characters (except if you’re a freestyler and the name Joe Humeres rings a bell).
The film will make you think about the positive energy that the act of skateboarding gives us all. If it doesn’t make you want to leap out of your seat and grab your board, chances are you’re either dead or comatose.
To Charlie Samuels and all of the Wizards who are featured in Virgin Blacktop, thank you for inspiring me to love skateboarding that much more! Your film and story is lesson for us all.
But what I’ve never seen is a combination of freestyle AND tattoos!
Today is March 8th. it’s International Women’s Day.
Did you know that?
The truth is my wife reminded me – but I thought it was on the 11th. Turns out that is the day many folks are gathering this weekend for rallies.
By a strange coincidence, March 11 is my mom’s birthday AND the day I met Noel Korman in 2011 at the world’s first longboard trade show in NYC.
In most years, I’d be working on the April issue and waiting for the March Buyer’s Guide to come back from the press.
That didn’t happen this year. But more on that in a moment.
I used to put a huge amount of focus getting the magazine out at the specific time. Speaking of time, I spent a huge amount time chasing advertisers to get their ads or listings in for deadline. Speaking of advertisers, happy to report we one new Swiss advertiser – Rocket Longboards.
Thanks to a series of events, I have the time to focus on things that connect all skaters. And that’s why I am writing this column. My first shout is to Candy Dungan, who is our associate editor. Can you spot her in this layout? Candy is right there…on the top left!
I encourage you to get out there and roll for women today. Think of what is must be a woman in Vatican City, the only place in the world where women can’t vote.
And in Belarus, women can’t become truck drivers. Then again, if you think about it, it was only 1971 when women got the right to vote in Switzerland.
For those male skaters who can’t understand what your role is today, here’s my take:
Get out there and skate. Enjoy everything the act of skateboarding gives you. Freedom and fun springs to my mind. If you run into some female skaters or just females, treat them the way you’d like to be treated. If they are new skateboarding, stoke them out. If they’ve been riding longer than you, take the time to learn from them. If you just do that, you’re rolling for peace – that is your role. If you want to march, or support women
in some other way , that’s also cool too.
So, here’s to women everywhere in skateboarding! Thank you for being here! Girl is NOT a 4 Letter word!
Tip of the hat to:
BTW: Our next roll is April 22 – Earth Day.
Come join us in Toronto for this event
Spots are available for your product – it is green
And check out Peggi Oki’s charity that fits perfectly with April 22.
A quick glance over at Amazon USA and you can get into a longboard for $29.99
YIKES! (just kidding about the roll over image part!)
And here’s something else to consider – FREE SHIPPING
How the F**K does this even work? Shipping has to cost something. A big box like this has to be at least $15 to ship.
But don’t take my word for it, have a look at the reviews.
I am not suggesting that we shouldn’t have price point products. We should. But can someone please explain to me after you:
- take a piece of wood – shape it into a deck and add grip
- add trucks and mounting hardware
- add wheels and bearings
- pay someone to put it together, put it in a box and ship it to the USA
- then ship it from a warehouse to a customer somewhere for FREE
HOW THE HELL DOES THIS EVEN MAKE A PROFIT?
We are devaluing skateboarding one not for profit complete at a time.
History and heritage. This shows credibility and experience right off the bat. The customer should be able to pull plenty of information about the organization on the internet
Their philosophies and core values. Check out their website and see what they are about.
Cleanliness and organization. Visiting the factory not only ensures that they are not brokers themselves, but also allows the customer the ability to check out their organization. We know that all wood shops are dirty or dusty, but not to a point that it looks like stuff is just thrown everywhere
Customer Service. Customer service should be a top priority. Are they taking the time to really meet your needs, or do they just want to take your money?
The desire to work with the customer. A great wood shop would sit you down, ask you questions, and be upfront with you about everything verbally and most importantly, in writing, so there are no discrepancies
Over promises. An experienced wood shop would under promise, and maintain their timeline ( usually between 4 to 6 weeks). Most of the time, they finish the job before then.
The woodshop’s opinion and/or advice. Yes, both parties need to make money. A great wood shop would give their opinion and/ or advice without telling one what to do, hopefully resulting in a production-friendly, quality product. There are no perfect wood shops; they do run into snags and it is to be expected. But make sure that the wood shop communicates this back to you. They should be giving you facts, answers, and solutions…not excuses.
A great wood shop would also let you know that certain processes would be better done by you rather than the wood shop, so you can save money and time. The attitude of the wood shop should be like what’s someone once said , “ We are here to make your life as easy as possible, and help you be successful at the same time.”
How to best handle references?
Great wood shops will not reveal their customers. It’s like a code of ethics to keep their OEM customers at secret. Most likely, a great wood shop will already have a great reputation by simple “word of mouth”. Remember that good references should not only be on the quality of the product, but also on timelines, and especially customer service.
What are some alarm bells that should trigger “RUN AWAY!” ?
This is a tough one, since every wood shop looks great at first even with great references, but do your RESEARCH! If you are caught in the middle of a dilemma, you should look at signs of multiple promises not delivered, and multiple excuses….THIS IS A WARNING SIGN….by the second promise not fulfilled or second excuse….you should start thinking of your exit strategy.
What’s the best way to handle disputes?
Disputes are easy to handle if everything was placed in writing before the start of production. Write everything down, and you as the OEM customer and the wood shop should review the terms. Once agreed to, both parties should sign off on it
Recap e-mails are a must, just in case there were details that needed more attention or were missed. There’s a saying that the customer is always right. That is true most of the time, but if you have everything in writing…there should be no question who made the mistake…it’s either the customer or the manufacturer.
SECTION A – Welcome To the Truth & Real Truth – Introductions Not Really Necessary, But Here They Are Anyway
I started up the Skategeezer Homepage in 1995.
A few of you reading this were there when the NCSDA started. A few others might recall when Silverfish started. I bet a lot of people reading this were there Skate Slate and Wheelbase started.
I was and continue to be very happy to have a front row seat to it all. The last 22 years of my life in skateboarding were truly incredible. But in truth, things have been difficult. A lot of advertisers have decided to spend money on different marketing initiatives. This is code for “we’re spending most of our advertising money on Facebook, Google, You Tube and Instagram.” Btw, it’s not just skateboarding, many very small independent traditional magazine publishers like me are faced with similar issues.
Hey! That’s… Wheelbase!
The truth is that ever since we started this new website, I’ve wondered, will it help or harm? Are the forums going to resonate? What exactly will the experience be like? Am I complete digital imbecile lost in a time warp who never was able to make the damn website work?
But then, I think about how I came to find Sean. You see, Sean is my web guru and thanks to Steve Meketa we met up last summer and set plans in motion to make this website work.
Sean is working like a demon to make things happen Sean’s vision is on point. He knows how to work within the digital world and more than this, he freakin’ loves skateboarding. That’s a deadly combo.
The Truth? The only way to make these next 21 years go by with same amount of fun and passion as the last 21 is for me to truly find my flow again within skateboarding. I am proud to truthfully say – “all systems go”
The Real Truth? Concrete Wave finally has a website that it should have had almost 20 years ago – about freakin’ time! Now the fun begins!
SECTION B – DEMONS UNDER THE BOARDS – AKA WHO’S WHO?
I got a text from my friend Samson. Samson is unique. Samson is curious and truly loves skateboarding. Samon doesn’t just work like a demon, he’s a speed demon. He loves bombing hills. He’s also demon in the kitchen, whipping up fantastic skate grub every time we meet – thank you for your hospitality. He’s also a mind demon and he wrote something to me yesterday that stopped me in my tracks. Curse you Samson for getting into my brain…again!
He wrote have you seen this Vulture Magazine Quincy Jones interview?
Many people reading this post probably don’t know of Quincy Jones. One thing is for sure, you’ve heard of all the major artists he’s produced. Read the damn article. It’s a jaw dropper.
Ironically enough, Jonathan Nuss (now living north of 60) was the one who spread this story on social media.
Like I said, it’s got more bombshells than a year’s worth of Maury
But here was Samson’s take, and I am paraphrasing here – you gotta make a magazine that is as honest and raw like that interview. Don’t be afraid to tell the truth.
After sleeping on Samson’s words, I realized that I need to get writing. Samson unlodged something in my mind. It is time for a raw and honest assessment of the skate industry through the prism of Concrete Wave. It is truly time to comfort the afflicted and afflict the comfortable.
The Truth? After 21 years, I know people who know people...who know things. And it’s time for some illumination on all the bullshit that’s out there. Plus, I know where the bodies are buried.
The Real Truth? Our tip hotline is open. You ready to help us point out about some truly outrageous hypocrisy within skateboarding? Operators are standing by. And if you don’t contact us, Samson or karma will find you.
SECTION C – AKA THE “C” SECTION – WHERE WE CUT TO THE CHASE
God, it’s been a brutal week. The senseless deaths in Florida. This is why the USA needs to have an truthful conversation on making guns a little more difficult to obtain than Kinder Surprises were for the past few decades. If you can regulate printed porn, cigarettes and liquor, you can put the same amount of thought into regulating guns.
My social media feed is filled with “thoughts and prayers” and “parents, raise your kids right” and “2nd Amendment” and “abortion caused this” and more and more statistics.
The Truth? This was the week that I decided to finally stop posting on my personal page. I deleted a number of old posts and set my settings to private. I even removed it from as a shortcut on my phone. Personally, I am over Facebook. I hope a billionaire reads about our gun buy back and we put thousands of skateboards into people’s hands.
The Real Truth? Facebook makes me feel like shit most of the time. I see left/right battling it out. I see my skate heroes posting stuff that makes my headspin. Then I remember, it’s the skateboarding that unites us.
If you want to face our 3 questions…just email me.
Either Samson or I will be happy to put you in the hot seat.
The following song assisted in the production of this newsletter. This song is over 42 years old. Deal with it.
And if you find that track awesome, check out this cover by Phil Upchurch.
Today’s forecast in Toronto is SNOW…followed by more SNOW. The question what the hell are you going to do about it?
Four years ago I published this magazine.
The truth is that sometimes it takes a while for the future to catch up with the present. I am delighted to see that progressive snow resorts like Lakeridge are allowing snowskaters. Tonight a gang from my local skate shop, Longboard Haven are heading out to the hills. As with longboarding back in the day, it’s always rad to hit double digits of riders. This time, I expect dozens of snow skaters to hit the slopes and the stoke level will be at level 5. Kudos to Rob and Chicken for making things happen.
There are of course a number of hotspots for snow skating. Lake Tahoe has had a raging scene for quite some time. But for many skaters, the idea of snowskating is still fairly new. The fact is that snowskating turns a molehill into a mountain. Summer is coming soon, but before that time, we’ve got at least another few months of snow. So get out there and ride!
In the Winter of 2016, I fell in love with parking blocks in the depths of an unassuming New Jersey parking garage. Rows and rows of them. Always in pursuit of the best low impact skateboarding I can find, I would spend nearly every night from January through April realizing how much potential these mini concrete flatbars had packed in them. As skateboarders, curbs and parking blocks are up there among the most appealing found pieces of architecture to mash our trucks into and slide our decks across. From those seemingly perfectly polished California red curbs to the crustier east coast hexagons that chip away to exposed rebar, few skaters can say they have gone without hitting a parking block one time or another.
In the midst of this developing love affair, I came across the work of Cory Scroggins, (aka @CoryTheCreative on Instagram) and found another skater out there who seemed to share this affinity for the blocks. In his work, Scroggins has painted blocks of all shapes, sizes and colors, to compose his neon and pastel-heavy aesthetic. Whether busting out his favorites, either lipslides or front/back blunt slides, or having a casual session, Scroggins told us, “to me the parking block is one of the more fun things to skate, especially with your mates. With a fresh waxed block and sesh with your friends, there’s nothing better haha.”
Beyond the blocks though, Scroggins’ art catches the eye through the variety of non-conventional mediums he uses. Random slabs of wood, broken boards, cassette cases and beer cans are all subject to be taken by Scroggins’ brush and reimagined in a colorful second life. Speaking on his choice of canvas, Scroggins says, “I honestly enjoy painting on all different types of objects and items. No real preference as long as it’s not something brand new. There’s just something to an old item or object that tells a story all in itself before I even paint on it.” For example, if you see some of his work on that pint bottle that would have otherwise been trashed, you might see that it’s actually an IPA from that local brewery up the street from his studio called Upland Brewing Co.
As for the other bottles and scraps that Scroggins salvages, you might find them at a pop up art show, of which he has had plenty. When asked about the process and intent behind his shows, he told us, “When I had my first couple of shows years and years ago, I didn’t really know what to expect. Some folks where taken back by my style while other loved what I was doing. When I have these shows I try to have a theme or a message I want to say, instead of just making all about me or my name. In the end I just want to inspire others to be creative and to be comfortable as the kooks they are.”
As for some of these other kooks Scroggins has worked with, his work was notably shown at the Quiet Life’s “The Art of Table Tennis” show alongside the likes of Chris Pastras, Henry Jones and one of his best friends, Lucas Beaufort.
The ping pong paddles he designed helped benefit Long Beach’s homeless community. With impactful goals in mind for shows like this one, it is important for Scroggins to dive right into the creative process when an idea arrives. This way, he can avoid, ideas “sitting in your mind floating around [and] not being put to use. Wasting away. When I get an idea that I’m really excited about, I try to draw it right away so I don’t forget it” he asserts.
Not only is Scroggins dedicated to keeping his ideas from going to waste, he is committed to fostering environments where up and coming creatives can let their ideas out as well. To speak more about his vision, he announced, “I’m working a project to give back to skateboarding and the youth. I’m currently planning out 10 stops at skate shops to have shows and bring art supplies and skateboards to create unique experiences and donate all proceeds back directly to each shop I stop at, in hopes to build up creativity and spark positive change. While this announcement leaves us to question whether or not his tour will breed the next generation of parking block painters, there is one thing for certain: with the eclectic collection of work that Cory Scroggins has produced thus far, those participating will have all the inspiration they need to emulate both his creativity and his humanitarian endeavors.
To follow the upcoming events, drop Cory a follow on Instagram here.
Those familiar with the name Lucas Beaufort may remember the piece we ran on his wildly popular artwork earlier this year. Behind the colorful characters he paints on top of magazine covers, ads and other skate photos, Beaufort told CW, “My goal is to bring something special to the world. I don’t want to come out with something that you see everyday.”
In the time since that last piece ran, Beaufort has again caught the attention of the skateboarding world in different way: his documentary on the legacy and future of print media, “Devoted.” In the hour long feature, some of skateboarding’s top professionals, photographers, writers and videographers chronicle their feelings on a variety of different issues currently facing print media today.
Speaking about the how’s and why’s of this project in an interview with Jenkem, Beaufort mentioned that his intent is “more about showing the new generation how important print was before the internet era. But I think it would be interesting to know what they think about the documentary.” With that being said, I logged into Gmail and shot Beaufort an message to venture some questions and share some thoughts I had on “Devoted” based on my “internet era” mindset.
To explain a bit further, I should express the predicament I find myself in regarding the subject. I became immersed the skateboard world well after the explosion of digital media, HD video and internet-based content, yet I write for a print magazine. I very often interact with people who lived through an all-print era and continue to fight to prove the value of print today. I look up to those who pushed skateboarding through the work of printed publications and I’m every bit intrigued by the stories of yesteryear, where the industry’s greatest surprises and announcements warranted sanctity in the pages of a monthly magazine. These are moments that Beaufort recalls by stating “back in the days you could (before Internet) you could surprise people with projects, now it’s almost impossible. You always have somebody to spoil it through Instagram.”
At the same time though, I wake up every morning scrolling through an Instagram feed to see how many dream tricks have come to life over the past couple hours.
This is something that Beaufort dually expressed support of by saying “Social media is also a super good tool to promote whatever you want and if you don’t have the big media to support you.”
However, as I find myself writing for this print publication’s digital website, I remind myself that embracing my overall position of neutrality is probably the best way to continue being able to relate to both sides of the coin. Featuring people dealing with similar iterations of this juxtaposition is, by far, the defining element that makes “Devoted” as special as it is.
In regards to the divisions between print and digital, Beaufort himself told me, “To be honest with you I like both. I like to dream with a print photo in my hands as I like to connect super fast with people around the world through social media.” On one hand, he is supported in the documentary by the likes of Steve Berra and Jaime Owens, who support the potential of print magazines, if executed in a sustainable way. On the other hand, his dreams are perhaps more passionately supported by the likes of Skin Phillips stammering with “I don’t know’s” and Marc Johnson nearly in tears over the possibility of a future without print media.
Former editor of Transworld Skateboarding and the Skateboard Mag – Dave Swift
These are critical firsthand accounts of the future of skateboarding’s media landscape as volunteered by some of the foremost players involved. In the end though, the ultimate question of “Where do we go now?” is left to interpretation and subject to the progression of whatever the future may hold. Speaking on this, Beaufort told me “With Devoted I’m not here to tell skateboard magazines who they have to talk with or how do they have to run it. Being that there is a crucial element of the right mixture of people needed to blend together though, Beaufort continued “It’s a team effort. Print has to do the best to get more readers, it sounds cheezy but it’s true. It’s the same with everything, if you want to survive you have to be extremly good, especially today.”
Pro Marc Johnson is devoted to skate mags.
With that being said, I wholeheartedly encourage anyone who wonders where those magazines that used to come to their door have gone to take a look at Lucas Beaufort’s “Devoted” for a comprehensive look into where they came from, where they have gone and when they’ll be delivered next.
Check out “Devoted” in it’s entirety here.
Calleigh Little is doing something quite incredible in the world of skateboarding. She is going across the USA via longboard solo. We caught up with her in Wyoming. Before we get into the interview, here are some of Calleigh’s impressive contest results:
Adrenalina 2016 – 2nd Place Women’s
215 miles – Miami Ultraskate 2017 (Second Place Women’s)
188 miles – Chief Ladiga Sk8 Challenge (Second Place Women’s)
Central Mass Skate Festival 8 – Women’s First Place
Somewhere in Nebraska
Why do you find long distance and downhill skateboarding so enjoyable?
It’s not so much that I find long distance or downhill enjoyable- I truly feel like both disciplines ask things of me I dont normally do. They enable me to extend myself in ways I never would in any other part of life. Long distance requires a mental focus, extensive planning, and full body commitment. I find that when I am in a situation where my entire being is used, I have an opportunity to see how far I can take it. And then I take it further.
Downhill, on the other hand, is a streamline of panic, fear, focus, and commitment. I absolutely adore the moments where I have no idea whats coming up after a turn. How will I react? Do I fully tuck or do I have to prepare for a predrift? When I’m going fast, no other questions matter. I dont worry about student loan bills. Who cares what that guy said to me last night? All that matters is that I make it down safely. I love that.
What made you decide to go solo across the USA?
When I first came out as a transgender woman, the world hadn’t even begun to bring it into the mainstream news. I didn’t have all kinds of acceptance, and I certainly didn’t have the friends I do now. That was 3 years ago. The world wants to make it seem like it’s being shoved down their throats, but its just a new thing the media is okay with talking about.
Now, three years later, I didn’t want to run away from anything. I had friends all over the globe from competing. I wanted to do it solo for me. I came to a point where I wasnt learning anything anymore from the people I interacted with. I knew there had to be more to learn. If I did it with someone else, the experience could have been about our experience together, and not my experience with the world.
Where do you think your competitive spirit comes from?
After a long life of being beaten down and coming up short, I found that my competitive edge was a product of me wanting to rise above. People tend to think that I have always been on top- its simply not the case. I experienced enough life to a point where I had to fight back, I had to be myself, and I had to win. I have been so sick and tired of sitting in the back of the class. I trained and fought and trained a bit more. And when I sat down at the end of the day, I thought about training again.
What has been your best experience so far within skateboarding?
I think the best experience within skateboarding has been the vast amount of friends I made. Every event I attend has people I look forward to meeting, whether it is downhill or long distance. I learned of a world where people encouraged me and pushed me, and made me work for everything I had.
If I had to narrow it down to just one experience, my absolute favorite was winning the Central Mass 8 women’s division. It was a race I attended for years, and I picked up everything I could to figure out how to win it. It was neck and neck all the way to the end and a true photo finish. My friends dumped champagne on me at the podium and for once in my skate life I had earned my title.
What has been the worst experience and how did you deal with it?
Worst experience…they are few and far between. The world is a good place. The absolute worst, though, was when I had just kicked off for the 24 hour Ultraskate in 2017. My biggest competitor had turned around and said, “If you’re going to race as a woman, you need to pee like a woman.” I could have taken it a million ways. I could have dwelled on it for 24 consecutive hours of skating around in a circle. I could have quit. Instead, I appeased the proposal- given that I only urinated once in 24 hours anyways, I retired to the bathroom and peed. The guys usually just drop their shorts and pee as they skate. I did go on to lose to her by only 10 miles that year, but it burned a fire in me to fight harder.
You mentioned at the Longboard Girls Crew website you are lost between jobs and are questioning the meaning of everything. The fact that some stole your intellectual property must have been devastating. Is this trip helping you deal with that loss?
It totally hurt that the company I was working for used me for my creative work, forced me out, and then didn’t pay me. Legally I have all of the rights to everything I created as an independent contractor without a signed contract. I didnt have the means to hire a lawyer. I was flat broke. I began selling my collection of boards and gear to make end’s meat and often went days without eating. It hurt a lot.
I learned, once again, to fight back. Even if I did sue for my rightful property it could have been years of litigation. I wasnt going to see a dime that could have helped me at that moment. I looked for a new career for two months, struggling along, doing 2 or 3 interviews a day and ended up with a job at a burger place. I knew I was worth more than a job at a burger place, so I formulated my plans to follow my dreams. I could only struggle for so long. I sold my motorcycle, stopped paying rent, threw away everything I couldn’t sell, and fit my life in a backpack. With the help of my friends, the companies who support me, and the money I earned from selling my belongings, my dream didnt seem so far off. So I made it happen. No longer was I going to slave away at a job I hated putting money in someone else’s pocket. I realized this life is mine and it is what I make it.
What do you plan to do once this feat is accomplished?
Honestly, I have no idea. I’d love to expand on my blogs and sell them as a book. I’d also love to turn around and go back the other way. Mostly, I plan to take my experience and use it to be the number 1 female distance skater in the ultraskate. As for where I’ll live or what ill do for money, who knows? I still have a tent and a skateboard- the world is my oyster.
Harsh question to ask – but I would like to ask what do you say to people who feel this whole “transgender thing” is all about seeking attention? Instead of seeing your bravery, they just question your entire reason.
Haha. I get these comments all the time. It’s hard for me to take them seriously. Its not about being transgender, and it certainly isn’t for attention. I planned and left for this ride in a month’s time. I’ve been trans for as long as I can remember. I race with the girls as any other girl would. There was an article written about me on Gay Star News that wanted to highlight my identity as a transgender woman because of the relevance to their audience and people saw it as a big slap in the face, like I purposefully slathered my identity around. Trust me, if I could be seen and accepted as any other girl is, I would kill for the chance.
But I think the use of telling people of my transgender identity is more for other trans people in the world. I want them to know I am trans. I want them to see that we dont have to hide in our bedrooms. We can go to the corner store as ourselves and we can be a part of society. As I skate I see all different kinds of people, and the grand majority have accepted me and spoken of my bravery. I think it gets a little twisted when you read it in an article versus witnessing it in real life.
Imagine seeing someone skateboarding past your house with a 30 lb expedition backpack and saying, “You just want attention!” Its a little ridiculous. At the end of the day, I’m out here making my dreams come true, tethered to nothing, while others somehow find a reason to feel taller than me. I’ve never felt taller for making someone else feel small.
What’s been the reaction from the various articles you’ve had written about you?
I spoke about this in the last question a bit, but its really a mixed bag. I can with 100% certainty say that it has been all straight white men who have a problem with me. I am a woman, I have lived as a woman, I have endured the horrible society women live in every day, and their opinions don’t change that. Whether they want to fall back on some pseudo-scientific argument to denounce my gender or just speak out of bigotry, it doesn’t change anything. I have never sought respect from anyone who didn’t have mine.
Met another one of my Hero’s of the Skateboarding Culture the other night, and she should be your hero too!
This is Sally Anne Sheridan. I’d always heard about Sally Anne Miller (pre marriage to Don Sheridan) in the 1970’s in her skateboard industry days, but had never met her. She built the world’s first City Owned Municipal/Public Skatepark in Irvine California. Whether you love it or not, they are the future of accessible skateboarding for all and she started it in 1976.
She did much more for and with skateboarding like running the ISA International Skateboard Association out of Costa Mesa no less, but let’s start with the story of the Irvine Run.
It was a very fun snake run leading to a banked semi bowl area at the bottom. I rode this place many times, loved it a lot, and sadly was there the day they came, asked us to stop and started Jackhammering it. That was not a fun day. (Pics of me skating it on two polaroids next to the pic of her and I). She told me she was with the City of Irvine Parks and Recreation department and local skaters and Hobie Teamriders like Steve Shipp said they wanted somewhere to skate, she asked what they want, and the snake run is what they came up with. If only it was that easy today, we’d have even more skateparks than we do.
She said they had no idea what they were getting into and that once the skate world got word of this free public skatepark skaters from a hundred miles around all converged and there were hundreds of skaters there everyday. They had built condos right next door which you can see in my skate pics. They got complaints about noise etc. They first built that big wall to quiet it down but still got too many complaints and eventually promised the residents it would be removed.
David Paul Lacey hits the first ever municipal skatepark in Irvine, California.
Several years later at the typical pace of a city the item came up in the Irvine city’s public works list of things to do, and even though it was now much calmer now and usually 10 people or so would be skating anytime we skated, it was still scheduled to be removed and couldn’t be stopped. One day I believe in 1982, we were asked to stop skating, they pulled the trucks up and started Jackhammering, that was a sad day. I am beyond stoked to have gotten to spend lots of time in the world’s first public skatepark and will forever be grateful to Sally Anne and crew for making that happen.
Sally Anne did so much more for skateboarding, including making sure skateboarding continued to exist, because there was a point when the Consumer Products Safety Commission was considering banning skateboard deeming them too dangerous of an item to be sold.
Here’s a post from Dave McIntyre
Sally was an Ivy League graduate and was asked to help head up what became the ISA. She had to help sell skateboarding as safe, and standards were set to get people wearing safety equipment and sell the sport as safe before it was made illegal to manufacture skateboards, and believe me they can do that.
Luckily that battle was won and we are all here today to tell these stories. It could be a different world today had that happened and it might have been a footnote in history and all the joy we have enjoyed on our boards may not have existed. Such a crazy thought, thanks again for helping us get through that one Sally and crew.
The ISA or International Skateboard Association also ran pro contests, set the standards etc.
After meeting Sally, I called Glenn Miyoda, an old friend who went to the same high school as me and was friends with my sister. I knew he’d have some insights and knowledge. He was a Photographer for Hobie in the early days, and come to find out he also ended up working with Sally Anne for the ISA. He shared story after story from how she sought to find the right people to set standards for contests, like how to measure the height of an air as airs started coming into play in contest, how she collected money, and a good one about her putting Mr. Bennett in his place once during a meeting.
Basically he told me she was kind, smart, hard working and a hell of a bad ass when she needed to be 100% thumbs up from Glenn Miyoda who I have 100% faith in sharing skate history with.
I don’t have all day to keep writing but I will end with the funniest story she told me all night. She said among her jobs was to make the riders wear their safety gear, and one she always got a lot of grief about it from was Tony Alva. She told me a story of walking up to him once, and him thinking he would get a rise out of her, dropped his pants. She told me she just calmly looked down at his exposed private parts, told him on a scale of 1-10 I’ll give it a 2, and then everyone started laughing including Tony.
That cracked me up. Ironically, she is now married to Don Sheridan, who worked with Zephyr back then and asked Tony Alva “who is that cute lady” when they were at some TV filming or something like that. Well that was the start of something and now Don and Sally Anne Sheridan live in Laguna Beach and have been married for 39 years.
Sally is 82 now and I look forward to going and spending some more time with her and Don and learning more of the untold stories of the skateboard world.
I am a very fortunate guy to have gotten to participate in so much in skateboarding for the last 40 years.
Amazing story on Tony Alva from 1978 from People Magazine.
And a post from Mofo (ex Thrasher photographer and CW contributor) about Sally
Over the weekend we hit up the local skatepark in my hometown area. The same old prefab ramps, still standing like a decrepit stonehenge, the ancient ruins of teenage years. Decades of harsh New England white-outs had left the blacktop a cratered moonscape. The blazing summers suns had faded the offensive and misspelled graffiti into nearly unrecognizable spray paint smudges. Overall, the skatepark was in one piece, just as i remembered it, except for one thing…
I love visiting skateparks, at home or abroad, not for the inventive array of obstacles, but for the culture. The petri dish that is the local scene, the faces, the names and the energy of the locals. Appreciating the power of the community that they have constructed. I am always fascinated by the drastically varying subcultures with the subculture. The microcosms contained within 60 square feet of tar and chain link fence.
I was welcomed with nods and smiles from the locals, as me, my brother and my childhood friends entered the park. I inquired of a friendly, smiling local, Jimmy, about the new wooden ramps and DIY ‘crete that speckled and encrusted the park. He happily obliged and told me that he was responsible for the ramps’ construction. I thanked him for provided them.
Within moments, my crew and theirs were skating together, bumping quintessential 90s hip hop anthems, bumping fists and cheering for each other. Everybody was boppin’ and basking in the warm autumn sunlight.
While cruising around in euphoric figure 8s, I noticed out of the corner of my eye, that Jimmy the friendly local, had deserted his skateboard, had turned his back and was excitedly fiddling with something. Figuring Jimmy was frantically rolling a blunt I was bewildered to find that instead of a gutted backwoods wrap, Jimmy was tousling around a wooden ball bound by a string to a wooden dowel.
In his right hand, Jimmy clutched what appeared to be a wooden double-sided hammer, although strangley the face of each hammer head was inverted, concaved, resembling a miniature cup or bowl. Above the dual hammers was a small cone that gently tapered into a blunted tip. A white string, anchored to the base of the handle, flailed wildly in the air attached to a red ball. This red ball, the size of a beer pong ball, had a small hole that tunneled through the entire diameter of the wooden sphere.
A boy on a BMX appeared, and joined Jimmy, and expelling a wooden ball hammer from his pocket. Within moments, the two were fully engaged, shouting and giggling as they spun and casted their balls on a strings, attempting to catch it with either of their hammer cups or to spear it throughout the hole with the tips of their wooden cones.
After observing for a bit, this mutated form of cup-and-ball, I asked Jimmy what the hell was up with that thing. He told me it was called “Kendama” a game originally played by drunken Japanese sailors to pass the time on long sea voyages. Now, according to Jimmy, Kendama-mania has swept the states from coast to coast.
Jimmy elaborated, comparing the cup-ball game to skateboarding. He said that you master certain tricks and then try to do your tricks consecutively in a row, like a line.
This game reminded me much of the hacky sack or even devil sticks sessions of my youth. Flinging an object through the air and trying to catch it, stall it, and then return it to flight. It also reminded me of a string-based perpetual-volley toys like the yo-yo or paddle ball. Even the strange design of the Kendama toy shocked and intrigued me like my first eye witness accounts of fidget spinners.
I’ve seen many fads come and go, toys that were just as fickly picked up as were easily discarded- only to be rediscovered on the dusty shelves of Goodwill. What intrigued me about this new bizarre low-tech gadget was that, it did indeed, remind me of skating. Not only was Kendama a strange looking simple-machine, but to play, you simply needed time and patience. Fine-tuning your motor skills and battling the constraints of gravity were the shared struggle of both Kendama and skateboarding.
Not only was this an light-hearted, nonsensical escape from the mundane pressures of modern living, this game, clearly, had no coach, no team and no opponents. You were free to practice and create maneuvers as you so chose. Not only could you choose how to play but you could also choose to share the play with others, whoever you wanted.
I watched these two young men play for vigorous 20 minute stints, taking breaks to skate and BMX and then returning to their ball string hammers. They practiced their extreme sports in tandem with their string contraption disciple in even increments.
This not only was like skateboarding, it was an intrinsic part of Jimmy’s skateboarding experience.
Kendama was just about enough of a part of Jimmy’s sesh as other peoples’ weed-smoking, shit-talking or dead-eyed staring into their smart phone.
My hometown friends scoffed at the ball string hammer game of the locals, and remarked that they avoided coming to this very park because of the pervasive Kendama culture. I disagreed and said that I enjoyed the locals using the space however they pleased. I felt confident that these young men were outcasts, just as we skaters are, and that they should be cherished just the same.
When I found Jimmy and his BMX counterpart, brought together in Kendama bliss, now filming each other with a GoPro, I was certain that this game, like many other bizarre rituals, are in fact skateboarding. Having fun, expressing yourself and progressing a skill, by means of offbeat physical rhythm, doing what you want, where you want, solitarily or socially, that is what skateboarding means.
The world is a skatepark and you can play whatever you want in it.
This year, #skatetofight Team Rider, Candy Dungan, shared her own sexual assault story in the pages of Concrete Wave. With folks like Harvey Weinstein on many people’s minds, this is an important issue to cover. There is ONLY one skate magazine brave enough to run a story about using skateboards (and luge) as a way of therapy in dealing with the crime of sexual assault. That magazine is Concrete Wave and we are proud to stand with people like Candy and the team at #Skatetofight.
You can see the entire story here:
This year, #Skatetofight is joining Candy and boyfriend Aaron Hampshire in Denver to produce a skate video that takes a stand against sexual assault.
In the video, Candy and Aaron will be discussing the importance of bystanders; the people who are not the perpetrator or victim. They’ll talk about how a bystander can support those in their life who may be victims of sexual assault, and they’ll suggest things everyone can do on a daily basis to help stop sexual assault from happening in the first place. Candy will use her own story, and how Aaron helped her heal, as an example.
“We started this campaign for the same reason we’ve done all of our projects: to help provide hope and healing for victims, and to advise bystanders on how to help,” said Jaden Beau Durrant, #skatetofight organizer. “Those who’ve suffered deserve to have a voice, to know where to get professional help, and to have the emotional support and security from the growing community that #skatetofight provides.”
Candy Dungan is ranked #5 in the World for Downhill Skateboarding Women’s Category. Aaron Hampshire is ranked #3 in the World for Downhill Skateboarding Open’s Category. With their help, #skatetofight is hoping to reach a large audience in a male-dominated industry.
Candy Dungan charges at the Verdicchio race in Italy. Photo: Sven von Schlachta
“It’s obvious the skate industry needs this,” said Candy Dungan. “I post something about sexual assault and no one interacts. I post that my bearded dragon did something funny and get hundreds of likes.” She believes that funding for this video will have to come from outside the skate community in order to impact a community that needs to hear this message.
#skatetofight has created a Kickstarter campaign to raise funds for production. The goal is to raise
$2,500 by Oct. 27th. This is an all-or-nothing campaign; if #skatetofight does not reach their goal, then they will not receive any of the pledged funds. Please stand with us in the fight against sexual assault by sharing this campaign with your audience and asking them to contribute and share.
Be sure to head over to the #skatetofight kickstarter campaign.
#skatetofight is an organization founded in early 2015 with the goal to use skateboarding to help those who struggle with mental illness, and to create a more positive and friendly community for all skateboarders. Over the years, #skatetofight has branched out to help those who struggle with addictions, sexual assault, and the challenges of daily life. Although #skatetofight is our name, they recognize that the core of why skateboarding helps us is because of the passion behind it.
Passions are one of greatest healing and strengthening powers.
#skatetofight on Facebook
Kevin Banahan is both a skate-boarder and a yogi. (The term “yogi” is yoga’s self-explanatory equivalent to the term “skater” in skateboarding for those unaware.)
In the fall of 2013, his desire to teach others the blissfulness of embracing isolated periods of time and simply being in the moment, which he attained through both skateboarding and yoga, came to fruition when he started SKATEYOGI.
Since then, Banahan has become a the full time teacher and he now operates out of a space called Skate Brooklyn. Moreover, what had once started as an organization for adult skateboarding classes, has undergone a youthful takeover. At the time of this writing, SKATEYOGI thrives on kids attending weekend group classes, after school programs and a six week summer camp.
Concrete Wave caught up to Kevin during Week 1 of camp to discuss what goes into a skateboard summer camp for kids.
The day starts by having a communal meeting in spirit of the way SKATEYOGI embraces the idea that skateboarding is more than just riding. Collaborative engagement shows the children how skateboarding is centered around the sense of community that comes with the ride. At the same time, it provides education for skateboarding’s newcomers on the unspoken rules of the culture. Everything from the proper etiquette of riding in an active zone down to the practice of learning to clap their boards to applaud the tricks of others provides kids the foundations needed to roll with. A lesson on the several different ways to get involved in the skateboarding community, even when they are not physically on the board is always a great start to the day.
Next, the kids pad up and hit the streets where Banahan and a handful of adult facilitators bring the campers to a local spot for a shot at the action. The idea of facilitating rather than coaching shows skateboarding to the young kids as a form of creative expression that traditional American pastimes cannot. As the young skaters learn how to ride their boards while interpreting their environment, they embrace the fact that skateboarding (much like the practice of yoga) is not about winning, losing or reaching an ultimate end goal. While the adults are there to mentor on basic riding techniques, the children are left to discover that there is no right or wrong way to embrace their creative freedoms. In fact, Banahan says the most gratifying part of watching the campers figure this out is when they manage to figure out a trick without being taught in the first place.
A cornerstone feature of the SKATEYOGI camp are the sessions on Skate Brooklyn’s brand new micro mini ramp. Here is where Banahan sees the magic of balance come into play for these young skaters. Each with a different style, the campers embrace the time on the mini ramp to find their rhythm on their own and to cheer on their fellow friends. The grand culmination for their week of camp of course comes when the dedicated shralper finally learns to drop in.
In short, he purpose of the SKATEYOGI summer camp is to build kids up, teach them to engage and support their fellow skateboarding peers and teach them to spread this positivity. It is designed to promote socialization and empathy while at the same time fostering an environment of resilient and practical creative exercise. It provides the fundamental guidance and the perfect setting for campers to learn the skills they need and practice the way they want. After all, Banahan says “once you know the rules, then you can break them.” Thus, in the same way that Banahan was able to find the similar parallels from yoga to skateboarding, campers are better able to draw their own parallels from skateboarding to other areas of their lives after a week of camp with SKATEYOGI.
If you were looking to find a Skatebird in their natural habitat, allow me to direct you to some things to keep an eye out for. First and foremost, you gotta keep watch for big yellow beaks on an otherwise human-looking face and body. Looking out for handrails and hubbas is also no brainer. These things practically fly down them. You’ll usually find them sporting Emerica tee shirts and riding Baker decks. These are other telltale signs of a Skatebird. Last but not least, and if you have no idea what the hell I’m even talking about, you have to visit Wales-based illustrator and nose-slider Lewis Taylor’s Instagram page to find them.
On this page, you’ll find dozens of these Skatebirds that have been carving up different terrains over the past couple of years. Since the beginning, Taylor told us, “Skatebird was pretty much my main character when I first started posting on Instagram, he was really basic to start with and then over time developed into more of a real person with just a beak as the only resemblance of a bird.”
If you think this article has all the earmarks of an Artist Profile we did a couple weeks back on fellow skate illustrator, Dustin Ammons, you’re not far off. From one artist to another, Taylor recalls, “After coming across Dustins page and seeing that there was another character similar to mine I got in touch with him and from there we did a collab which I think came out pretty cool!”
Where Taylor’s profile differs and shines, though, is in it’s ever sprawling assortment of subjects and scenes. Some weeks there will be scenes recreated from The Office or The Simpsons. Other weeks feature some nods to the pros like Bryan Herman and Axel Cruysberghs. Then you’ve got silhouette-style works, works where everything is drawn with rubber bands and a bounty of works centered around original characters. When asked if he had a favorite character the artist told us, “I’d say I most enjoy creating my own characters and playing around with swapping body parts for different things or enlarging certain body parts etc.. I also like using scenes from my favourite films as the basis for a lot of my drawings. Basically the less serious it is the more fun I have doing it and that’s what keeps me picking my pens up.”
As for the man behind this all, Taylor cleared up once and for all that his @taygord handle stems from a nickname given to a drunken alter-ego of his. Before that, however, Taylor’s roots begin on a farm in the UK, as a son of an artistically-inclined family. Though his earliest strides in illustration began at primary school-age, Taylor asserts, “Surprisingly I was never really a huge fan of art classes in school though, I just wanted to draw stupid cartoons and skate related stuff. I didn’t take well to choosing themes and using different materials etc.. I’ve always preferred the traditional pencil, pen and paper approach. It’s just clean and simple.” As far as that skate-related aspect goes, Taylor says that an obsession he learned from a couple kids at school took shape on the farm where he build boxes, rails and even a mini ramp to skate endlessly.
Nowadays, he finds a happy medium between of working, keeping up with the illustrations and, of course, skateboarding. When asked whether he preferred putting the cap back on a marker after a long night of illustrating or getting into a noseslide without sticking, he told us “Having a solid skate where I’m landing everything cleanly and avoiding painful falls is always nice but, similarly, finishing an illustration that i’m really happy with is super satisfying. I guess you could say I prefer which ever one I’m performing best at on the day!”
Brad was one of the most genuine people I’ve ever met.
At the beginning of the year when we did a gofundme to get the Old Bro ramp back in shape, all that money went to materials and Brad. He did all the labor. He was completely professional and showed up for work on time every day as if he was punching a clock. He cleaned up every day and when the money ran out, I had to turn him away. He insisted on doing more saying I paid him too much. I didn’t.
A few weeks ago he had agreed to go to Egypt with me next month, to ride his skateboard. He was totally stoked on it and I knew we were going to have an amazing time. There is a big hole in skateboarding today and there is a hole in my heart. RIP my friend, you will be so missed.
Not only did the skateboarding world lose a legend today, but the world lost an amazing person. Brad Edwards, it was an honor to work and skate with you for so many years, and to call you a good friend. I will never forget the fun times and great memories we shared.
You will surely be missed by people all over the world, and your legacy will continue to inspire so many. You were more than an inspiration to me, you taught me so much about skateboarding and about life at such a critical part in my existence and my gratitude for you will forever be owed.
RIP to one of the coolest, most humble, down to earth people I will ever know. He’s up there with Shane now, shredding all that heaven has to offer. Until we meet again one day, thank you Brad, for everything.
Geoff Edwards – Brad’s brother
Thank you all for your prayers and kind thoughts over past few days.
As many of you know Brad recently suffered a significant brain hemorrhage and stroke, and while he initially made a miraculous recovery and we thought he was well in his way to a full recovery, however, his condition rapidly deteriorated and he was unable to overcome the damage to his brain. It is with profound sorrow and broken hearts that we that we have to tell you all we had to say goodbye to Brad…
We know this news comes as a shock to all of you and be devastating to many of you that he called his family and friends, as it has been for us. Brad will obviously be missed by his extended family and freinds he has made all around the world, we all wish he was still with us ready to skate that next pool, bowl, and ditch…
For those that aren’t familiar with Brad’s entire story or least an abbreviated version, Brad was born in 1969 in Framingham, Massachusetts, and lived in Holliston, MA until our family moved to California the day after Christmas in 1972, which Brad thought was great because we had two Christmases that year (one on each coast). Brad grew up in the sleepy little town of Agoura, CA, and started skateboarding at the age four. Brad was always extremely active and involved in outdoor activities like soccer, cross country running, surfing and of course skateboarding. Brad graduated from Agoura High in 1987 and attended Cuesta College in San Luis Obispo.
Brad literally traveled the world skateboarding, surfing, and working for Gravity Skateboards for many years. Recently he has been involved a building skatepark in Tulsa, Oklahoma.
Brad is survived by his brother Geoff and his wife Teri, sister Alison and her husband Tom and his five nieces and nephews (Zach, Jeremy, Peri, Wes and Tess), who affectionally called him “Uncle Rad”.
Details on memorial services will shared with all at a later date. We ask that in lieu of flowers or cards, if you would like to honor Brad’s memory you make a donation in his name to Saint Francis Hospital who provided world class medical care to Brad during his brief battle (details to follow).
As many of you know Brad was always a giver and as his final gift to the world was that he donated his organs that will potentially save the lives of 8 people, and tissue that will benefit as many as 75 additional people.
If Brad were still with us, we are sure he would want the lesson of his life to be, “Be good to each other, and make someone smile today through some small act of kindness, or even a smile”. And he would say the lesson from his death is to get your blood pressure checked on a regular basis and take care of yourselves and each other.
Brad is off on the next leg of his journey to join his parents (Nancy and Paul), and all his friends and family that preceded him, and I’m sure looking forward to the endless perfect wave, and the ultimate skatepark!
We already miss you immensely, but until we meet again skate on little brother, skate on!
Through all these years we’ve received thousand of emails of women and men around the world telling us how they started skating after seeing one of our photos or videos and how their lives have changed thanks to longboarding. How empowered they now feel. And even though not everyone became an avid rider, this feeling stuck in them and affected their lives in the most positive way. THAT feeling is exactly what we want to bring to people who need it the most. Work on how we feel about our Selves and hopefully help see more of the magic inside us. We’ve been empowering people through longboarding all these years. Now we want to take it to the next level.
Us humans have basic external needs like food and shelter and we have others just as important: Love, Self-esteem, respect, education, support… We want to work on these aspects and if possible, bring them to people in need.
So how are we doing this? We’re creating new social projects all around the world and we’re also partnering-up with existing ones actively supporting their initiatives through financial and material support, media coverage, creating mutual actions and directing our audience through personal involvement and/or donations.