Kent Lingevelt, a skateboard and longboard shaper from Cape Town, South Africa is a super chill guy that is in touch with skateboarding and longboarding as part of his life. Kent clearly has has some awesome roads he’s riding out there in Cape Town, which he calls a Longboarder’s Paradise. He has created for himself what many would call a dream job, creating boards and skating his own creations.
A quote from the video:
I know for me, like if the world gets too much I’ll grab a board and I’ll go up Signal Hill and
I’ll just cruise down and look over the city and I’m just like… cool the world is good.”
– Kent Lingevelt (@1:55)
We feel you, Kent!
When it comes to innovation in longboard development, there are endless possibilities for those who make it their mission to experiment with the combination of available building materials in unique ways. For the ones that succeed in creating a functionally distinct solution, the result is a ride unlike anything the community has ever experienced.
Between their adventurous blend of bamboo/maple/birch/fiberglass decks and their 3D printed foot stops and wheel cores, Voxel Boards is a prime example of an up and coming innovator in the Southern California longboarding scene. As the brainchild of Ventura County-based skater, Shawn Jones, Voxel Boards was born out of a desire to experiment beyond traditional street skateboards. Over the past three years, the operation has continued to develop and remains fueled by curiosity.
More recently, I ran into Jones sometime after midnight at one of The Gel Lab’s Downtown LA Sessions. Besides standing out as one of the most approachable people at the session, he also stood out as the only one who had personally hand crafted the board they were riding. To learn a bit more about the story and the mindset behind Voxel Boards, the two of us connected afterwards and chopped it up:
Let’s start from the top: where did your respective interests in longboarding and product development begin?
My interest in longboarding specifically came in 2015. I’ve always been a hands-on, creative sort of person and have a background in engineering and design. I had been into street skating when I was around 13 and spent that Summer by refurbishing and repainting decks that were donated to a skate club that I started at our local Boys and Girls Club. You could say there was a natural marriage of my curiosity to do more with my hands and the love of the sport that got me where I am today.
Between foot stops, wheel cores and decks, how do you separate/break down your efforts?
In a sense, everything is developed as it is required. A deck will design itself over time, so not quite as much attention is required after a design has some age behind it. Our footstop took an afternoon to design, and our wheel cores are being worked on tentatively. My greatest strength is my ability to cross-discipline, and I hope that one day my work will be looked at as a positive contribution to the community.
What was the response like when you gave out your foot stops at one of the following Gel Lab sessions?
That was actually one of my favorite Gel Lab sessions! I had arrived a little later than I usually do and missed a chunk of the session that night. But Ari “Shark” gave me a chance to show off what I had been cooking up and to give back to the community. People were stoked about the different colors and I got a lot of verbal encouragement and support that night. It’s honestly the most accepted I have felt in a given community. People roll up to sessions with my foot stops of their setups, and I’m happy to get so much positive feedback about them!
How do you think 3D printing technology can be adapted to the skateboarding world?
I’m not really the first one to bring this technology to the industry thankfully, so there’s been some things tried and groundwork laid. Landyachtz actually mentioned using 3D printed nose guards during the conception of their Triple Beam deck. I think for 3D printing to be integrated into our community, there has to be more well fit demonstrations of the technology. There seems to be an impression that 3D printed objects are “weak” and other usually negative misconceptions about their potential. I kind of saw potential within that natural skepticism. I realize my foot stop could be a person’s first experience with a 3D printed object, so I wanted to take that opportunity to show that not only could this technology be used for prototyping but for a full fledged products as well.
You mentioned getting into shops in the near future. Are we talking brick and mortar or online shops or some combination of the two?
I want to answer this one in a fun way. (See the image below. A man can dream!)
Definitely a combination of the two. We’re in a unique spot with our direct sales compared to Amazon, since they don’t typically cater to customers who want custom graphics.
What does 2019 hold for yourself and for Voxel Boards?
2018 marked roughly three years since I began. The biggest challenge in my fledgling career is making the transition between garage and shop quality. We’ve expanded into our own workshop, and I am currently in a golden age with our line up of artistic talent! I really want our artists to be a highlight of our brand. I’m currently working on getting new moulds CNC’d and have plans for an Alchemy 808 rework to start off our Spring. I have also been approached by way too many people who want me to make a dancer, so maybe that can be a summer release? I would need a lot of dedicated rider feedback to make something like that work. I want to invest in a laser cutter. Maybe by the end of next year? It would dramatically increase the sophistication of our manufacturing process.
I didn’t get to finish my wheel project this year’s, because I 100% didn’t expect to get a new workspace, and that definitely put a dent in our budget for the year as well as brought me back to square one in terms of setting up to build comfortably.
To keep up with the latest from Voxel Boards, drop them a follow on their Instagram here or keep an eye on their website here for the latest releases.
When you think of old school-styled cruiser boards made in Australia, it’s tough not to have the name Penny come to mind. However, the crew behind Victoria-based, Hunt Skateboards has a completely different project on their hands that combines modern versatility with the glory of 50s/60s skate nostalgia.
At first glance, these boards look similar to the Skee Skate by Tresco but with a contemporary, hand crafted finish and a set of trucks and wheels that look like they could handle far more than the metal wheeled contraptions of decades past. Nevertheless, Founder Alex Hunt claims that it was not one specific board that inspired their hallmark shape, but rather a general appreciation of skateboard manufacturers from that era that has given Hunt Skateboards their direction.
Speaking on the creative process, he told us, “The shape we ended up with actually evolved through trial and error when we were developing our concepts back in 2014. We had tried everything; every shape, style, type as a means of being innovative but we were always drawn back to the basics – the hardwood cruiser – I guess it has a nostalgic quality that can’t be tainted.”
With a tried and true model as the base, the allure of Hunt Skateboards stems from the updated maneuverability that these boards bring to the table. Upon first push, these boards are inherently easy to pick up and ride. As such, their style has been described as something in between a longboard and a Penny Skateboard. These things are designed with speed in mind and come with all the carving abilities to make it happen. They also handle with optimal responsiveness and are resistant to speed wobbles. For a casual cruiser, Hunt Skateboards check all the right boxes.
When it comes to those who have put their boards to the test, Hunt claims their customers range from hipsters to hardcore skaters to surfers to casual skaters of all ages. In line with their vision of creating an accessible ride for all – this is exactly the clientele that Hunt was shooting for. “When we were developing Hunt Skateboards, our primary focus was to develop not only a board that felt perfect under the feet, but also one that suited the broad spectrum of skaters, from beginners to advanced,” Hunt added.
As for the minds behind the brand, Alex Hunt and his partner, Caitlin Jostlear, interestingly ran the operation out of their van for the entirety of 2017. Equipped with a batch of blank decks, the pair set off on a 12 month road trip across the country, putting the finishing touches on boards and selling them as they went. Through their travels, they were able to remarkably get their boards under the feet of skaters in every state in Australia.
By the end of the excursion, van life had run it’s course as the Hunt Skateboards operation left the road with a head full of life lessons and a grip of common sense to continue their endeavors with. Now, instead of a lifestyle of long term travel, the team is about to settle into a sizable headquarters of their own. With half of the space dedicated to a workshop and the other half dedicated as a show room/hang out space, the plans for a new working environment sound like they’ll be the perfect place to further foster Hunt’s craftsmanship. Along with the new space, the team is also gearing up for the release of new hardware featuring the brand’s signature branding.
From there, the future of Hunt Skateboards will be driven by the pursuit of finding good times and celebrating the means of reaching them. To sum this vision up, Hunt concluded by telling us, “We are deeply engaged in what has always fueled the overall culture of skating/surfing and that is its creative, laid-back attitude to seeking a good time and release. With respect to the innovative, forward thinking skateboard manufacturers – to us, it is about keeping it simple and staying true to the core values of the industry. That is, as we have said to others before you, to the likes of when the skateboard was fist invented; it wasn’t about designing something new, rather finding an alternative to surfing when there were no waves. This is what we celebrate – a collective that is about enjoying life and appreciating something that allows one to do so.”
A few weeks ago we did a story on what to look for (and to avoid) when it comes to choosing a woodshop. We know there are many folks out there who are very interested in starting up their own deck company. We heard from Mike Mahoney of Savvy Cycles
and founder of Honey Skateboards.
Mike Mahoney in his shop.
Photo: Jeff Nass
Mike is an expert when it comes to wood and we are delighted to share his insights. Here is just a partial list of things Mike suggest you look for when it comes to choosing the right shop for you.
Does the shop control the environment?
Almost every shop will control temperature but many do not consider humidity. Since wood will shrink or swell as it drys out or takes on moisture, a shop should keep the humidity level within a certain range to reduce the movement of the wood (veneers). They should monitor the moisture content of the wood as well. Veneers should be stored in an controlled environment. Pressed decks should be given the proper time to cure and return to an equilibrium state before they are cut and shaped and stored in a controlled environment until they receive the finish.
Pressed decks should not be stacked to cure, this promotes unequal drying that can cause warping, air need to circulate around all side evenly. A deck that is too dry shipped to Florida will take on a lot of moisture do to humidity and can warp easily, and a deck with a high moisture content shipped to Arizona will dry out considerably and potentially warp and/or crack. Shops may not give you the specifics but they should indicate that they the decks are maintained in an humidity controlled environment for storage of veneers to finished deck. If not, look elsewhere.
Photo: Jeff Nass
What materials does the shop use?
Maple, bamboo, birch, fiberglass, carbon fiber, other or a combination of. I caution the use of bamboo, it cracks easy and best used in a composite construction. I have seen many brand new, never ridden, big name longboards on racks in shops that were cracked. Shops should advise the proper wood species to suit your needs.
Epoxy, PVA or other. Both epoxy and PVA have specific applications. A lot of people think epoxy is best, but are they using the right epoxy for the application. Epoxy should not be press under as much pressure as PVA because it requires some space between veneers to be effective, otherwise you run the risk of a week bond. There are several PVA glues that were specifically design for skateboards. They are water resistant, and designed to work with the characteristics of maple to flex with the wood (AKA “POP”). PVA’s can be pressed with a tighter glue line than epoxy. Epoxy is better suited for composite constuction. If the shop is using consumer PVA or expoy, look elsewhere. These are industrial products used in industry and not available at Home Depot or Lowes.
Photo: Jeff Nass
For years the standard finish used on skateboards was lacquer. Lacquer in not he best finish for outdoor use. The reason it was used so much is that it is required if your graphic is a heat
transfer and it’s easier to apply. Polyurethane with UV protection is better if possible, it is more water resistant.
Water based adhesives and finishes win here. PVA is water based and most finishes are available in water based these days. Epxoy, carbon fiber, fiber glass and bamboo are the losers. Yes, bamboo! It has been marketed as a “green material” due to it incredible ability to regenerate, however, the process required to get the round bamboo into a flat veneer come with a huge carbon footprint, outweighing the green benefits, but no one wants you to know this.
Photo: Jeff Nass
What type of press do you use?
Cold press vs hot press, manual, hydraulic, pneumatic operated, vacuum bag or clamps?
Cold vs hot depends on the materials and the adhesives used. Press time can also play into the equation here. Hydraulic and pneumatic are more production oriented, then manual, vacuum bag and clamps.
Does the press have a pressure gauge?
Adhesive manufactures have a recommended psi. Without a pressure gauge, how do you know if you meet the recommendations or that every board is pressed consistently? Again, epoxy requires less pressure that PVA.
Molds – Do you have stock molds? Can you make custom molds? Who owns the custom mold? If we part ways, can I take “my” custom mold with me?
The type of mold used is directly related to the type of press used. Do you need a one sided or male/female mold? Woodshops often will have a choice of stock molds to choose from. This is a good way to get started because a custom mold can cost upwards of $1000. Molds are often laminated with baltic birch, maple or even aluminum=($$$$$$). Stay away from a shop that recommends using 2×6’s or other framing material to save money. Just like your veneers, the molds should be kept in a controlled environment. A warped mold will only press a warped deck. Molds need to be precise to get consistent and secure glue joints. A CNC cut mold if far superior to a hand shaped mold. A mold can last for 10’s of thousands of decks if taken care of. A mold also needs to be designed to press a given number of boards. This leads to the next question.
There is a large variation in the industry with this. Some will press up to 5 decks in one mold to save time. This creates 5 different decks with respect to the contours, concave, kicktails, and wheel wells. As you stack decks, each decks’ contours get progressively smaller up the stack. Some don’t care, and some do. Pressing 2 decks at a time minimizes the differential range but takes longer to press decks in a production setting. This is a decision you have to make. Consistency or quantity, where is the happy medium?