Mike is an expert when it comes to wood and we are delighted to share his insights. Here is just a partial list of things Mike suggest you look for when it comes to choosing the right shop for you.
Mike is an expert when it comes to wood and we are delighted to share his insights. Here is just a partial list of things Mike suggest you look for when it comes to choosing the right shop for you.
This Saturday, in MORRO BAY, California, the world premier of Virgin Blacktop will take place. Thanks to the work of Charlie Samuels, this 23-years-in-the-making film will finally be unleashed formally to
the world. This is not to say that it hasn’t been seen. It has – in Nyack, New York back in fall to a local audience. But this particular moment in Morro Bay is the official world premier. I’ve seen the film TWICE and I can tell you that is absolutely is a masterpiece. It is 100% pure stoke. No skater will be unmoved. In fact, I think once this film works its magic on the skate world, you’ll see change within skateboarding. Positive change.
Virgin Blacktop isn’t just about skateboarding. It’s about community. It’s about how we as a society get a long. It’s about life and it’s about celebrating people’s lives. Unlike the Dogtown and Z Boys film which hit 18 years ago, this movie is in completely different head space. If you’re an old school skater, you won’t know any of the main characters (except if you’re a freestyler and the name Joe Humeres rings a bell).
The film will make you think about the positive energy that the act of skateboarding gives us all. If it doesn’t make you want to leap out of your seat and grab your board, chances are you’re either dead or comatose.
To Charlie Samuels and all of the Wizards who are featured in Virgin Blacktop, thank you for inspiring me to love skateboarding that much more! Your film and story is lesson for us all.
But what I’ve never seen is a combination of freestyle AND tattoos!
You gotta take a peek at Nyjah’s new nike sb part, ” ‘Til Death “. Face. Melted.
Also full thread in the forum for this vid here:
Today is March 8th. it’s International Women’s Day.
Did you know that?
The truth is my wife reminded me – but I thought it was on the 11th. Turns out that is the day many folks are gathering this weekend for rallies.
By a strange coincidence, March 11 is my mom’s birthday AND the day I met Noel Korman in 2011 at the world’s first longboard trade show in NYC.
In most years, I’d be working on the April issue and waiting for the March Buyer’s Guide to come back from the press.
That didn’t happen this year. But more on that in a moment.
I used to put a huge amount of focus getting the magazine out at the specific time. Speaking of time, I spent a huge amount time chasing advertisers to get their ads or listings in for deadline. Speaking of advertisers, happy to report we one new Swiss advertiser – Rocket Longboards.
Thanks to a series of events, I have the time to focus on things that connect all skaters. And that’s why I am writing this column. My first shout is to Candy Dungan, who is our associate editor. Can you spot her in this layout? Candy is right there…on the top left!
I encourage you to get out there and roll for women today. Think of what is must be a woman in Vatican City, the only place in the world where women can’t vote.
And in Belarus, women can’t become truck drivers. Then again, if you think about it, it was only 1971 when women got the right to vote in Switzerland.
For those male skaters who can’t understand what your role is today, here’s my take:
Get out there and skate. Enjoy everything the act of skateboarding gives you. Freedom and fun springs to my mind. If you run into some female skaters or just females, treat them the way you’d like to be treated. If they are new skateboarding, stoke them out. If they’ve been riding longer than you, take the time to learn from them. If you just do that, you’re rolling for peace – that is your role. If you want to march, or support women
in some other way , that’s also cool too.
So, here’s to women everywhere in skateboarding! Thank you for being here! Girl is NOT a 4 Letter word!
Tip of the hat to:
BTW: Our next roll is April 22 – Earth Day.
Come join us in Toronto for this event
Spots are available for your product – it is green
And check out Peggi Oki’s charity that fits perfectly with April 22.
A quick glance over at Amazon USA and you can get into a longboard for $29.99
YIKES! (just kidding about the roll over image part!)
And here’s something else to consider – FREE SHIPPING
How the F**K does this even work? Shipping has to cost something. A big box like this has to be at least $15 to ship.
But don’t take my word for it, have a look at the reviews.
I am not suggesting that we shouldn’t have price point products. We should. But can someone please explain to me after you:
HOW THE HELL DOES THIS EVEN MAKE A PROFIT?
We are devaluing skateboarding one not for profit complete at a time.
History and heritage. This shows credibility and experience right off the bat. The customer should be able to pull plenty of information about the organization on the internet
Their philosophies and core values. Check out their website and see what they are about.
Cleanliness and organization. Visiting the factory not only ensures that they are not brokers themselves, but also allows the customer the ability to check out their organization. We know that all wood shops are dirty or dusty, but not to a point that it looks like stuff is just thrown everywhere
Customer Service. Customer service should be a top priority. Are they taking the time to really meet your needs, or do they just want to take your money?
The desire to work with the customer. A great wood shop would sit you down, ask you questions, and be upfront with you about everything verbally and most importantly, in writing, so there are no discrepancies
Over promises. An experienced wood shop would under promise, and maintain their timeline ( usually between 4 to 6 weeks). Most of the time, they finish the job before then.
The woodshop’s opinion and/or advice. Yes, both parties need to make money. A great wood shop would give their opinion and/ or advice without telling one what to do, hopefully resulting in a production-friendly, quality product. There are no perfect wood shops; they do run into snags and it is to be expected. But make sure that the wood shop communicates this back to you. They should be giving you facts, answers, and solutions…not excuses.
A great wood shop would also let you know that certain processes would be better done by you rather than the wood shop, so you can save money and time. The attitude of the wood shop should be like what’s someone once said , “ We are here to make your life as easy as possible, and help you be successful at the same time.”
How to best handle references?
Great wood shops will not reveal their customers. It’s like a code of ethics to keep their OEM customers at secret. Most likely, a great wood shop will already have a great reputation by simple “word of mouth”. Remember that good references should not only be on the quality of the product, but also on timelines, and especially customer service.
What are some alarm bells that should trigger “RUN AWAY!” ?
This is a tough one, since every wood shop looks great at first even with great references, but do your RESEARCH! If you are caught in the middle of a dilemma, you should look at signs of multiple promises not delivered, and multiple excuses….THIS IS A WARNING SIGN….by the second promise not fulfilled or second excuse….you should start thinking of your exit strategy.
What’s the best way to handle disputes?
Disputes are easy to handle if everything was placed in writing before the start of production. Write everything down, and you as the OEM customer and the wood shop should review the terms. Once agreed to, both parties should sign off on it
Recap e-mails are a must, just in case there were details that needed more attention or were missed. There’s a saying that the customer is always right. That is true most of the time, but if you have everything in writing…there should be no question who made the mistake…it’s either the customer or the manufacturer.
I had an opportunity to meet up with Saskia at Shred Expo in February. At 21, she’s on her way to making a serious name in long distance. We wanted to share her insights.
What is your skate background?
My skating started when I was about 5 years old. I was always on rollerskates and got into ice skating when I was 7. I participated in marathons and the normal speed-skating distances like 500, 1000, 1500 and 3000 meters. I also did a lot of in-line skating, cycling, swimming and running.
When I stopped ice skating in 2012, I got into longboarding. My first board was a pretty cheap one from a local store, but a week later I knew I loved it and got a better board. I started pushing around town, commuting a bit and then I bought a downhill deck after meeting the Dutch Downhill Division community. Done that for two seasons, but due to some injuries on my ankle I couldn’t skate so much.
Then I thought to strengthen my ankle by doing long distance training. I got my first LDP setup and then I fell in love with long distance skating itself. A video of the 24- hour Ultraskate made me want to try and I trained hard to get there. The first time I skated more than 10 kilometers I was truly done. But by increasing mileage gradually I could skate much farther than I ever imagined
Where have you competed and what races have you won?
I have competed in races in the Netherlands, Germany and the USA. My first race was the Dutch Pyramid Uphill Push Race (DPUPC) in 2016. It’s a short sprint around a lake and then up a pyramid shaped hill. That was the first competition I ever did on a board and I loved it. After that I went to the quarter ultraskate (6 hours) in Utrecht, the Netherlands. It was my first bigger race and I was super nervous, but it was also the first time I met skaters from another country and I ended up second! I was training to do my first 24- hour Ultraskate in Miami.
Getting the money together to go to Florida was a thing, but it worked out eventually. It was my first time out of Europe and it felt super awesome. The race started quite well and I held a high pace. Unfortunately I had two bad crashed at night. So I accidentally stood on my front wheel, crashed and hit my knee and shin. I was almost on the point to give up, but seeing everyone passing by inspired me to keep going and I hit my goal of at least 150 miles and I got 5th in the ranking there.
I was super stoked after that one and trained hard for the next race, a quarter Ultraskate in Kienbaum, Germany. I won that one and beat my own personal best. After that race I was in good shape and there were a few weeks between the Dutch Ultraskate, so I was just maintaining form. The Dutch Ultra is super special to me, since I skated my world record there at 422.10 km/ 262 miles. It was a tough race, especially at night when the track seems like it’s just you and your board on a road. I know the track really well because I used to cycle there in my childhood. I never thought hitting a WR and going to 262 miles would be possible, but due to some luck and an awesome support team it happened. After the ultra in 2017 there was a marathon organized by the Misfits skatecrew, and another quarter Ultra in the Netherlands in November. Now we’re in off season, but spring 2018 is coming!
What is is that makes LDP so interesting for you?
To me LDP means exploration, love, family and freedom. On a board you can go wherever you want and see the world. It has brought me so much and I can’t imagine a life without it anymore. The whole scene is supportive and it’s easy to reach everyone.
LDP is also my general way of getting around to nearly all my appointments. It’s pretty much glued to me and people are already asking what happened if I don’t have my board with me.
What are some of the physical and mental challenges of pushing for 24 hours straight?
On the physical side: It is important to listen to your body, it’s easy to overuse something. Of course you have to be very strong in general, and you need to have a good technique while pushing or pumping to save energy. The challenge is to keep going and not take too many (long) rests, since that cools you down and then you’ll have a hard time to get into the rhythm again. The longer you’re into the race, the more often you’ll see others get into their chairs or tents to have a break. The track gets less crowded and you might end up on your own.
This is where the mental part comes in: if you think about giving up, you will. Keep your thoughts on the positive side and you can break any limit. I think the mental side is equally – if not more – important than the physical side, since you can be super strong, but if you give up you’re not going to hit your goal!
What is the future for LDP?
To me, the future of LDP lies in organizing more events and getting new people into the scene. Races, clubs, gatherings, fun days, touring, there’s so much to think about. I feel like a lot of people are seriously interested in it, but just never got in contact with it. I hope to gather some more people by doing projects with (young) students about longboarding, as they are the future for the scene.
How do you feel about the Olympics… could LDP be a part of it?
I my opinion LDP can be a part of the Olympics, and I’m hoping that we could get an Olympic marathon for distance longboarding. There’s not that much needed (just a closed track or the course for the Olympic runner’s marathon) and everyone knows what a marathon is. I think a lot of people will love it and would want to try skating when they see it on the tv.
However the Ultraskate should remain the same in my opinion, and the community shouldn’t be divided in “I’m from this country and you’re from that country so we can’t work together”. The family is more important than the racing, but I think the Olympics are a cool way to gather more people and spread the stoke.
Tell us about your set up!
My current setup consists of:
What’s life like for you in the Netherlands? What do you study and why?
Life in the Netherlands as a student is pretty busy, haha! I study Landscape and Environment Management in Delft. I learn a lot about water management, climate adaptation, ecology, laws, doing research, nature management and computer programs like GIS. Also we have a lot of excursions. I commute a lot by board, bus and train due to the fact that I moved to the east side of the country for my internships. I like this study because it’s future-oriented and we’re outside a lot. I’m in my last year and will finish this summer. So this year I will (hopefully) graduate and the plan is to do a premaster next year, followed by a double master at the University of Wageningen.
Any final comments?
If you don’t have a decent LDP board yet, get one and enjoy the ride!
by Daniel Fedkenheuer
In the midst of a Winter Olympics where half of NBC’s viewership delight in the ways in which they have painted gold-medal winner, Shaun White, as an American hero and the other half scold the “lone wolf” for selfishly abandoning the snowboarding’s core culture, many of us in the skateboarding community sit passively by.
For better or worse, White’s name in headlines surrounding the upcoming games is simply adds another mystery to the sporadic collection of media describing how the process to skateboarding’s eventual Olympic fate is shaping up. As some anxiously wait to see how this process unfolds, others are actively working with Olympic committees and national governing bodies of sport in their home countries to keep the wheels in motion. Allow us to explain.
Home to some of the most talented up-and-coming urban scenes, devoted independent publishers and exceptionally desirable spots, there are few greater examples of a country with potential to capitalize on the potential social and economic benefits of the Olympics than across the pond, in England. As such, we got a chance to interview James Hope-Gill, CEO of Skateboard England, in an effort to demystify some of the reservations and hesitations surrounding skateboarding’s inclusion in the Olympics.
This non-profit that Hope-Gill and his cast of industry veterans are behind aims to, in their own words, “manage, support, develop and promote skateboarding in England & Wales, increase participation, develop a coaching and judging pathway, create and support a sustainable and robust competition structure at all levels in conjunction with existing competitions and stimulate international interest in English & Welsh skateboarding through the development of world-class facilities and skaters.” Without further ado, we encourage you to keep an open mind and have a look at what Hope-Gill had to say:
From my understanding, the way an English skateboarder can hope to compete in the Olympics is to be invited to the National Championships, win in the disciplines of either street or park, move on to and win the European Championships and then go on to the Olympics from there. Is that the case or am I missing something?
JAMES: There is still some uncertainty regarding qualification due to skateboarding being a new sport without an established series of “open” competitions at the elite level sanctioned by the World Governing Body. However, we do know that the Qualification system will be based on World Skateboarding Ranking. Skaters will be ranked for competing in World Skate sanctioned events in the Olympic qualifying period between 1st January 2019 and 30 June 2020.
Details on ranking and the qualification system will be disclosed in March 2018 but our understanding is that skateboarders will be able to qualify through their National Championships in order to be invited to enter the Continental Championships and then go onto World Championships.
Ranking points will be obtained through a mixture of the existing commercial events, such as Vans Pro-Series and Street League, in addition to events that are to be created, such as National Championships and Continental & World Championships. That said, its hypothetical at the moment, until we get clarification from World Skate later this year.
Are there any specifics you could give us on how skateboarding will be structured in the Olympics? (ex. Are street and park the only two disciplines? How many representatives can be expected from each country? etc.)
It has been confirmed that there will be two skateboarding disciplines contested in TOKYO 2020: Street and Park.
A total of 80 skaters will compete in 4 skateboarding events as follows:
We do know that there will be a minimum of one skateboarder per continent who will be guaranteed a spot for each event in the Olympics and a minimum of one spot each event will be guaranteed for the host nation, Japan. There is also an understanding that in each event, each country will be restricted to a maximum number of skateboarders. That figure is likely to be 2 or 3 per country per discipline. Again, we need to wait until March 2018 for clarification.
Can you explain the concept of membership a bit more clearly? Do skaters who want to compete have to sign on to be members of Skateboard England in order to do so?
Membership is vital in ensuring that Skateboard England can continue to help and support the skateboarding community and also positively contribute to the growth of the sport. Interest in skateboarding has never been stronger and we are fully committed to helping everyone achieve their full potential whilst ensuring that decisions made about skateboarding are skateboarder led. At the moment Skateboard England is pretty much a voluntary organisation which means that things take a lot longer than we would want them to and we can’t do as much as we want to. A lot of what we have been doing is behind the scenes, such as lobbying government and other organisations regarding funding, strategy and politics.
We are in the process of creating a number of membership categories for skateboarders, coaches, skate parks, etc. We are putting together a package of benefits for members, but that’s a long process and will take time; but there are some significant things we have put together already.
Membership is also part of a much bigger picture. If we want to receive public funding (for better and more facilities, growing skateboarding, etc) from Sport England (the central government sport funding agency) we need to have a series of membership categories. Membership demonstrates that the sport is supporting the governing body and is actively saying “we want to grow, get better facilities and be more sustainable”, it is also part of the democratic process and status of the governing body. We are a membership organisation and all decisions made for the good of skateboarding need to be representative of skateboarders. The Board of Directors are elected from the membership and so we need a diverse and thriving membership in order to have really good people with the right skills making the strategic decisions that will affect the direction and growth of the sport.
By joining Skateboard England as members, people & organisations will be actively supporting all the work we do, helping us to invest in the development of skateboarding across England & Wales, basically supporting the future of skateboarding from grassroots to elite level.
There has only been a governing body in England and Wales for the last couple of years. This isn’t the case for many other countries, especially in Europe. We are about 20 years behind a lot of European countries such as France, Germany, Italy, Denmark, etc, etc. They have thriving memberships, and are taken much more seriously by their governments and local authorities. Those countries mentioned are already receiving government funding for facilities and their Olympic teams. They have been having conversations with funders for a number of years, whereas we are very new to the negotiating table. Membership in those countries is accepted by skateboarders as the norm. We hope that we will get to that position in due course, but understand that it is a new concept in the UK.
There will be no compulsion to become a member of Skateboard England. However, in order to take part in our events, we would expect skateboarders to be a member. We would also hope that skateboarders would want to become members in order to support the work we are doing in creating opportunities, getting better facilities and making sure that decisions about the sport are being made by skateboarders.
Based off the memo on sponsorship that you posted to LinkedIn, what sorts of companies are you anticipating to support the National Championship events?
We’re really keen to engage with companies who are from the skateboarding industry and those from outside. Let me explain. There are a limited number of skateboarding companies and many at the moment already sponsor events and jams around the country. What we don’t want to do is to dilute that money so that the wider skateboarding community sees a reduction in the sponsorship its receiving at the moment. That’s the reason we are looking outside the industry. That said, we hope there will be skateboarding companies who increase their sponsorship budget in order to get involved in the National Championships which will give them some fantastic profile across the wider community due to the events being covered across BBC Sport digital platforms.
In terms of the types of companies; we need to see who is interested. However, we very much want to retain the look and feel of skateboarding events and ensure that a company who gets involved absolutely agrees with the ethos and aims of what we are trying to achieve.
One of the most pressing issues that skateboarders considered to be in the industry’s “core” demographic are concerned about with regard to the Olympics is representation. Many think the Olympics will water down the rawness and the outlaw mentality that they have come to pride themselves on. How will organizations like Skateboard England try to maintain some of the authenticity that makes skateboarding what it is, while still attempting to take skateboarding to a new level?
Well, we certainly can’t speak on behalf of other organisations, but the main thing Skateboard England is here to do is facilitate. We are not here to try and change what is already happening and what is already great about skateboarding. We just exist to provide guidance and a bit of structure where needed….and to help increase the participation of what we do and love and give us a voice.
We want to help promote grassroots events that are already happening and support the community to keep doing what they’re doing. In a world where red tape is growing, if a local authority insists groups need to have insurance to run events & jams, we can support the skateboarders with this. Likewise, with parents now seeking out skate lessons and coaches. We can help support our skateboarders with qualifications & training and therefore help provide employment opportunities.
Skateboard England is also there to work with and lobby against any Councils that try to ban / limit skateboarding in City Centre areas. Street skating is most important to us and preserving it is a huge priority. We hope to support the development of shared space like other European nations have done so well. We are working with Local Authorities like Nottingham, Sheffield and Hull for Skateboarding to create new skateable spaces and events.
What sort of potential do you see skateboarding’s inclusion in the Olympics having for the skateboarding culture as a whole?
The Olympics seems to have certainly divided the skateboarding community. However, I would hope that we can all agree that the Olympics brings an opportunity to increase the profile of skateboarding. If we take advantage of that, we should see more funding into the sport which will create more opportunities for skaters, more skaters and more & better facilities. However, we need to be setting the foundations and preparing for that growth right now.
Spotted this yesterday inside the letters section of Thrasher. George Orwell is probably rolling in his grave.
If you don’t want to read the entire letter, here are two wildly off base points:
“There wasn’t a real following for longboarding until about five years ago. It stemmed from the “hipster” approach to skate.”
Tell that to Alva, Sims, Economy, Stradlund and Edwards.
“Aside from a good sense of balance and hand/eye coordination there is really no talent needed to ride a longboard”
Really? Have a peek at this
“The passion and dedication is deeper, stronger and a lot more durable than the guy who mongo pushes to his Keva Juice part time job. It seems to me that the longboarders of today are doing it to look cool.”
This is seriously so fucking judgemental that I am not even going to dignify it with a response. Actually I will…just keep scrolling to the end. You’ll see a model of a response, Jeremiah.
I’ll put it this way. You are probably passionate skater Jeremiah, but you don’t know your roots.
As Donald would say “sad.” This is from 1995…and that bright yellow cover? That’s from 1981
It’s all skateboarding Jeremiah. You’re 11 years deep into this. Let’s see where you’re at in 2048.
And for the record…this:
SECTION A – Welcome To the Truth & Real Truth – Introductions Not Really Necessary, But Here They Are Anyway
I started up the Skategeezer Homepage in 1995.
A few of you reading this were there when the NCSDA started. A few others might recall when Silverfish started. I bet a lot of people reading this were there Skate Slate and Wheelbase started.
I was and continue to be very happy to have a front row seat to it all. The last 22 years of my life in skateboarding were truly incredible. But in truth, things have been difficult. A lot of advertisers have decided to spend money on different marketing initiatives. This is code for “we’re spending most of our advertising money on Facebook, Google, You Tube and Instagram.” Btw, it’s not just skateboarding, many very small independent traditional magazine publishers like me are faced with similar issues.
Hey! That’s… Wheelbase!
The truth is that ever since we started this new website, I’ve wondered, will it help or harm? Are the forums going to resonate? What exactly will the experience be like? Am I complete digital imbecile lost in a time warp who never was able to make the damn website work?
But then, I think about how I came to find Sean. You see, Sean is my web guru and thanks to Steve Meketa we met up last summer and set plans in motion to make this website work.
Sean is working like a demon to make things happen Sean’s vision is on point. He knows how to work within the digital world and more than this, he freakin’ loves skateboarding. That’s a deadly combo.
The Truth? The only way to make these next 21 years go by with same amount of fun and passion as the last 21 is for me to truly find my flow again within skateboarding. I am proud to truthfully say – “all systems go”
The Real Truth? Concrete Wave finally has a website that it should have had almost 20 years ago – about freakin’ time! Now the fun begins!
SECTION B – DEMONS UNDER THE BOARDS – AKA WHO’S WHO?
I got a text from my friend Samson. Samson is unique. Samson is curious and truly loves skateboarding. Samon doesn’t just work like a demon, he’s a speed demon. He loves bombing hills. He’s also demon in the kitchen, whipping up fantastic skate grub every time we meet – thank you for your hospitality. He’s also a mind demon and he wrote something to me yesterday that stopped me in my tracks. Curse you Samson for getting into my brain…again!
He wrote have you seen this Vulture Magazine Quincy Jones interview?
Many people reading this post probably don’t know of Quincy Jones. One thing is for sure, you’ve heard of all the major artists he’s produced. Read the damn article. It’s a jaw dropper.
Ironically enough, Jonathan Nuss (now living north of 60) was the one who spread this story on social media.
Like I said, it’s got more bombshells than a year’s worth of Maury
But here was Samson’s take, and I am paraphrasing here – you gotta make a magazine that is as honest and raw like that interview. Don’t be afraid to tell the truth.
After sleeping on Samson’s words, I realized that I need to get writing. Samson unlodged something in my mind. It is time for a raw and honest assessment of the skate industry through the prism of Concrete Wave. It is truly time to comfort the afflicted and afflict the comfortable.
The Truth? After 21 years, I know people who know people...who know things. And it’s time for some illumination on all the bullshit that’s out there. Plus, I know where the bodies are buried.
The Real Truth? Our tip hotline is open. You ready to help us point out about some truly outrageous hypocrisy within skateboarding? Operators are standing by. And if you don’t contact us, Samson or karma will find you.
SECTION C – AKA THE “C” SECTION – WHERE WE CUT TO THE CHASE
God, it’s been a brutal week. The senseless deaths in Florida. This is why the USA needs to have an truthful conversation on making guns a little more difficult to obtain than Kinder Surprises were for the past few decades. If you can regulate printed porn, cigarettes and liquor, you can put the same amount of thought into regulating guns.
My social media feed is filled with “thoughts and prayers” and “parents, raise your kids right” and “2nd Amendment” and “abortion caused this” and more and more statistics.
The Truth? This was the week that I decided to finally stop posting on my personal page. I deleted a number of old posts and set my settings to private. I even removed it from as a shortcut on my phone. Personally, I am over Facebook. I hope a billionaire reads about our gun buy back and we put thousands of skateboards into people’s hands.
The Real Truth? Facebook makes me feel like shit most of the time. I see left/right battling it out. I see my skate heroes posting stuff that makes my headspin. Then I remember, it’s the skateboarding that unites us.
If you want to face our 3 questions…just email me.
Either Samson or I will be happy to put you in the hot seat.
The following song assisted in the production of this newsletter. This song is over 42 years old. Deal with it.
And if you find that track awesome, check out this cover by Phil Upchurch.
By Daniel Fedkenheuer
Every time the skateboarding world sees a new video clip of Aaron “Jaws” Homoki plummeting off another mind-numbingly high roof or of Shane O’Neill effortlessly throwing down a video game-like NBD, the generally accepted boundary for human possibility on a skateboard is notched ever upward. As such, those who look on from below are forced to try to make sense of their place in a community where the accolades for “biggest” and “most technical” seem to already be taken. While some take it upon themselves to challenge the giants and capture the biggest drops, most technical combinations and highest amounts of prize money, there exists another important end of the spectrum.
On this end, through the guise of Instagram usernames and minute-long video clips, we have come to know a growing collective of skateboarders that are making fantastic strides in the way of creativity and are furthering their own sets of boundaries for innovation and technicality. Although their unique skills may not lead them to the bright lights of the next stop on the Street League tour, they have led many of today’s most talented skateboarders to a garbage-filled loading dock somewhere in Los Angeles for the inaugural season of Xtreme Videos’ popular new web series, Trashin. Debuting in late 2017, Trashin saw overnight success as it’s first season received over one and a half million collective views on Facebook. To catch up with some of the folks behind the madness, we got a hold of Director & Editor, Sean Marin along with viral sensations William Spencer and Eric Cummins for their take on how it all went down.
When asked of the show’s beginnings, Marin explained how “The concept of the show was really a brain child of the team work from XTreme Video, a reputable leader in the action sports industry, and Richie Jackson. It came together when Facebook was on the hunt for Action Sports content to air on their Facebook Watch pages and they saw Xtreme Video’s production slate, which had Trashin, and Facebook jumped on it. After that, it was Richie and XTreme’s amazing in house producers Heather Garrow and Nathalie D’Haucourt, who really helped dial in the Trashin series concept.” After this, Marin was recruited to use his background in sports films and skateboarding to put the concept into action and add some design flare along the way. “We really wanted the whole series not only to be focused on the skater’s, giving them the best chance to create and land stuff, but we wanted the feel of everything to be “retro” 80’s and an homage to the 1986 film Thrashin. I’d also be lying if I didn’t say that I was deeply influenced by the Stranger Things series I had just binged watched on Netflix” Marin added.
From there, the people’s champ, Richie Jackson, took over as the show’s host and explained to viewers the method behind the madness they were about to see unfold. His concept was simple: skate the Trash on set in the most creative way possible in two round contest, consisting of Best Trick and Best Line. This way, Jackson’s voice as the modern day godfather of creative skateboarding could be exercised to name the winner of Best Line while the Facebook audience was able to stay engaged through choosing the winner of Best Trick each week. To the tune of $800, a hand-picked cast of some of the world’s best underground skaters were invited to rearrange the elements of their surrounds in any way they thought would compliment their unique styles of skating best. After a few parting words of inspiration, “the skateboarder’s skate competition” as it was dubbed, was underway.
Over the course of five episodes, each thoroughly filled with hammers, the Facebook audience got to witness nonconventional skateboarding performed by those who know the terrain best. Though Concrete Wave will not drop the names of the big winners here, we assure you that the shredding that went down is a sight to me marveled at firsthand. You can check out the first season on Facebook here
Amongst the notable standouts selected to partake, William Spencer and Eric Cummins were both selected to the finale episode and both had great things to say about the experience. First and foremost, the pair each claimed that the freedom of the contest was one of the defining aspects that made the experience more enjoyable than any other contest that had been a part of in the past. To Cummins, he noted how “Other contests I’ve skated have the obstacles already set and in place. You can’t move anything around, they all have had time limits and you only get a few chances or runs and that’s it. During Trashin you could move and build stuff and try as many times as you like!”
At the same time, Williams told us “I think Trashin, from it’s very inception by Mr. Jackson, has been a cry for something different, something new, and most of all, something as creative at it could possibly be, for being a contest that is. Competing as it were in this “contest” has been nothing like what you might expect when people throw the word around. It is in fact best case scenario in my opinion.” As Williams went on, he praised the way that the Trashin crew placed little constraint on the time and space needed for him to work his magic. In the process of building his features, he delighted in getting the choice to select what type of obstacles he would be judged on and the crew’s leniency on how exactly his entries for Best Trick and Best Line were considered. As such, Williams also hailed the filmers’ realistic approach to operating the cameras just as if they were filming a video in the streets and the ensuing collaboration with backup filmers to get the right mix of action and storytelling shots.
Another standout component that both mentioned was the inspiring, yet laid-back atmosphere of skating amongst some of the most creative minds in skateboarding today. They agreed that time granted to figure their approaches out combined with the hype that came with skating amongst new friends led to a happy medium of both comfort and high energy. To comment on skating in the presence of his competitors, Williams claimed, “I was so happy to meet those guys and to put personalities to such skillful skating and remarkable drive to create newness in skating. They rule. I was beside myself in awe of how many fantastic tricks they came up with and got done in so short a time.”
In the end, both Cummins and Spencer both thanked “The Featch” himself for selecting them to take part in the first season. In Cummins’ own words he said, “I really am just so grateful to have been a part of Trashin, met Richie Jackson, and skated alongside so many amazing skateboarders.” As for Williams he said, “I am so flattered and grateful to Richie for asking me to be a part of it. I can’t thank the filmer’s enough for their patience, time, energy and just generalized encouraging words they always gave along the way in the filming process. You know who you are Mike, Holden, Garrett, Troy and Hunter.”
As for the future of the series, Sean Marin chimed back in to tell us that he is unable to confirm nor deny the possibility for a reboot. However, he was quick to add that with the continued watching and sharing of Trashin, the possibility of another season of one of the most engaging contests in skateboarding today is open.
Holy freakin crap! SCAMS AND MORE SCAMS!
I am getting inundated with emails from people who want me to spend thousands of dollars registering my concrete wave magazine in China.
Here’s the thing – it is a TOTAL SCAM. And here’s another – f**k those guys!
As for these robo calls saying I am under arrest from Revenue Canada? Scam!
Yes..just another scam
As for skateboarding. Well, this is a scam…don’t be fooled. These folks DO NOT HAVE YOUR BEST INTEREST at heart. There’s a place for beginner skateboards – visit your local independent skateshop to learn more. Don’t know who to contact? Email me. firstname.lastname@example.org.
Scams hurt. Scams are cruel. Scams should be taken out to the shed and shot.
If you spot a scam, let us know.
Pardon the dust. We hope you like the new website and enjoy it! But, it’s far from done. In fact, it will never be done, because we will always be working on improving it to keep up with it’s own natural purpose to be an extension of the skateboarding world that has shaped us. The site will continue to improve in this regard with a mission to evolve forever with skateboarding rather than focus on resisting change or why things aren’t “the same” anymore. How can we ensure supporting and keeping up with the evolution of skateboarding? Simple. By being by skateboarders, for skateboarders, always, and never losing touch with the real world of skateboarding. That’s exactly where you come in. We want to see your images and clips and read your stories. Please, FILL this site with the real world of skateboarding and help us make it about the roots while we at the same time find new and cool ways to connect and evolve with the people that make skateboarding awesome. With this mission in mind, to connect real skaters everywhere of all styles and skill levels, this site isn’t just for you as a skater:
What do we mean? How can you help build our community and the skateboard industry? Well, it’s not just about reading awesome editorials by Michael and Bud & and others (they have done a fantastic job over the years so hats off to them). We will always have that side of the mag and we hope to support it in new ways through the new site. But, this time when we do it’s about the community, about the skaters creating content and getting out there on the web with us, to share in the stoke. So, we want to read YOUR posts and articles. We want to let YOU be the publishers, too, right along with us. We will be in forums with you and we hope to generate an actual two way dialogue within the industry and skate community that helps us do our best to craft the site’s evolution according to what YOU want out of it and what the skateboarding world really wants. No corporate agendas. Real skaters. How can you specifically get involved?
Well, so many easy ways:
We’re excited to see what the skateboard community can be here on the new wave. But, don’t worry, the old wave will always live on as well as we also pay tribute with awesome throwbacks and past issues. Hopefully both can come together in one space, and we can share the stoke old and new, as we transition into the next wave here in 2018.
Thanks for reading and being a part of this movement. We have a LOT more than this coming thru the site and all of the great sponsors and groups we’re working with right now to connect networks all over the world through skateboarding. Stay tuned, we’re just getting going!
Now let’s go skate.
As you may recall, we ran a piece on our website earlier this year featuring the crew over at American Ramp Co. and their latest project to hit the skateparks of the world: the “Pro Ops.” signature ramp series. This collection of ramps, rails and boxes appear noticeably different from any of their other prefabricated park obstacles and were designed in part by an illustrious team of pro skaters. The series of ramps notably includes a colorful spine ramp with a parking block sitting atop bearing Willy Santos’ name, a Y-shaped round rail bearing Shaun Hover’s name and a wavy recliner shaped quarter pipe bearing Jud Heald’s name among others.
Granted, American Ramp Co. has received their fair share of hate for their prefabricated parks on the grounds of durability issues over the years. However, for their efforts to create something innovate and different for people to skate, I commend them. To those familiar with my neck of the woods, the North Jersey skateboarding scene has been grateful to see new parks opening in up in towns like Maplewood, Fanwood and Roselle in recent years. However, these three parks are nearly nothing more than carbon copies of each other. With same-sized ledges, euro gaps and quarter pipes, I found myself indifferent to the announcements of these parks because of how repetitive all of their designs were. Thus, when I heard that a couple of the Pro Ops pieces were headed to a newly constructed park in West Orange, NJ I was immediately intrigued by the allure of being able to skate something different for a change. With this in mind, I was happy to see the variety of tricks being thrown down in my visit to the grand opening of the park, thanks to American Ramp Co.
At the park, Dan MacFarlane’s signature “Snap!” ramp is the first feature that skaters were struck by when they entered. With several different levels to skate, the ramp provided a stage for kick turns, 180s and frontside no complys for skaters looking to flow back into the park. In doing so, many went on to hit Sierra Fellers’ signature “Crete Planter” ledge. This piece challenged skaters to pop out of their boardslides and ollie over the ends of it to grind the inside angles of the ledge. In the background, Joe Moore’s striped “Kick Tail” box led some skaters to grind up the angle and back down again while others hopped onto the box from the low end and launched off the other side.
Seeing the level of stoke that these new obstacles brought to the grand opening, I reached out to Fellers, Moore and MacFarlane to get their take on seeing their ramps go from ideas in the warehouse to physical creations being skated:
First off, Sierra Fellers described the feeling of having a ramp with his name on it by saying “It’s so awesome to have a signature obstacle. The idea didn’t start in my own head though. ARC came to me with a few different options to choose from and I got to help adjust and modify the ones I chose. As a skateboarder, being a part of creating something you’re gonna be skating and seeing the changes made to make a dream spot is a dream come true.” To truly make this dream scenario complete though, Fellers told us “I’d be hyped to see a board slide around the whole thing!”
Next up, Joe Moore, summed up his satisfaction by stating “Having a signature obstacle based on a style of skating I’m known for and being one of the first people to be part of a skatepark project like this is truly an honour. To see them now being put into public skateparks around the world is so cool and quite funny as well; my name on skate ramp, somewhere in the world I’ve never been. Each of my obstacles in each skatepark will have its own story and each one will be experienced differently by many skaters. It’s interesting to think how they will adapt their trick selection, lines and how their creativity may evolve from skating these unique skatepark pieces.” When asked what sort of a dream trick he would like to see go down on “The KickTail” Moore replied, “I would like to see an ollie over the back of the obstacle to bluntslide down the bank to fakie manual the rest of the manny pad.
Finally, in Dan MacFarlane’s mind, “It is a great feeling anytime you have an idea that you haven’t seen done before, and for it to come to fruition in physical world. Nathan Bemo, the owner of ARC, and I developed the Pro Ops line together in February 2017. Our minds and our lifetime of skateboarding experience combined and it was an amazing experience. Later, the other pros were signed on then assigned obstacles based on their unique skills. We were all flown out to the ARC headquarters in April and skated the prototypes then gave feedback so they could be fine tuned. The final products look amazing and I’m glad to see both beginner and advanced skateboarders enjoying them at skateparks.” As far as what tricks he would dream of seeing go down he told us “I wouldn’t say there is one dream trick: my dream is to see every part of them skated really well, and for many people to invent new tricks and combos on them. I’ve already seen so many NBD’s done on the Pro Ops during our prototype session in April and I just want to see that continue. If you’re reading this and invent any new tricks or combos on the Pro Ops, tag us with #ProOps and our names.
Skateboarding and socks. Ever since Stance hit, it’s been a skate sock world.
So, here are two stories on skateboarding and socks.
Pride Socks, an apparel brand empowering individuals to take pride in who they are, has teamed up with the youngest pro skateboarder, Sky Brown, to release a limited edition sock. Part of the proceeds of the sock go to help kids in Cambodia. We had a chance to interview Sky and find out what the deal was.
Sky – what originally brought you to Cambodia?
It’s a big dream of mine to use my skateboarding to help children in poor or tough places. Cambodia is one of the poorest countries in the world. So the chance to go there and to play, and skate with the kids over there was really special.
What does skateboarding mean to you?
My Skateboard has always been a way for me to express myself I like singing but I’m not very good but skateboarding is a dance for me also it’s is my favorite Toy, I love it. I think people sometimes forget this is one of the funnest toys in the world. And it’s taught me a lot. I can be anywhere and have a good time if I have my Skateboard, that’s why I think it’s really awesome to let young people try this.
The video is very sweet…what are some of your favorite memories of creating it?
Playing in the Sock factory, we had too much fun. The whole journey has been super special and super real, it feels like we can do something amazing. Playing and hanging out with Rachel was super awesome especially because we have a mission. A mission to save the world.
What do you say to people (especially kids) who feel they can’t make a difference?
You can always make a difference, and any difference however small you think it is, is worth it because lots of smalls make something big.
What has been the best part of working with Pride Socks?
Pride socks is just a small company but Rachel the CEO has put so much into this it’s amazing and selfless. I couldn’t be more proud than to call Rachel my friend. She’s my best friend.
SOCK STORY PART #2
MERGE4 is pleased to announce the addition of Spidey De Montrond to its growing stable of artist-athlete collaborators.
Rick De Montrond – better know as “Spidey” – started out as a sponsored amateur skateboarder and turned pro at The Capitola Street Style contest in 1985. He’s been a contributing writer for Thrasher Magazine and Freestylin BMX; Spidey studied music formally; while he was in college he was signed to Capitol Records to a record deal as a singer/songwriter.
Spidey has always been fashion-forward – leaning toward eccentric preferences in everything he does from head to toe: “I am a sucker for a good looking sock. I LOVE SOCKS!!”
MERGE4 founder Cindi Ferreira Busenhart loves that Spidey loves socks: “Spidey cares about the planet and wanted something that was a soft eco yarn. Luckily we were already developing the Bamboo Blend which is 80% mechanical bamboo.”
Over the weekend we hit up the local skatepark in my hometown area. The same old prefab ramps, still standing like a decrepit stonehenge, the ancient ruins of teenage years. Decades of harsh New England white-outs had left the blacktop a cratered moonscape. The blazing summers suns had faded the offensive and misspelled graffiti into nearly unrecognizable spray paint smudges. Overall, the skatepark was in one piece, just as i remembered it, except for one thing…
I love visiting skateparks, at home or abroad, not for the inventive array of obstacles, but for the culture. The petri dish that is the local scene, the faces, the names and the energy of the locals. Appreciating the power of the community that they have constructed. I am always fascinated by the drastically varying subcultures with the subculture. The microcosms contained within 60 square feet of tar and chain link fence.
I was welcomed with nods and smiles from the locals, as me, my brother and my childhood friends entered the park. I inquired of a friendly, smiling local, Jimmy, about the new wooden ramps and DIY ‘crete that speckled and encrusted the park. He happily obliged and told me that he was responsible for the ramps’ construction. I thanked him for provided them.
Within moments, my crew and theirs were skating together, bumping quintessential 90s hip hop anthems, bumping fists and cheering for each other. Everybody was boppin’ and basking in the warm autumn sunlight.
While cruising around in euphoric figure 8s, I noticed out of the corner of my eye, that Jimmy the friendly local, had deserted his skateboard, had turned his back and was excitedly fiddling with something. Figuring Jimmy was frantically rolling a blunt I was bewildered to find that instead of a gutted backwoods wrap, Jimmy was tousling around a wooden ball bound by a string to a wooden dowel.
In his right hand, Jimmy clutched what appeared to be a wooden double-sided hammer, although strangley the face of each hammer head was inverted, concaved, resembling a miniature cup or bowl. Above the dual hammers was a small cone that gently tapered into a blunted tip. A white string, anchored to the base of the handle, flailed wildly in the air attached to a red ball. This red ball, the size of a beer pong ball, had a small hole that tunneled through the entire diameter of the wooden sphere.
A boy on a BMX appeared, and joined Jimmy, and expelling a wooden ball hammer from his pocket. Within moments, the two were fully engaged, shouting and giggling as they spun and casted their balls on a strings, attempting to catch it with either of their hammer cups or to spear it throughout the hole with the tips of their wooden cones.
After observing for a bit, this mutated form of cup-and-ball, I asked Jimmy what the hell was up with that thing. He told me it was called “Kendama” a game originally played by drunken Japanese sailors to pass the time on long sea voyages. Now, according to Jimmy, Kendama-mania has swept the states from coast to coast.
Jimmy elaborated, comparing the cup-ball game to skateboarding. He said that you master certain tricks and then try to do your tricks consecutively in a row, like a line.
This game reminded me much of the hacky sack or even devil sticks sessions of my youth. Flinging an object through the air and trying to catch it, stall it, and then return it to flight. It also reminded me of a string-based perpetual-volley toys like the yo-yo or paddle ball. Even the strange design of the Kendama toy shocked and intrigued me like my first eye witness accounts of fidget spinners.
I’ve seen many fads come and go, toys that were just as fickly picked up as were easily discarded- only to be rediscovered on the dusty shelves of Goodwill. What intrigued me about this new bizarre low-tech gadget was that, it did indeed, remind me of skating. Not only was Kendama a strange looking simple-machine, but to play, you simply needed time and patience. Fine-tuning your motor skills and battling the constraints of gravity were the shared struggle of both Kendama and skateboarding.
Not only was this an light-hearted, nonsensical escape from the mundane pressures of modern living, this game, clearly, had no coach, no team and no opponents. You were free to practice and create maneuvers as you so chose. Not only could you choose how to play but you could also choose to share the play with others, whoever you wanted.
I watched these two young men play for vigorous 20 minute stints, taking breaks to skate and BMX and then returning to their ball string hammers. They practiced their extreme sports in tandem with their string contraption disciple in even increments.
This not only was like skateboarding, it was an intrinsic part of Jimmy’s skateboarding experience.
Kendama was just about enough of a part of Jimmy’s sesh as other peoples’ weed-smoking, shit-talking or dead-eyed staring into their smart phone.
My hometown friends scoffed at the ball string hammer game of the locals, and remarked that they avoided coming to this very park because of the pervasive Kendama culture. I disagreed and said that I enjoyed the locals using the space however they pleased. I felt confident that these young men were outcasts, just as we skaters are, and that they should be cherished just the same.
When I found Jimmy and his BMX counterpart, brought together in Kendama bliss, now filming each other with a GoPro, I was certain that this game, like many other bizarre rituals, are in fact skateboarding. Having fun, expressing yourself and progressing a skill, by means of offbeat physical rhythm, doing what you want, where you want, solitarily or socially, that is what skateboarding means.
The world is a skatepark and you can play whatever you want in it.
I was turning three years old in 1967 during the Summer Love. They tell me it was a great experience. They also say if you remember the 1960’s you weren’t really there. The Summer of Love brought us The Beatles “Sgt Pepper” Hippies and Hunter S. Thompson. And in case you wondered, skateboarding was absolutely dead.
If 1967 was about peace and love, 1968 would usher in a year of hatred and violence. In Chicago, cops beat anti-war protestors mercilessly. Race riots erupted after the assassination of Martin Luther King. In Vietnam the war raged on and the My Lai massacre took out hundreds of civilians. Bobby Kennedy was also assassinated. I could go on and on, but you get the picture. Skateboarding was also dead in 1968. The good news is that Tony Hawk was born in May of that year!
Tony Hawk as a pre-teen It would take almost 5 years for things to start percolating with skateboarding. If truth be told, things didn’t really start exploding world-wide until 1974/75.
Fast-forward and we have just celebrated the 50th anniversary of The Summer of Love. Not sure how else to say this, but it’s pretty crazy out there. Check out these headlines from yesterday and today. If it’s not neo-Nazi’s it’s freaking North Korea. And oh yeah, it’s pretty challenging these days to run a skateboard company. Did you know there are over 2,000 skateparks in the USA and yet we have the same amount of skaters as we did in 1988. And what about the Olympics? How are small companies going to compete? And what the heck is up with longboarding? It turns out that when the going get’s tough…Time to watch John Belushi from “Animal House.” I think this scene pretty much encapsulates where things are at. The only way forward through some of the turbulence we are faced with in our industry is through collaboration and some truly inspiring approaches. Collectively, the skate industry is made up some of the most intriguing and creative folks you’d ever want to work with. My decision is to vote with my time and ensure that the next 20 years are spent building hives of high fives and positive vibes. Stand by readers, advertisers and former advertisers, Concrete Wave has got its mojo back and as the late great Tom Petty said: By the way, just in case you wondered about what I feel about Richard Spencer: