Living in Toronto, housing space is limited. My friend Jack had a small corridor leading out of his bedroom. He’s a crafty guy with a degree in electrical engineering. He had plans of utilizing the space, and shortly after he told me he was going to get to work building something, he surprised me with this.
This edit was filmed almost a year after the ramp was build. We had tried to make something before, but never actually made anything happen. This was shot over an hour and a half before heading to a friends house downtown.
Who ollied first? How did it happen? Watch along and find out, homies.
The ollie was invented in the late 1970s by Alan “Ollie” Gelfand, the ollie since has become the basis for many other more complicated tricks. The ollie air is a jumping technique that allows skaters to pop over obstacles.
Kent Lingevelt, a skateboard and longboard shaper from Cape Town, South Africa is a super chill guy that is in touch with skateboarding and longboarding as part of his life. Kent clearly has has some awesome roads he’s riding out there in Cape Town, which he calls a Longboarder’s Paradise. He has created for himself what many would call a dream job, creating boards and skating his own creations.
A quote from the video:
I know for me, like if the world gets too much I’ll grab a board and I’ll go up Signal Hill and I’ll just cruise down and look over the city and I’m just like… cool the world is good.” – Kent Lingevelt (@1:55)
In the world of sponsored skateboarding, the path to the top has been generally accepted for decades: from flow to amateur to full-fledged professional. For the Enjoi Skateboards crew however, the announcement of Enzo Cautela as an official member of their pro team has completely shaken this order up. In this case, Enzo skipped the amateur level altogether to become one of the few skaters in recent years to go #flowtopro.
Though Cautela circumvented the amateur level, this doesn’t mean he hasn’t paid his dues to enter the big leagues. Over the course of his seven years as a part of Enjoi’s flow program, Enzo started to make a name for himself in more recent years by popping up at events like Thrasher’s 2016 Bust or Bail contest and throwing his signature hardflip down a colossal triple set. That same year, he earned his big break after being invited to join the Enjoi team as the lone flow rider on Thrasher’s King of the Road.
Airing on VICELAND for the second time, the skateboarding world was formally introduced to Enzo as the underclassman brought along to see if he could prove his worth both on and off the board. From getting handcuffed to Enjoi bossman, Louie Barletta, to destroying his heels on a massive stairset, it was clear that Cautela paid his dues along the way. In the end, the trip was a big step in the right direction for him though, with Enjoi taking the trophy and Cautela taking the award for Best Rail Trick.
Since the road trip of a lifetime, Cautela remained committed and spent his days filming what would become his debut pro part, which recently debuted at the grand opening of the new Pharmacy Boardshop in Long Beach. Between hammers like 360 lipslides and varial heelflip 5-0 grinds, the part would have been a standout even without the final banger. Leaving it all on the line though, Cautela went on to stomp a massive 20 stair hardflip to shut the video down. As if the ending wasn’t sweet enough, the clip concludes with his unshackled partner in crime, Louie Barletta, proudly unveiling his debut pro model board for Enjoi and affirming the ultimate rite of passage.
For someone who has made the ultimate jump from 0 to 100, Enzo has remained cool and collected as his name circulates the skate world’s headlines. Describing his celebration after the trick as casual trip to Whole Foods and his plans to use his first pro check to continue eating healthy, Cautela appears to be staying on his grind and maintaining the lifestyle that got him to where he’s at today. In fact, speaking on what the nod to the pro-level meant for him, Cautela nonchalantly told us,
“I’m just a skateboarder but that’s cool everyone thinks I’m pro now.”
Remaining humble to the team that enabled him, Enzo was also quick to add, “Thanks to Enjoi for this opportunity and thanks to everyone showing support! Gang gang!”
Those looking to take Enzo’s first pro board to the streets for themselves can do so exclusively at Pharmacy Boardshop locations or via Thank You Supply. Those looking for a wall piece can even pick up a signed edition of his deck online at as well.
Though skateboarding has made it into Hollywood on screen and in the streets on plenty of occasions in it’s 60 year lifespan, it’s presence in the music and media capital of Los Angeles this past week was unlike any other depiction of skateboarding this area has ever seen. This can be credited to the Finding a Line event, hosted at the Ford Theatre. Billed as a celebration of the intersection between skateboarding, music and media, the county owned space provided the grounds for one of the most progressive events that skateboarding has seen in recent years.
Beginning this past Tuesday, the process was kicked off by a gallery exhibition, panel discussion and film screening, curated by the likes of Collegiate Skateboarding Educational Foundation Board Member, Neftalie Williams, former pro skater, Laban and filmmaker, Diana Wyenn. Featuring visuals from around the world, the issues of race and diversity in skateboarding culture served as an underlying narrative carried by some of the most iconic people of color in the skateboarding community, including Paul Rodriguez and Stevie Williams. Drawing solid reception at the beginning of the week, this event set the tone for the days that followed.
The resounding capstone to this weeklong celebration was a performance by jazz pianist, Jason Moran with backing instrumentalists, The Bandwagon, fused with a live skate demo. Thanks to some help from the OC Ramps wood shop, the stage for such an unconventional event directed a group of skateboarders front and center as a crowd of hundreds gazed on. Unlike other skate-centric events in the area, this crowd was not intrinsically filled with messy haired teenagers but rather with patrons of all ages whose banter indicated that they hadn’t a clue of who these skaters were or what tricks they were throwing down. At the same time, the mix of pro and am skaters taking the stage seemed undeniably unfazed by the fact that they were skating in front of hundreds, rather than in the privacy of their local park.
However, the interplay between the different occupants of the space was something that Executive Director, Olga Garay-English, noted in her opening address. Speaking on the ownership of physical space that skateboarders take in their communities, Garay-English noted that the evening was a way for a recognized institutions to better embrace skate culture. At the same time, she noted how the weeklong event was a means of skateboarders being able to celebrate their culture alongside the culture of their neighbors in one of the most multicultural places in the world. Though these opening remarks praised skaters as “philosophers” pursuing a “counter culture art form,” the crew of rider sat idly by, seeming less interested in the compliments as they were about sizing up the ramp for the shredding that was set to commence.
With no further ado, the likes of Greg Lutzka, Brad McClain and a host of other rippers began to drop in as the performance commenced. Coming out firing, Lutzka stomped out a series of 360 flips and backside flips that evoked greater ovation from the crowd with each consistent land. Then, after a period of somewhat standard runs for the jam, the cast of skaters began attacking the ramp from all angles. What originally started with casual manuals on the deck led a pair of skaters to take over the entire area, ollieing a gap from the band stage into the half pipe before promptly launching a kickflip indy grab and a massive 360 grab (respectively) out to the other end of the stage. At the same time, there were nose manuals across the deck, 360 spins from Jim Gray on the flat of the ramp and even a drop off the stage and into the crowd.
With all of this was going on in the forefront, Jason Moran and the Bandwagon remained equally unfazed by the crowd and the skaters as they powered through their performance for well over an hour. With instrumental improvisations that matched the off-the-cuff skateboarding, the sounds and the visuals complimented one another perfectly. Plus, Ron Allen tapped into both his skate and MC side by switching from freestyling on the ramp to freestyling on the microphone throughout.
All things considered, the evening and the week of programming represented much more than a couple nights out in Hollywood. Instead, it was a visual testament of skateboarding’s ascension into mainstream culture as we know it. Whether through jazz musicians tailoring their notes around the actions of skateboarders or skateboarders dropping in and skating to the tune of music they had probably never skated to before, it was as much a learning experience on the stage as it was for those in the surrounding crowd. With a positive example of the benefits that sharing skateboarding with other cultures can have on the community, we sincerely hope that efforts like this one are replicated in the future.
Buying a new deck is one of the greatest feelings a skateboarder can experience. Unfortunately, it’s also one of the most guilty. Especially in those moments just after walking out of the skateshop with a shining new deck that displays a thoughtful graphic with full knowledge that some artist poured their blood, sweat and tears into curating it. Without further ado, you head straight to the nearest flatbar and smear their work across a cold steel beam without even a second thought. For anyone that’s ever done this to a Flip Skateboard, odds are that the tragedy might have come at the expense of one of Swedish illustrator, Martin Ander’s graphics.
Luckily for guilty parties, the folks at Dokument Press have you covered as they proudly release their latest title, ‘Ouff! Mander Selected Works.’ Now, skaters, fans and art connoisseurs can keep a testament to the work of Ander’s 25+ year illustration career in the form of a hardcover publication without worrying about chipping any paint. Clocking in at just under a hundred pages, Ander has managed to cram over 200 original illustrations into the pages of this work and has supplemented text throughout to help carry the narrative. While we could take a stab at trying to articulate the allure of his thought-provoking work, it’s clearly better to let Ander’s illustrations speak for themselves. For that, the snapshots of this book provide a glimpse into what we’re talking about here.
In addition, we posed Ander with a few questions just before the title’s European release party. Ranging from his beginnings in the skateboarding world to eventual developments in the creative process, have a look at what Ander has to say about his efforts to make viewers go Ouff!
I thought one of the most important points from your press release was that the skateboard industry found your work. How exactly did your professional relationship with skateboarding industry begin?
Well, it came quite naturally, I’ve been skating since 1985 and know most of the skaters in my generation of skaters in Sweden, and everybody knows that I like skateboard graphics and draw a lot.
I did skate zines and did some illustrations for a skate mag here in Sweden long before I got to do graphics. My first paid job in the skateboard industry was drawing posters and illustrations for eighties pro freestyler, Per Holknekt’s, skate shop in Stockholm back in 1990.
In 2007, when my friend Martin Karlsson started a company called Bellows Skateboards, he asked me to do some graphics for them, they had the same distribution as Sweet Skateboards, which was one of the big skate companies in Sweden at the time. They saw my work for Bellows and asked me to do graphics for them too. After that came Seven Inch Skateboards from Finland and Polygon from Sweden which I was part owner of for a while.
Then I got the contact with Flip Skateboards via Ali Boulala, I contacted them and got to do lots of graphics for them too. That was about five or six years ago I think. I’ve always been freelance – I want to work with everybody. The past year I’ve done graphics for Sweet again, and both Sunrise and Scumfuc skateboards from Chile, Chrononaut from Sweden and RVCA.
Between huge names like Flip to smaller names like Polygon, are there any differences in your creative process when designing graphics for larger brands versus smaller brands?
All clients are different. The biggest difference is that I’m friends with most of the Swedish clients and their teams and they totally trust me to do something cool. In a small market, it doesn’t have to be as commercial. The decks will sell anyway and the team is stoked that I do their graphics. Working with a bigger company means more people involved, more opinions, more decks per series and of course, the need to follow the brand’s aesthetic idea more and to keep the team riders happy.
What’s the craziest part of seeing a wall full of boards displaying your work on them?
The coolest part is to see a kid picking down a board and looking at the graphic, just like i did when i was a kid with the VCJ and Jim Phillips graphics.
Can you explain any of the reasoning behind fusing what’s been referred to as “melancholia and darkness” with bright colors?
I don’t really put too much thought in to that. I’m not really a melancholic dude, but my work tends to be a little bit dark sometimes. Maybe its me just trying to make the images look a little bit more fun, or it’s the fact that I love old blacklight posters. My work is quite detailed – lots of things happening at the same time. By adding bright colors to it, I can make the important stuff ”pop” and tone down some of the not so important details.
Frida Talik’s account of your book describes how it provides an “insider view” to your work. How do you think it does that?
I myself buy a lot of books about artists, cartoonists and illustrators. And usually they don’t contain that much: one image per page, mostly stuff you have already seen and hardly any text. I wanted to give the audience what they pay for so in Ouff!, there’s one long interview, two shorter texts and over 300 images, camped in to 96 pages. I have not tried to just put the absolute best stuff for the coolest clients in the book, there’s a little bit of everything. Just like the life of an illustrator.
What was it like to take art that you would usually have endless canvas space for and consolidate/reformat it for the purposes of the book?
At first it was hard. Most of my images is drawn to be pretty big and I had to scale them down to fit in the book. I had to think of every spread as an art piece in itself and [think of] the images in it [as] parts of a bigger picture, not art pieces themselves. It was the opposite from showing in a galley, where every piece hangs by itself on a white wall. I was afraid that I would lose the details in some of the images, but I think it worked out great. You don’t read a book the same way you read a poster or a skate graphic.
Any parting words about the book/your artistic career that you’d like to share?
The book is called Ouff! Mander Selected Works. It dropped in Europe on Sept. 20, and drops in the USA/rest of the world on Oct 25. Follow me on Instagram for new work: @manderoid
All photos provided and authorized and provided by Dokument Press and Martin Ander. Portrait photo shot by Petter Danielsson.
Well, we’re back from Hiatus! We’ve been in the lab, not so much with a pen and a pad, but with some good things cooking, and some major changes coming up (stay tuned for an upcoming post). But, until then we have an awesome new addition to the website where you can submit your content for us to feature!
Featuring Real Skaters, Sponsored or Not! This is our way of connecting with the real skate world, sponsored or not, to feature real skaters from the real skate world – downhill, street, freestyle, longboarding, even art – anything goes!
Feature What? Mainly we’re looking for Instagram posts or YouTube videos since they have easy links that you can submit.
Feature Where? Once you submit your clips or pics, our editors will review them. If they’re approved, we will insert your Clip, Pic, or Article into an awesome new post in our Blog or re-post on our Instagram page. Some lucky contestants may even be contacted to be featured in upcoming editions of our submit-skate-print magazine!
Submit to Get Featured! If you’re interested in submitting content to CW to feature, simply hit up our new Skate Content Submissions page here:
A few weeks ago we did a story on what to look for (and to avoid) when it comes to choosing a woodshop. We know there are many folks out there who are very interested in starting up their own deck company. We heard from Mike Mahoney of Savvy Cycles and founder of Honey Skateboards.
Mike Mahoney in his shop. Photo: Jeff Nass
Mike is an expert when it comes to wood and we are delighted to share his insights. Here is just a partial list of things Mike suggest you look for when it comes to choosing the right shop for you.
Does the shop control the environment?
Almost every shop will control temperature but many do not consider humidity. Since wood will shrink or swell as it drys out or takes on moisture, a shop should keep the humidity level within a certain range to reduce the movement of the wood (veneers). They should monitor the moisture content of the wood as well. Veneers should be stored in an controlled environment. Pressed decks should be given the proper time to cure and return to an equilibrium state before they are cut and shaped and stored in a controlled environment until they receive the finish.
Pressed decks should not be stacked to cure, this promotes unequal drying that can cause warping, air need to circulate around all side evenly. A deck that is too dry shipped to Florida will take on a lot of moisture do to humidity and can warp easily, and a deck with a high moisture content shipped to Arizona will dry out considerably and potentially warp and/or crack. Shops may not give you the specifics but they should indicate that they the decks are maintained in an humidity controlled environment for storage of veneers to finished deck. If not, look elsewhere.
Photo: Jeff Nass
What materials does the shop use?
Maple, bamboo, birch, fiberglass, carbon fiber, other or a combination of. I caution the use of bamboo, it cracks easy and best used in a composite construction. I have seen many brand new, never ridden, big name longboards on racks in shops that were cracked. Shops should advise the proper wood species to suit your needs.
Epoxy, PVA or other. Both epoxy and PVA have specific applications. A lot of people think epoxy is best, but are they using the right epoxy for the application. Epoxy should not be press under as much pressure as PVA because it requires some space between veneers to be effective, otherwise you run the risk of a week bond. There are several PVA glues that were specifically design for skateboards. They are water resistant, and designed to work with the characteristics of maple to flex with the wood (AKA “POP”). PVA’s can be pressed with a tighter glue line than epoxy. Epoxy is better suited for composite constuction. If the shop is using consumer PVA or expoy, look elsewhere. These are industrial products used in industry and not available at Home Depot or Lowes.
Photo: Jeff Nass
For yearsthe standard finish used on skateboards was lacquer. Lacquer in not he best finish for outdoor use. The reason it was used so much is that it is required if your graphic is a heat
transfer and it’s easier to apply. Polyurethane with UV protection is better if possible, it is more water resistant.
Water based adhesives and finishes win here. PVA is water based and most finishes are available in water based these days. Epxoy, carbon fiber, fiber glass and bamboo are the losers. Yes, bamboo! It has been marketed as a “green material” due to it incredible ability to regenerate, however, the process required to get the round bamboo into a flat veneer come with a huge carbon footprint, outweighing the green benefits, but no one wants you to know this.
Photo: Jeff Nass
What type of press do you use?
Cold press vs hot press, manual, hydraulic, pneumatic operated, vacuum bag or clamps?
Cold vs hot depends on the materials and the adhesives used. Press time can also play into the equation here. Hydraulic and pneumatic are more production oriented, then manual, vacuum bag and clamps.
Does the press have a pressure gauge?
Adhesive manufactures have a recommended psi. Without a pressure gauge, how do you know if you meet the recommendations or that every board is pressed consistently? Again, epoxy requires less pressure that PVA.
Molds – Do you have stock molds? Can you make custom molds? Who owns the custom mold? If we part ways, can I take “my” custom mold with me?
The type of mold used is directly related to the type of press used. Do you need a one sided or male/female mold? Woodshops often will have a choice of stock molds to choose from. This is a good way to get started because a custom mold can cost upwards of $1000. Molds are often laminated with baltic birch, maple or even aluminum=($$$$$$). Stay away from a shop that recommends using 2×6’s or other framing material to save money. Just like your veneers, the molds should be kept in a controlled environment. A warped mold will only press a warped deck. Molds need to be precise to get consistent and secure glue joints. A CNC cut mold if far superior to a hand shaped mold. A mold can last for 10’s of thousands of decks if taken care of. A mold also needs to be designed to press a given number of boards. This leads to the next question.
There is a large variation in the industry with this. Some will press up to 5 decks in one mold to save time. This creates 5 different decks with respect to the contours, concave, kicktails, and wheel wells. As you stack decks, each decks’ contours get progressively smaller up the stack. Some don’t care, and some do. Pressing 2 decks at a time minimizes the differential range but takes longer to press decks in a production setting. This is a decision you have to make. Consistency or quantity, where is the happy medium?
This Saturday, in MORRO BAY, California, the world premier of Virgin Blacktop will take place. Thanks to the work of Charlie Samuels, this 23-years-in-the-making film will finally be unleashed formally to
the world. This is not to say that it hasn’t been seen. It has – in Nyack, New York back in fall to a local audience. But this particular moment in Morro Bay is the official world premier. I’ve seen the film TWICE and I can tell you that is absolutely is a masterpiece. It is 100% pure stoke. No skater will be unmoved. In fact, I think once this film works its magic on the skate world, you’ll see change within skateboarding. Positive change.
Virgin Blacktop isn’t just about skateboarding. It’s about community. It’s about how we as a society get a long. It’s about life and it’s about celebrating people’s lives. Unlike the Dogtown and Z Boys film which hit 18 years ago, this movie is in completely different head space. If you’re an old school skater, you won’t know any of the main characters (except if you’re a freestyler and the name Joe Humeres rings a bell).
The film will make you think about the positive energy that the act of skateboarding gives us all. If it doesn’t make you want to leap out of your seat and grab your board, chances are you’re either dead or comatose.
To Charlie Samuels and all of the Wizards who are featured in Virgin Blacktop, thank you for inspiring me to love skateboarding that much more! Your film and story is lesson for us all.
You don’t need to be sponsored by Vans to be a Wizard. Nyack, NY November 2017
Today is March 8th. it’s International Women’s Day.
Did you know that?
The truth is my wife reminded me – but I thought it was on the 11th. Turns out that is the day many folks are gathering this weekend for rallies.
Patti McGee a leading light in skateboarding since the early 1960’s. Five decades later, Patti is still rolling!
By a strange coincidence, March 11 is my mom’s birthday AND the day I met Noel Korman in 2011 at the world’s first longboard trade show in NYC.
In most years, I’d be working on the April issue and waiting for the March Buyer’s Guide to come back from the press.
Ellen O’Neal rode for G&S. An awesome freestyle skater. Photo: Warren Bolster
That didn’t happen this year. But more on that in a moment.
Peggy Oki made a huge mark on the “Lords of Dogtown.”
Laura Thornhill was featured in the Fall 1976 issue of SkateBoarder. She received over 10 pages of coverage!
I used to put a huge amount of focus getting the magazine out at the specific time. Speaking of time, I spent a huge amount time chasing advertisers to get their ads or listings in for deadline. Speaking of advertisers, happy to report we one new Swiss advertiser – Rocket Longboards.
Thanks to a series of events, I have the time to focus on things that connect all skaters. And that’s why I am writing this column. My first shout is to Candy Dungan, who is our associate editor. Can you spot her in this layout? Candy is right there…on the top left!
Can you spot Candy?
You see, I think now more than ever we need ALL skaters (both FEMALE and MALE) to be part of International Women’s Day. Here’s just one linkwhy.
Girl is NOT a 4 Letter Word!
I encourage you to get out there and roll for women today. Think of what is must be a woman in Vatican City, the only place in the world where women can’t vote.
And in Belarus, women can’t become truck drivers. Then again, if you think about it, it was only 1971 when women got the right to vote in Switzerland.
The Longboard Girls Crew
For those male skaters who can’t understand what your role is today, here’s my take:
Get out there and skate. Enjoy everything the act of skateboarding gives you. Freedom and fun springs to my mind. If you run into some female skaters or just females, treat them the way you’d like to be treated. If they are new skateboarding, stoke them out. If they’ve been riding longer than you, take the time to learn from them. If you just do that, you’re rolling for peace – that is your role. If you want to march, or support women
This newsletter is about what to look for in a woodshop. And we have a hard hitting interview with a manager of an established woodshop.
The truth is that skateboarding is awesome.
The real truth is that starting a skate company and working with a woodshop can be nightmare. Just ask my buddy _____. We can’t give his name because you know…lawyers. But trust me it can be a total nightmare trying to get decks made. We hope this little interview helps you avoid some serious nightmares.
REMEMBER – buyer beware! DO NOT FREAK OUT…read this interview FIRST before you place that order.
What should you be looking for when it comes to choosing a woodshop to make your decks?
History and heritage. This shows credibility and experience right off the bat. The customer should be able to pull plenty of information about the organization on the internet
Their philosophies and core values. Check out their website and see what they are about.
Cleanliness and organization. Visiting the factory not only ensures that they are not brokers themselves, but also allows the customer the ability to check out their organization. We know that all wood shops are dirty or dusty, but not to a point that it looks like stuff is just thrown everywhere
Customer Service. Customer service should be a top priority. Are they taking the time to really meet your needs, or do they just want to take your money?
The desire to work with the customer. A great wood shop would sit you down, ask you questions, and be upfront with you about everything verbally and most importantly, in writing, so there are no discrepancies
Over promises. An experienced wood shop would under promise, and maintain their timeline ( usually between 4 to 6 weeks). Most of the time, they finish the job before then.
The woodshop’s opinion and/or advice. Yes, both parties need to make money. A great wood shop would give their opinion and/ or advice without telling one what to do, hopefully resulting in a production-friendly, quality product. There are no perfect wood shops; they do run into snags and it is to be expected. But make sure that the wood shop communicates this back to you. They should be giving you facts, answers, and solutions…not excuses.
A great wood shop would also let you know that certain processes would be better done by you rather than the wood shop, so you can save money and time. The attitude of the wood shop should be like what’s someone once said , “ We are here to make your life as easy as possible, and help you be successful at the same time.”
How to best handle references?
Great wood shops will not reveal their customers. It’s like a code of ethics to keep their OEM customers at secret. Most likely, a great wood shop will already have a great reputation by simple “word of mouth”. Remember that good references should not only be on the quality of the product, but also on timelines, and especially customer service.
What are some alarm bells that should trigger “RUN AWAY!” ?
This is a tough one, since every wood shop looks great at first even with great references, but do your RESEARCH! If you are caught in the middle of a dilemma, you should look at signs of multiple promises not delivered, and multiple excuses….THIS IS A WARNING SIGN….by the second promise not fulfilled or second excuse….you should start thinking of your exit strategy.
What’s the best way to handle disputes?
Disputes are easy to handle if everything was placed in writing before the start of production. Write everything down, and you as the OEM customer and the wood shop should review the terms. Once agreed to, both parties should sign off on it
Recap e-mails are a must, just in case there were details that needed more attention or were missed. There’s a saying that the customer is always right. That is true most of the time, but if you have everything in writing…there should be no question who made the mistake…it’s either the customer or the manufacturer.
Saskia Tromp – one of the world’s best long distance pushers.
I had an opportunity to meet up with Saskia at Shred Expo in February. At 21, she’s on her way to making a serious name in long distance. We wanted to share her insights.
What is your skate background?
My skating started when I was about 5 years old. I was always on rollerskates and got into ice skating when I was 7. I participated in marathons and the normal speed-skating distances like 500, 1000, 1500 and 3000 meters. I also did a lot of in-line skating, cycling, swimming and running.
When I stopped ice skating in 2012, I got into longboarding. My first board was a pretty cheap one from a local store, but a week later I knew I loved it and got a better board. I started pushing around town, commuting a bit and then I bought a downhill deck after meeting the Dutch Downhill Division community. Done that for two seasons, but due to some injuries on my ankle I couldn’t skate so much.
Then I thought to strengthen my ankle by doing long distance training. I got my first LDP setup and then I fell in love with long distance skating itself. A video of the 24- hour Ultraskate made me want to try and I trained hard to get there. The first time I skated more than 10 kilometers I was truly done. But by increasing mileage gradually I could skate much farther than I ever imagined
Where have you competed and what races have you won?
I have competed in races in the Netherlands, Germany and the USA. My first race was the Dutch Pyramid Uphill Push Race (DPUPC) in 2016. It’s a short sprint around a lake and then up a pyramid shaped hill. That was the first competition I ever did on a board and I loved it. After that I went to the quarter ultraskate (6 hours) in Utrecht, the Netherlands. It was my first bigger race and I was super nervous, but it was also the first time I met skaters from another country and I ended up second! I was training to do my first 24- hour Ultraskate in Miami.
Getting the money together to go to Florida was a thing, but it worked out eventually. It was my first time out of Europe and it felt super awesome. The race started quite well and I held a high pace. Unfortunately I had two bad crashed at night. So I accidentally stood on my front wheel, crashed and hit my knee and shin. I was almost on the point to give up, but seeing everyone passing by inspired me to keep going and I hit my goal of at least 150 miles and I got 5th in the ranking there.
I was super stoked after that one and trained hard for the next race, a quarter Ultraskate in Kienbaum, Germany. I won that one and beat my own personal best. After that race I was in good shape and there were a few weeks between the Dutch Ultraskate, so I was just maintaining form. The Dutch Ultra is super special to me, since I skated my world record there at 422.10 km/ 262 miles. It was a tough race, especially at night when the track seems like it’s just you and your board on a road. I know the track really well because I used to cycle there in my childhood. I never thought hitting a WR and going to 262 miles would be possible, but due to some luck and an awesome support team it happened. After the ultra in 2017 there was a marathon organized by the Misfits skatecrew, and another quarter Ultra in the Netherlands in November. Now we’re in off season, but spring 2018 is coming!
What is is that makes LDP so interesting for you?
To me LDP means exploration, love, family and freedom. On a board you can go wherever you want and see the world. It has brought me so much and I can’t imagine a life without it anymore. The whole scene is supportive and it’s easy to reach everyone.
LDP is also my general way of getting around to nearly all my appointments. It’s pretty much glued to me and people are already asking what happened if I don’t have my board with me.
What are some of the physical and mental challenges of pushing for 24 hours straight?
On the physical side: It is important to listen to your body, it’s easy to overuse something. Of course you have to be very strong in general, and you need to have a good technique while pushing or pumping to save energy. The challenge is to keep going and not take too many (long) rests, since that cools you down and then you’ll have a hard time to get into the rhythm again. The longer you’re into the race, the more often you’ll see others get into their chairs or tents to have a break. The track gets less crowded and you might end up on your own.
This is where the mental part comes in: if you think about giving up, you will. Keep your thoughts on the positive side and you can break any limit. I think the mental side is equally – if not more – important than the physical side, since you can be super strong, but if you give up you’re not going to hit your goal!
What is the future for LDP?
To me, the future of LDP lies in organizing more events and getting new people into the scene. Races, clubs, gatherings, fun days, touring, there’s so much to think about. I feel like a lot of people are seriously interested in it, but just never got in contact with it. I hope to gather some more people by doing projects with (young) students about longboarding, as they are the future for the scene.
Hitting the finish line!
How do you feel about the Olympics… could LDP be a part of it?
I my opinion LDP can be a part of the Olympics, and I’m hoping that we could get an Olympic marathon for distance longboarding. There’s not that much needed (just a closed track or the course for the Olympic runner’s marathon) and everyone knows what a marathon is. I think a lot of people will love it and would want to try skating when they see it on the tv.
However the Ultraskate should remain the same in my opinion, and the community shouldn’t be divided in “I’m from this country and you’re from that country so we can’t work together”. The family is more important than the racing, but I think the Olympics are a cool way to gather more people and spread the stoke.
Tell us about your set up!
My current setup consists of:
Rocket Exodus platform
G|Bomb S-fork proto
G|Bomb Infinity bolts
G|Bomb Ceramic bearings
Don’t Trip Poppy SP
Riptide 80a fatcone/ 80a barrel
Riptide 80a cone/ 80a cube
Riptide In-Side Footstop
Orangatang Kegels 80 mm 80a
Proto rear wheels
What’s life like for you in the Netherlands? What do you study and why?
Life in the Netherlands as a student is pretty busy, haha! I study Landscape and Environment Management in Delft. I learn a lot about water management, climate adaptation, ecology, laws, doing research, nature management and computer programs like GIS. Also we have a lot of excursions. I commute a lot by board, bus and train due to the fact that I moved to the east side of the country for my internships. I like this study because it’s future-oriented and we’re outside a lot. I’m in my last year and will finish this summer. So this year I will (hopefully) graduate and the plan is to do a premaster next year, followed by a double master at the University of Wageningen.
Any final comments?
If you don’t have a decent LDP board yet, get one and enjoy the ride!
In the midst of a Winter Olympics where half of NBC’s viewership delight in the ways in which they have painted gold-medal winner, Shaun White, as an American hero and the other half scold the “lone wolf” for selfishly abandoning the snowboarding’s core culture, many of us in the skateboarding community sit passively by.
For better or worse, White’s name in headlines surrounding the upcoming games is simply adds another mystery to the sporadic collection of media describing how the process to skateboarding’s eventual Olympic fate is shaping up. As some anxiously wait to see how this process unfolds, others are actively working with Olympic committees and national governing bodies of sport in their home countries to keep the wheels in motion. Allow us to explain.
Home to some of the most talented up-and-coming urban scenes, devoted independent publishers and exceptionally desirable spots, there are few greater examples of a country with potential to capitalize on the potential social and economic benefits of the Olympics than across the pond, in England. As such, we got a chance to interview James Hope-Gill, CEO of Skateboard England, in an effort to demystify some of the reservations and hesitations surrounding skateboarding’s inclusion in the Olympics.
This non-profit that Hope-Gill and his cast of industry veterans are behind aims to, in their own words, “manage, support, develop and promote skateboarding in England & Wales, increase participation, develop a coaching and judging pathway, create and support a sustainable and robust competition structure at all levels in conjunction with existing competitions and stimulate international interest in English & Welsh skateboarding through the development of world-class facilities and skaters.” Without further ado, we encourage you to keep an open mind and have a look at what Hope-Gill had to say:
From my understanding, the way an English skateboarder can hope to compete in the Olympics is to be invited to the National Championships, win in the disciplines of either street or park, move on to and win the European Championships and then go on to the Olympics from there. Is that the case or am I missing something?
JAMES: There is still some uncertainty regarding qualification due to skateboarding being a new sport without an established series of “open” competitions at the elite level sanctioned by the World Governing Body. However, we do know that the Qualification system will be based on World Skateboarding Ranking. Skaters will be ranked for competing in World Skate sanctioned events in the Olympic qualifying period between 1st January 2019 and 30 June 2020.
Details on ranking and the qualification system will be disclosed in March 2018 but our understanding is that skateboarders will be able to qualify through their National Championships in order to be invited to enter the Continental Championships and then go onto World Championships.
Ranking points will be obtained through a mixture of the existing commercial events, such as Vans Pro-Series and Street League, in addition to events that are to be created, such as National Championships and Continental & World Championships. That said, its hypothetical at the moment, until we get clarification from World Skate later this year.
Are there any specifics you could give us on how skateboarding will be structured in the Olympics? (ex. Are street and park the only two disciplines? How many representatives can be expected from each country? etc.)
It has been confirmed that there will be two skateboarding disciplines contested in TOKYO 2020: Street and Park.
A total of 80 skaters will compete in 4 skateboarding events as follows:
20 athletes female Street
20 athletes male Street
20 athletes female Park
20 athletes male Park
We do know that there will be a minimum of one skateboarder per continent who will be guaranteed a spot for each event in the Olympics and a minimum of one spot each event will be guaranteed for the host nation, Japan. There is also an understanding that in each event, each country will be restricted to a maximum number of skateboarders. That figure is likely to be 2 or 3 per country per discipline. Again, we need to wait until March 2018 for clarification.
Sam-Pulley and Alex Halford front rock under backside-air. Photo CJ
Can you explain the concept of membership a bit more clearly? Do skaters who want to compete have to sign on to be members of Skateboard England in order to do so?
Membership is vital in ensuring that Skateboard England can continue to help and support the skateboarding community and also positively contribute to the growth of the sport. Interest in skateboarding has never been stronger and we are fully committed to helping everyone achieve their full potential whilst ensuring that decisions made about skateboarding are skateboarder led. At the moment Skateboard England is pretty much a voluntary organisation which means that things take a lot longer than we would want them to and we can’t do as much as we want to. A lot of what we have been doing is behind the scenes, such as lobbying government and other organisations regarding funding, strategy and politics.
We are in the process of creating a number of membership categories for skateboarders, coaches, skate parks, etc. We are putting together a package of benefits for members, but that’s a long process and will take time; but there are some significant things we have put together already.
Membership is also part of a much bigger picture. If we want to receive public funding (for better and more facilities, growing skateboarding, etc) from Sport England (the central government sport funding agency) we need to have a series of membership categories. Membership demonstrates that the sport is supporting the governing body and is actively saying “we want to grow, get better facilities and be more sustainable”, it is also part of the democratic process and status of the governing body. We are a membership organisation and all decisions made for the good of skateboarding need to be representative of skateboarders. The Board of Directors are elected from the membership and so we need a diverse and thriving membership in order to have really good people with the right skills making the strategic decisions that will affect the direction and growth of the sport.
Lucy Adams – chair of Skateboard England
By joining Skateboard England as members, people & organisations will be actively supporting all the work we do, helping us to invest in the development of skateboarding across England & Wales, basically supporting the future of skateboarding from grassroots to elite level.
There has only been a governing body in England and Wales for the last couple of years. This isn’t the case for many other countries, especially in Europe. We are about 20 years behind a lot of European countries such as France, Germany, Italy, Denmark, etc, etc. They have thriving memberships, and are taken much more seriously by their governments and local authorities. Those countries mentioned are already receiving government funding for facilities and their Olympic teams. They have been having conversations with funders for a number of years, whereas we are very new to the negotiating table. Membership in those countries is accepted by skateboarders as the norm. We hope that we will get to that position in due course, but understand that it is a new concept in the UK.
There will be no compulsion to become a member of Skateboard England. However, in order to take part in our events, we would expect skateboarders to be a member. We would also hope that skateboarders would want to become members in order to support the work we are doing in creating opportunities, getting better facilities and making sure that decisions about the sport are being made by skateboarders.
Based off the memo on sponsorship that you posted to LinkedIn, what sorts of companies are you anticipating to support the National Championship events?
We’re really keen to engage with companies who are from the skateboarding industry and those from outside. Let me explain. There are a limited number of skateboarding companies and many at the moment already sponsor events and jams around the country. What we don’t want to do is to dilute that money so that the wider skateboarding community sees a reduction in the sponsorship its receiving at the moment. That’s the reason we are looking outside the industry. That said, we hope there will be skateboarding companies who increase their sponsorship budget in order to get involved in the National Championships which will give them some fantastic profile across the wider community due to the events being covered across BBC Sport digital platforms.
In terms of the types of companies; we need to see who is interested. However, we very much want to retain the look and feel of skateboarding events and ensure that a company who gets involved absolutely agrees with the ethos and aims of what we are trying to achieve.
One of the most pressing issues that skateboarders considered to be in the industry’s “core” demographic are concerned about with regard to the Olympics is representation. Many think the Olympics will water down the rawness and the outlaw mentality that they have come to pride themselves on. How will organizations like Skateboard England try to maintain some of the authenticity that makes skateboarding what it is, while still attempting to take skateboarding to a new level?
Well, we certainly can’t speak on behalf of other organisations, but the main thing Skateboard England is here to do is facilitate. We are not here to try and change what is already happening and what is already great about skateboarding. We just exist to provide guidance and a bit of structure where needed….and to help increase the participation of what we do and love and give us a voice.
We want to help promote grassroots events that are already happening and support the community to keep doing what they’re doing. In a world where red tape is growing, if a local authority insists groups need to have insurance to run events & jams, we can support the skateboarders with this. Likewise, with parents now seeking out skate lessons and coaches. We can help support our skateboarders with qualifications & training and therefore help provide employment opportunities.
Skateboard England is also there to work with and lobby against any Councils that try to ban / limit skateboarding in City Centre areas. Street skating is most important to us and preserving it is a huge priority. We hope to support the development of shared space like other European nations have done so well. We are working with Local Authorities like Nottingham, Sheffield and Hull for Skateboarding to create new skateable spaces and events.
What sort of potential do you see skateboarding’s inclusion in the Olympics having for the skateboarding culture as a whole?
The Olympics seems to have certainly divided the skateboarding community. However, I would hope that we can all agree that the Olympics brings an opportunity to increase the profile of skateboarding. If we take advantage of that, we should see more funding into the sport which will create more opportunities for skaters, more skaters and more & better facilities. However, we need to be setting the foundations and preparing for that growth right now.
A few things you should know about Bud Stratford. He’s known to have gulped over 10 Cokes a day. He smokes clove cigarettes. And Bud loves skateboarding and has done so for over 30 years. He also is a prolific writer and influential thinker within skateboarding. He’s been part of CW for over a decade and he’s been known to kick my ass on more than one occasion. I am proud to call him a friend always look forward to what unleashes to the world.
This interview features all of Bud’s artwork. It’s also over 3,000 words. God bless digital media!
What motivates you to write about skateboarding and explore things that most wouldn’t touch?
I’m not sure that’s entirely true. I’m not sure that I’m writing about things that people wouldn’t touch. Quite the opposite, I think, is true: I’m writing about things that most people are actually talking about, and talking about a lot, right now. They’re not saying these things publicly… and that’s probably the only real difference between me, and them. But, they are definitely talking about them privately.
So, the real question is probably, “Why are you talking about these things, publicly?” Here’s why: people ultimately need to hear about these things. They need to be brought to the surface sooner or later, and aired out. They need to be discussed. Problems need to be solved, and paradigms need to be put right. For everybody’s benefit. It’s just part of the progress-process at work. If we can’t define, articulate, debate, and propose solutions to pertinent problems, we’ll never get anywhere in life. And nobody in their right mind wants that.
If I can put the conversation on the table, and add a few neat, new, and novel ideas into the mix? Then I’ve done some small part to help move that process forward. Or, maybe it’s just because I’m a dick. There are a lot of industry dudes that would probably agree with that one. They might be right. Maybe I am.
With all the moves to online, what areyour visions for the brick and mortar skateshop?
I have a lot of hope for the long-term future of retail, but I can see that the short term is going to be really, really rough road for them. A lot of it is for this simple reason: a lot of them just aren’t doing their damned jobs all that well.
I just came off an extensive summer tour, where I spent a lot of time “mystery shopping” skate shops. I would go in, not as a magazine editor (I was working for Concrete Wave at the time), and not as an “industry guy”… but just as an average, anonymous skater, or an everyday customer. And I would experience those shops in their truest and rawest form
I spent a lot of my summer being shocked and dismayed by what I saw and experienced. It kinda sucked.
Skate shops, by and large, see things like the internet, Amazon, Zumiez, Tilly’s, brands that sell direct-to-consumer, and other core skate shops, as threats. That’s precisely where they’re misguided. They are not threats; they are alternatives. That’s the key distinction that everybody’s missing here.
Thirty years ago, if your local shop sucked… what were you gonna do? You had to shop there anyway, you didn’t have much of a choice in the matter. There weren’t really alternatives… and if there were, they were huge pains in the asses. Sending away a money order for a skateboard, and then waiting a month to get it? That was really, really inconvenient. You know the struggle, Mike. We’ve both lived it.
Nowadays, consumers actually have a whole horde of viable, enjoyable, and convenient alternatives. And they are slowly abandoning the shops that are doing a bad job. It’s not rocket science or anything. It’s just common sense.
But if the shops did their jobs right, and did them well… then why would we need alternatives? Why would the customers abandon a great local shop? The answer is simple: we wouldn’t. We’d all shop at the local shop, and we’d all be really, really happy to do it. That’s the plain truth that most shops, for whatever misguided reasons, simply refuse to accept. They blame everyone else for their woes, but they almost never point the finger at themselves. The alternatives are not to blame; they did not create the problem. They merely offered a solution. The shops, themselves, created the sucky-shop problem. And only the shops, themselves, can fix it.
In my world, shops are supposed to be the front line of skateboard promotion. They’re supposed to be putting on grassroots events, showcasing skateboarding, getting people excited, inviting them into our pastime, and acting as the fun-loving experts and the advocates for their local scenes. Their goal should be to put anybody and everybody on a skateboard, regardless of color, gender, background, ability… whatever, none of that matters. Just enable, inspire, and enlighten the customers- all of them. And then, they’re supposed to be organizing that skating community, and inspiring them to do greater-good sorts of things… like, fighting for public skateparks. That involves a lot of outreach, and a lot of cultivating a cohesive community. But at the end of the day, that’s their job. That’s what they signed up for.
They’re not doing those things anymore… if they ever did them in the first place. And that’s why they’re failing. That’s why customers are seeking out the alternatives. And that’s why the alternatives are winning.
Once they get back to doing those things, I think they’ll survive and thrive. Because nobody else… outside of a local skateboard club… is really in the position to do them. The alternatives are not the perfect paradigm; the local skate shop is. But only when they aren’t sucking at life. Which too many of them are doing right now.
Our industry has every right to be quite concerned about this, and our industry should- in turn- do anything and everything they can to help these shops out. They should be mentoring and advising the shops, to help them build better and more sustainable businesses. We’ve taken a shop under our wing as a pilot program to see how well it can work, and it turns out that it works really, really well. It benefits the shop, it benefits the brands, it benefits the customers… and it’s not too much work, really. It’s surprisingly simple to do, and pretty easy. And it’s fun. But it helps the shop so much to know that somebody has their back, if they need… well, anything, really.
We’re doing it because we recognize that once we lose a critical mass of skate shops… and mark my words on this one, Mike… we’re gonna see a skateboarding Armageddon like you’ve never seen. Skate scenes will die on the vine, everywhere. It’s already well under way, and we all know it. But nobody has made that simple connection just yet. Good shops, good scenes. Great shops, great scenes. No shops? No scenes. No scenes? No grassroots skateboarding excitement and engagement. No excitement and engagement? No skateboarding. It’s that simple. And that’s what I saw over and over again on tour this summer.
That dream of owning and operating an independent skate shop… that’s timeless. I think that the Millennial generation will start opening up shops, and doing it the way it’s supposed to be done. They’ll get it right. And if the industry had any brains in their heads, they’d actively encourage, aid, and abet that. And they will, eventually. It’s just a matter of time.
You travel extensively – what is about the open road and exploring that excites you?
Discovering neat new things. That’s about 99% of the answer. Every day is a great day for a grand adventure, isn’t it…? So, go have an adventure! Learn something. Live life. Love the journey, and savor the experiences. Cherish the memories, and die with a smile on your face. Fuck yeah. That’s pretty much it, right there.
Truly a personal question – you don’t have children – but if you did how would you raise them to love skateboarding?
I’d tell them that I gave them life, and that I could just as easily take it away. Nah, just kidding… kinda. I honestly don’t know. My goddaughter skates; her mom just told me last week that she still has the first skateboard I ever gave her. Hopefully, she rides it from time to time. As long as she loves life, then that’s fine. That’s the important part. Everything else is just everything else. Life’s too short to sweat the small stuff. Skateboarding is a means to the ends, not the ends themselves. The ends should be happiness, fun, fulfillment, contentment. If she gets that some other way, with some other pastime, then that’s perfectly a-ok with me.
The decision to reactivate the Everything Skateboarding website is something that I know many people are anticipating. What should people expect? What are your key goals?
I’m not sure how to answer that. They should probably expect to see a lot of words, photos, and art, because that’s what’s in there. A couple videos. Lots of bright, vibrant colors set against a black background. A few neat ideas, and a lot of humor. It’s pretty entertaining. Especially if you enjoy reading. Then, it’s probably solidly awesome. Avid readers that love intellectual challenges and a good laugh will love it.
For me, it’s basically an art-and-empowerment project. It’s an exercise of creating something exemplary… I hope, at least… out of extraordinarily limited means. It’s a creative outlet that has the potential to engage, inspire, and empower others to follow suit, and exercise their own creativity. If that’s all I ever do? Then I’ll be more than happy.
It’s not just me, though. Obviously, this is ultimately a collective effort. Therefore, I could never take all the credit, although I’m more than happy to take all of the blame. Everything Skateboarding is the net result of the combined efforts of the entire staff. They all played a really big role in it, and they did a fantastically good job with everything. I’m just the ringleader of the good vibe tribe. But without the tribe, I’d be nada, zip, zero. So, thanks everybody. I love you all.
What have been some of the most surprising things you’ve learned over the years as it relates to skate drama?
That there is such a thing as “skate drama”…? That continually surprises me. How astronomically huge some egos can be. How incredibly greedy some people can be. How painfully shortsighted and conservative our self-appointed “leaders” can be. Skateboarding is a big, happy, dysfunctional family. It should really be far more loving than it actually is.
I have my fair share of adversaries and enemies in this industry, for sure. I am absolutely not the pinnacle of perfection over here. But anyone who knows me at all… even if it’s just in passing… knows this about me: I am fucking cool. That doesn’t mean that I’m “a cool guy”- far from it. That’s not what I mean.
What I mean is that, even if you are my worst enemy on the whole planet… I’m still that guy that’ll pat you on the back, and buy you a beer when we cross paths. I’ll still give you genuine props if you do something really great that I’m stoked on. If you need a hand, I’ll probably be the guy standing there, ready and willing to give ya a hug and a bit of help. I’m not “cool”, per se… but I am pretty respectful and sincerely fair to my fellow human. Even if I fundamentally disagree with you, I’m still pretty good times.
Sadly, that brand of cool is not particularly popular anymore. Kinda sucks, but whatever. Be the change you seek in the world. Cool is a universal language. If you’re cool to people, they’ll usually be cool to you in return. Truer words have never been spoken, buddy. If everybody embraced that simple philosophy, the world would be in a far better place than it is.
Is the fact that skateboarding still remains accessible one of its greatest strengths, or one of its greatest weaknesses? I mean, if it was as big as the NHL or NBA, would it have the same meaning ? After all, you can pretty much anything you want to be in skateboarding. Whereas out of 30,000 Ontario hockey players, only 15 played more than one season [as a pro].
Oh, it’s a total strength. Look at me, dude! I’m ginormously huge, way too damn fat, painfully uncoordinated, and just dumber than a doorknob. I shouldn’t even be a skater, for pete’s sakes. I should have been a football playing goon or something; I hear that kind of crap all the time. But, what was I doing this morning? Chatting to Jim Goodrich, one of my childhood heroes. Can you believe that shit?! I can’t! I seriously have to pinch myself all the time, like I’m convinced I’m living a daydream or something. The fact that I get to call Jim up, hear him answer the phone, and do some friendly chatting just blows my brains away.
And here’s the best part: any kid in the world can be me. Seriously, I’m not even kidding. Any fat, stuttering, nerdy kid that has a whole bunch of passion, that can write a long-winded essay, tell a funny story, draw a sketchy cartoon, and take a really bad photo with a cheap-ass camera, can do exactly what I do… maybe even do it far better than I could ever do it. And they can live my lifestyle, and be super happy with life. Skateboarding is absolutely amazing like that.
That’s why it sucks in so many amazing people: because amazing people like being in the company of other amazing people, doing really amazing things. No other pastime is so empoweringly democratic, and so uniquely inspiring, encouraging, and enabling. That’s a total credit to skateboarding. We’re really lucky to be a part of it. I know I sure am.
We talk a lot about inclusion and community within skateboarding, and yet there remains some significant divisions. Will we ever see a clear path out of these issues?
Yes. Yes, we will. Once we put our egos, our self-interests, our ignorance, and our misguided perceptions aside, we’ll figure it all out. What’s the point of keeping skateboarding our protected little secret? I’ll say it again: there should be a skateboard for everybody, and everybody should ride a skateboard. Even if it’s just once in your life… can you say that you’ve really lived, until you’ve ridden a skateboard at least once? No, you can’t. And everybody knows it. It’s such an effective conduit of pure joyfulness, why wouldn’t we share that with everybody? Do we really want the rest of the world to live in misery forever? And who would want the rest of the world to be miserable, anyway? That doesn’t make any damned sense to me at all. And I can’t see how that would make any sense to anyone else, either.
What company in your opinion is doing a great job to support the grassroots?
Nothing really springs to mind here. I mean, the advertisers that I work with at Everything Skateboarding should definitely get some props; they’re clearly supporting a grassroots movement in a really big way. The brands that support our events, the brands that send in articles and photos… yeah. In my world, there are brands that are making major contributions to the cause. And a lot of the local brands around Phoenix are very activist; they’re doing a lot for skating here in the valley.
Unfortunately, I can’t speak much about what goes on outside of my world. That wouldn’t be fair to anybody.
Have you found any company that is monumentally hypocritical within skateboarding? Describe the hypocrisy.
The last time I dealt with “monumental hypocrisy” was when IASC did that Blank Initiative. That still stands out as one of the stupidest things they’ve ever done.
I think what we really deal with in this industry is lack of leadership, lack of vision, or lack of initiative. There are a lot of followers in our business, but very few standouts that are willing and able to push the limits, and try new things. Which is so ironic, because skateboarding itself is all about pushing limits and trying new things. But there’s a huge chasm between skateboarding itself, and the industry that supports it. Skateboarding is very libertine by nature, while the industry tends to be rather stoic and conservative. It’s an odd juxtaposition, isn’t it? But that’s money at work. Money wrecks everything, eventually.
Back in the early 80’s skaters railed against Reagan. Are politics acceptable within skateboarding now?
I think so. I don’t think they were ever unacceptable. It’s just super hard to revolt too hard against guys like Bill Clinton and Barack Obama. They really were super friendly fellows, weren’t they…? Agree or disagree with their policies, they were still pretty likable. At least you had a little bit of respect for their innate coolness. Comrade Cheetoh, on the other hand, is the ultimate poster boy for unrestrained douchebaggery. Even if he did everything right, he’d still be a dick. That fact that he manages to screw damn near everything up just makes it that much worse.
People are still revolting, of course. They’re just a little quieter about it. They’re withdrawing from power paradigms, and creating their own universes. Not unlike Tom Wolfe’s study of statuspheres. They’re dropping out of the two-party political system… it still amazes me that Americans, of all people, still tolerate being forced to choose from two unreasonably awful choices every four years, for our highest elected office… and taking a far more active hand in governing themselves. It’s Henry David Thoreau’s ultimate dream come true: people dropping out of the system en masse, and being the true masters of their own destinies. That’s going to be Trump’s ultimate legacy: he’s going to be the guy that made government look hopelessly laughable and irrevocably irrelevant in our lives, because he was such a f’n boob.
At the end of the day, he has somehow single-handedly managed to forever tarnish the position of the Presidency. And good riddance. Nobody should have ever been endowed with that kind of power over other people in the first damned place.
“The passion and dedication is deeper, stronger and a lot more durable than the guy who mongo pushes to his Keva Juice part time job. It seems to me that the longboarders of today are doing it to look cool.”
This is seriously so fucking judgemental that I am not even going to dignify it with a response. Actually I will…just keep scrolling to the end. You’ll see a model of a response, Jeremiah.
I’ll put it this way. You are probably passionate skater Jeremiah, but you don’t know your roots.
As Donald would say “sad.” This is from 1995…and that bright yellow cover? That’s from 1981
It’s all skateboarding Jeremiah. You’re 11 years deep into this. Let’s see where you’re at in 2048.
A few of you reading this were there when the NCSDA started. A few others might recall when Silverfish started. I bet a lot of people reading this were there Skate Slate and Wheelbase started.
Hey…that’s Skate Slate!
I was and continue to be very happy to have a front row seat to it all. The last 22 years of my life in skateboarding were truly incredible. But in truth, things have been difficult. A lot of advertisers have decided to spend money on different marketing initiatives. This is code for “we’re spending most of our advertising money on Facebook, Google, You Tube and Instagram.” Btw, it’s not just skateboarding, many very small independent traditional magazine publishers like me are faced with similar issues.
Hey! That’s… Wheelbase!
The truth is that ever since we started this new website, I’ve wondered, will it help or harm? Are the forums going to resonate? What exactly will the experience be like? Am I complete digital imbecile lost in a time warp who never was able to make the damn website work?
But then, I think about how I came to find Sean. You see, Sean is my web guru and thanks to Steve Meketa we met up last summer and set plans in motion to make this website work.
Sean is working like a demon to make things happen Sean’s vision is on point. He knows how to work within the digital world and more than this, he freakin’ loves skateboarding. That’s a deadly combo.
The Truth? The only way to make these next 21 years go by with same amount of fun and passion as the last 21 is for me to truly find my flow again within skateboarding. I am proud to truthfully say – “all systems go”
The Real Truth? Concrete Wave finally has a website that it should have had almost 20 years ago – about freakin’ time! Now the fun begins!
SECTION B – DEMONS UNDER THE BOARDS – AKA WHO’S WHO?
I got a text from my friend Samson. Samson is unique. Samson is curious and truly loves skateboarding. Samon doesn’t just work like a demon, he’s a speed demon. He loves bombing hills. He’s also demon in the kitchen, whipping up fantastic skate grub every time we meet – thank you for your hospitality. He’s also a mind demon and he wrote something to me yesterday that stopped me in my tracks. Curse you Samson for getting into my brain…again!
Many people reading this post probably don’t know of Quincy Jones. One thing is for sure, you’ve heard of all the major artists he’s produced. Read the damn article. It’s a jaw dropper.
Ironically enough, Jonathan Nuss (now living north of 60) was the one who spread this story on social media.
Jonathan Nuss loves Nunavut!
Like I said, it’s got more bombshells than a year’s worth of Maury
This guy makes serious coin from others misfortune.
But here was Samson’s take, and I am paraphrasing here – you gotta make a magazine that is as honest and raw like that interview. Don’t be afraid to tell the truth.
After sleeping on Samson’s words, I realized that I need to get writing. Samson unlodged something in my mind. It is time for a raw and honest assessment of the skate industry through the prism of Concrete Wave. It is truly time to comfort the afflicted and afflict the comfortable.
The Truth? After 21 years, I know people who know people...who know things. And it’s time for some illumination on all the bullshit that’s out there. Plus, I know where the bodies are buried.
The Real Truth? Our tip hotline is open. You ready to help us point out about some truly outrageous hypocrisy within skateboarding? Operators are standing by. And if you don’t contact us, Samson or karma will find you.
A world without pros…11th anniversary of a gift that keeps on giving.
SECTION C – AKA THE “C” SECTION – WHERE WE CUT TO THE CHASE
God, it’s been a brutal week. The senseless deaths in Florida. This is why the USA needs to have an truthful conversation on making guns a little more difficult to obtain than Kinder Surprises were for the past few decades. If you can regulate printed porn, cigarettes and liquor, you can put the same amount of thought into regulating guns.
My social media feed is filled with “thoughts and prayers” and “parents, raise your kids right” and “2nd Amendment” and “abortion caused this” and more and more statistics.
The Truth? This was the week that I decided to finally stop posting on my personal page. I deleted a number of old posts and set my settings to private. I even removed it from as a shortcut on my phone. Personally, I am over Facebook. I hope a billionaire reads about our gun buy back and we put thousands of skateboards into people’s hands.
The Real Truth? Facebook makes me feel like shit most of the time. I see left/right battling it out. I see my skate heroes posting stuff that makes my headspin. Then I remember, it’s the skateboarding that unites us.
If you want to face our 3 questions…just email me.
Either Samson or I will be happy to put you in the hot seat.
The following song assisted in the production of this newsletter. This song is over 42 years old. Deal with it.
Still great 42 years later!
And if you find that track awesome, check out this cover by Phil Upchurch.
Every time the skateboarding world sees a new video clip of Aaron “Jaws” Homoki plummeting off another mind-numbingly high roof or of Shane O’Neill effortlessly throwing down a video game-like NBD, the generally accepted boundary for human possibility on a skateboard is notched ever upward. As such, those who look on from below are forced to try to make sense of their place in a community where the accolades for “biggest” and “most technical” seem to already be taken. While some take it upon themselves to challenge the giants and capture the biggest drops, most technical combinations and highest amounts of prize money, there exists another important end of the spectrum.
On this end, through the guise of Instagram usernames and minute-long video clips, we have come to know a growing collective of skateboarders that are making fantastic strides in the way of creativity and are furthering their own sets of boundaries for innovation and technicality. Although their unique skills may not lead them to the bright lights of the next stop on the Street League tour, they have led many of today’s most talented skateboarders to a garbage-filled loading dock somewhere in Los Angeles for the inaugural season of Xtreme Videos’ popular new web series, Trashin. Debuting in late 2017, Trashin saw overnight success as it’s first season received over one and a half million collective views on Facebook. To catch up with some of the folks behind the madness, we got a hold of Director & Editor, Sean Marin along with viral sensations William Spencer and Eric Cummins for their take on how it all went down.
When asked of the show’s beginnings, Marin explained how “The concept of the show was really a brain child of the team work from XTreme Video, a reputable leader in the action sports industry, and Richie Jackson. It came together when Facebook was on the hunt for Action Sports content to air on their Facebook Watch pages and they saw Xtreme Video’s production slate, which had Trashin, and Facebook jumped on it. After that, it was Richie and XTreme’s amazing in house producers Heather Garrow and Nathalie D’Haucourt, who really helped dial in the Trashin series concept.” After this, Marin was recruited to use his background in sports films and skateboarding to put the concept into action and add some design flare along the way. “We really wanted the whole series not only to be focused on the skater’s, giving them the best chance to create and land stuff, but we wanted the feel of everything to be “retro” 80’s and an homage to the 1986 film Thrashin. I’d also be lying if I didn’t say that I was deeply influenced by the Stranger Things series I had just binged watched on Netflix” Marin added.
From there, the people’s champ, Richie Jackson, took over as the show’s host and explained to viewers the method behind the madness they were about to see unfold. His concept was simple: skate the Trash on set in the most creative way possible in two round contest, consisting of Best Trick and Best Line. This way, Jackson’s voice as the modern day godfather of creative skateboarding could be exercised to name the winner of Best Line while the Facebook audience was able to stay engaged through choosing the winner of Best Trick each week. To the tune of $800, a hand-picked cast of some of the world’s best underground skaters were invited to rearrange the elements of their surrounds in any way they thought would compliment their unique styles of skating best. After a few parting words of inspiration, “the skateboarder’s skate competition” as it was dubbed, was underway.
Over the course of five episodes, each thoroughly filled with hammers, the Facebook audience got to witness nonconventional skateboarding performed by those who know the terrain best. Though Concrete Wave will not drop the names of the big winners here, we assure you that the shredding that went down is a sight to me marveled at firsthand. You can check out the first season on Facebook here
Amongst the notable standouts selected to partake, William Spencer and Eric Cummins were both selected to the finale episode and both had great things to say about the experience. First and foremost, the pair each claimed that the freedom of the contest was one of the defining aspects that made the experience more enjoyable than any other contest that had been a part of in the past. To Cummins, he noted how “Other contests I’ve skated have the obstacles already set and in place. You can’t move anything around, they all have had time limits and you only get a few chances or runs and that’s it. During Trashin you could move and build stuff and try as many times as you like!”
At the same time, Williams told us “I think Trashin, from it’s very inception by Mr. Jackson, has been a cry for something different, something new, and most of all, something as creative at it could possibly be, for being a contest that is. Competing as it were in this “contest” has been nothing like what you might expect when people throw the word around. It is in fact best case scenario in my opinion.” As Williams went on, he praised the way that the Trashin crew placed little constraint on the time and space needed for him to work his magic. In the process of building his features, he delighted in getting the choice to select what type of obstacles he would be judged on and the crew’s leniency on how exactly his entries for Best Trick and Best Line were considered. As such, Williams also hailed the filmers’ realistic approach to operating the cameras just as if they were filming a video in the streets and the ensuing collaboration with backup filmers to get the right mix of action and storytelling shots.
Another standout component that both mentioned was the inspiring, yet laid-back atmosphere of skating amongst some of the most creative minds in skateboarding today. They agreed that time granted to figure their approaches out combined with the hype that came with skating amongst new friends led to a happy medium of both comfort and high energy. To comment on skating in the presence of his competitors, Williams claimed, “I was so happy to meet those guys and to put personalities to such skillful skating and remarkable drive to create newness in skating. They rule. I was beside myself in awe of how many fantastic tricks they came up with and got done in so short a time.”
In the end, both Cummins and Spencer both thanked “The Featch” himself for selecting them to take part in the first season. In Cummins’ own words he said, “I really am just so grateful to have been a part of Trashin, met Richie Jackson, and skated alongside so many amazing skateboarders.” As for Williams he said, “I am so flattered and grateful to Richie for asking me to be a part of it. I can’t thank the filmer’s enough for their patience, time, energy and just generalized encouraging words they always gave along the way in the filming process. You know who you are Mike, Holden, Garrett, Troy and Hunter.”
As for the future of the series, Sean Marin chimed back in to tell us that he is unable to confirm nor deny the possibility for a reboot. However, he was quick to add that with the continued watching and sharing of Trashin, the possibility of another season of one of the most engaging contests in skateboarding today is open.
As for skateboarding. Well, this is a scam…don’t be fooled. These folks DO NOT HAVE YOUR BEST INTEREST at heart. There’s a place for beginner skateboards – visit your local independent skateshop to learn more. Don’t know who to contact? Email me. firstname.lastname@example.org.
Scams hurt. Scams are cruel. Scams should be taken out to the shed and shot.
Pardon the dust. We hope you like the new website and enjoy it! But, it’s far from done. In fact, it will never be done, because we will always be working on improving it to keep up with it’s own natural purpose to be an extension of the skateboarding world that has shaped us. The site will continue to improve in this regard with a mission to evolve forever with skateboarding rather than focus on resisting change or why things aren’t “the same” anymore. How can we ensure supporting and keeping up with the evolution of skateboarding? Simple. By being by skateboarders, for skateboarders, always, and never losing touch with the real world of skateboarding. That’s exactly where you come in. We want to see your images and clips and read your stories. Please, FILL this site with the real world of skateboarding and help us make it about the roots while we at the same time find new and cool ways to connect and evolve with the people that make skateboarding awesome. With this mission in mind, to connect real skaters everywhere of all styles and skill levels, this site isn’t just for you as a skater:
This time, it’s by you.
What do we mean? How can you help build our community and the skateboard industry? Well, it’s not just about reading awesome editorials by Michael and Bud & and others (they have done a fantastic job over the years so hats off to them). We will always have that side of the mag and we hope to support it in new ways through the new site. But, this time when we do it’s about the community, about the skaters creating content and getting out there on the web with us, to share in the stoke. So, we want to read YOUR posts and articles. We want to let YOU be the publishers, too, right along with us. We will be in forums with you and we hope to generate an actual two way dialogue within the industry and skate community that helps us do our best to craft the site’s evolution according to what YOU want out of it and what the skateboarding world really wants. No corporate agendas. Real skaters. How can you specifically get involved?
Well, so many easy ways:
Sign up and show your support by completing your profile and putting a face to the name. Put a cover photo and profile photo up and you’ll show up in our community page. Feel free to use your real name or a pseudonym, it’s up to you!
Post in the forums. Share your skate pics, your skate instagram posts, your skate clips, your stories, your skateboards, your designs, your opinions, and your passions. But, most of all, share the stoke and spread high fives and positive vibes. Haters and negatrons will be banned! Try to have fun.
Read our past issues and watch our vids! They’re up on the site and we’ll be adding more and more media to enjoy.
Design custom finger boards and skateboards in the shop. This feature is being rolled out to certain members only in the first week, and it will go public to everyone. So, sign up soon to be part of the early release! If you don’t see it yet, just check back in a day or two.
Share us on social media. Read a cool article or see a cool post? Share it on FB, IG, Pinterest, or wherever you like to share!
Check Back Often! We’re posting frequently now that we’re up and running, and we’re releasing more really awesome sections soon so don’t be a stranger!
Go Skate! Don’t forget why we do this! Skateboarding isn’t broken and never was. It’s still is and always was one of the purest forms of freedom and self expression by just having fun. You just have to do it to find out. Get out there. Get on your board. And, go sk8. Do it your way! Don’t conform. Do what you want! And, if you do document it, then when you get back…. post and share your stoke here with us and forever be immortalized in our new forums that will one day be considered the new archives by the skaters, for the skaters. We, for starters, are eagerly waiting to read all of your stories and comments see all of your awesome clips and pics just like you’ve been reading ours over the years.
We’re excited to see what the skateboard community can be here on the new wave. But, don’t worry, the old wave will always live on as well as we also pay tribute with awesome throwbacks and past issues. Hopefully both can come together in one space, and we can share the stoke old and new, as we transition into the next wave here in 2018.
Thanks for reading and being a part of this movement. We have a LOT more than this coming thru the site and all of the great sponsors and groups we’re working with right now to connect networks all over the world through skateboarding. Stay tuned, we’re just getting going!
I’ve known Dan MacFarlane for a number of years and frankly, he’s one of the most gifted skaters I’ve ever encountered.
Besides having an incredible style and creativity, Dan’s “gift” to skateboarding is his extra-ordinary ability to teach others how to skate. His instructional videos have been seen by hundreds of thousands of skaters and have had a tremendous impact.
Using video to teach skaters is a powerful way to engage people.
Behold, Dan’s latest masterpiece. Source: CW from MyStyle